Weird Studies - Episodes Tagged with “Technology”

Episode 153: Celestial Machine: On the Temperance Card in the Tarot

Phil Ford and J. F. Martel — Wed, 13 Sep 2023 10:30:00 -0400

Even learned commentators on the tarot are likely to point out at the fourteenth major arcana, Temperance, is a bit of a boring card. At least, it comes off as dull until you look at it closely, as JF and Phil do in this episode. What they find is that the Temperance card is actually a diagram, a kind of blueprint for a celestial machine that underlies human technology, beckoning us to restore even the most mechanical contraption to the raw weirdness at the source of everything.

Header image by Rolf Dietrich Brecher via Wikimedia Commons

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SHOW NOTES

Anonymous, Meditations on the Tarot
Aleister Crowley, The Book of Thoth
Adrien Lyne, Jacob’s Ladder
Weeping Angels, Dr. Who creatures
Joel Schumacher, Flatliners
Lawrence Halprin, The RSVP Cycles
Gregory Bateson, Steps To an Ecology of Mind
Hesychasm, monastic practice
Yoav Ben-Dov, Tarot: the Open Reading
The Gnostic Tarot
Jeffrey Kripal, Authors of the Impossible
Nagarjuna, Verses of the Middle Way

Summer Bonus #2: Art and AI

Phil Ford and J. F. Martel — Fri, 08 Sep 2023 10:15:00 -0400

In this bonus episode, originally released on July 26th on the Weird Studies Patreon, Phil and JF explore a few ways in which artificial intelligence will impact the arts. The podcast returns with a new official episode on September 13th. Enjoy.

Episode 146: An Air of Great Power: On the Chariot in the Tarot

Phil Ford and J. F. Martel — Wed, 10 May 2023 10:30:00 -0400

Of the twenty-two figures that make up the major arcana of the tarot, the Chariot is probably the most commonplace. While the tenth arcanum is a wheel, it's The Wheel of Fortune, not just any old wagon wheel. But arcanum VII is neither the Chariot of Fire or the Chariot of the Gods – just the plain old chariot. Usually, it is interpreted as a symbol of the will in its lower and higher aspects. In this episode, Phil notes that the Chariot can also symbolize something as ordinary as new car. Of course, here on Weird Studies, no car is just a car, and we like to think that Youngblood Priest, the protagonist of the 1972 film Super Fly, would agree. A car also a tool, a medium, a token of mastery, an atmospheric disturbance, a means of manifestation, a spaceship...

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REFERENCES

Rachel Pollack, Tarot Wisdom
Jordan Parks Jr., Super Fly
Our Known Friend, Meditations on the Tarot
Weird Studies, Episode 144 on “Hellraiser”
Plato, Phaedrus
Vanessa Onwuemezi, Dark Neighborhood
J. G. Ballard, Crash
Paul Virilio, War and Cinema
Karl Marx, Grundrisse
Weird Studies, Episode 26 with Michael Garfield

Episode 127: Leaving the Mechanical Dollhouse: On Abeba Birhane's "The Impossibility of Automating Ambiguity"

Phil Ford and J. F. Martel — Wed, 06 Jul 2022 10:30:00 -0400

Like Caligula declaring war on Neptune and ordering his troops to charge into the Mediterranean Sea, our technological masters are designing neural networks meant to capture the human soul in all its oceanic complexity. According to the cognitive scientist Abeba Birhane, this is a fool's errand that we undertake at our peril. In her paper "The Impossibility of Automating Ambiguity," she makes the case for the irremediable fluidity, spontaneity, and relationality of people and societies. She argues that ongoing efforts to subsume the human (and the rest of reality) in predictive algorithms is actually narrowing the human experience, as so many of us are excluded from the system while others are compelled to artificially conform to its idea of the human. Far from paving the way to a better world, the tyranny of automation threatens to cut us off from the Real, ensuring an endless perpetuation of the past with all its errors and injustices. Phil and JF discuss Birhane's essay in this episode.

Header image from via www.vpnsrus.com (cropped). Downloaded from Wikimedia Commons.

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REFERENCES

Abebe Birhane, "The Impossibility of Automating Ambiguity”
J. F. Martel, “Reality is Analog: Philosophizing with Stranger Things”
Melissa Adler, Cruising the Library: Perversities in the Organization of Knowledge
Weird Studies, Episode 75 on 2001: A Space Odyssey
Weird Studies, Episode 114 on the Wheel of Fortune
William James, American philosopher
Midjourney, AI art generator
Rhine Research Center, parapsychology lab
George Lewis, “Improvised Music after 1950: Afrological and Eurological Perspectives”
Abebe Birhane, “Descartes was Wrong: A Person is a Person Through Other Persons”
Gottfried Wilhelm Leibniz, German philosopher
J. R. R. Tolkein, “On Fairy-Stories”
Martin Buber, I and Thou

Episode 123: Off-Week Patreon Bonus: On Modern Miracles

Phil Ford and J. F. Martel — Wed, 18 May 2022 09:00:00 -0400

Every off-week, JF and Phil record a bonus episode for Patreon supporters. The conversations on that stream are shorter, less formal, and more improvisitory than those of the flagship show. To give the wider public a glimpse of this hidden dimension of the WS universe, we decided to make this week's "audio extra" available to everyone. As it happens, this episode also contains an important announcement concerning next week's event at Illuminated Brew Works in Chicago: tickets must be purchased via Eventbrite using the link below. No tickets can be sold at the door.

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Episode 116: On 'Blade Runner'

Phil Ford and J. F. Martel — Wed, 16 Feb 2022 10:00:00 -0500

In his 1978 bestseller The Selfish Gene, Richard Dawkins described humans as "survival machines" whose sole purpose is the replication of genes. All of culture needed to be understood as a side-effect, if not an epiphenomenon, of that defining function. Four years after Dawkins' book was published, Warner Brothers released Blade Runner, an adaptation of Philip K. Dick's dystopian novel Do Androis Dream of Electric Sheep?. Ridley Scott's film presents us with a different kind of survival machine: the replicant, a technology whose sole function is the replication of human beings. In this episode, Phil and JF discuss the ethical, metaphysical, and aesthetic dimensions of one of the greatest and most prophetic science fiction films of all time.

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REFERENCES

Ridley Scott (dir.), Blade Runner

Philip K. Dick, Do Androids Dream of Electric Sheep?
Philip K. Dick, “The Android and the Human”
Philip K. Dick, “Man, Android, and Machine”
Dennis Villeneuve (dir.), Blade Runner 2049
Weird Studies, Episode 114 on the Wheel of Fortune
Scott Bukatman, Blade Runner: BFI Film Classics
Alan Nourse, The Bladerunner
Weird Studies, Episode 115 on Brian Eno
Richard Dawkins, The Selfish Gene
Todd Gitlin, The Sixties: Years of Hope, Days of Rage
Fredric Jameson, Postmodernism or the Cultural Logic of Late Capitalism
Weird Studies, Episode 5 on “When Nothing is Cool”
JF Martel, “Reality is Analog: Philosophizing with Stranger Things”
John Carpenter (dir,), The Thing
Beyond Yacht Rock podcast
Sigmund Freud, “The Uncanny”
Weird Studies, Episode 86 on “The Sandman”
Orson Welles (dir.), Touch of Evil
George Orwell, 1984

Episode 113: Framing the Invisible, with Shannon Taggart

Phil Ford and J. F. Martel — Wed, 22 Dec 2021 11:00:00 -0500

Shannon Taggart's book Seance is a landmark in art photography and the history of psychical research. Taggart spent years photographing practitioners of spiritualism in the U.S. and Europe in an effort to capture the mysteries of mediumship, ectoplasm, and spirit photography. In this episode, she joins JF and Phil for a conversation on the often-misunderstood tradition of spiritualism, the investigation of the paranormal, and the real magic of photography. If the technological medium is the message, then perhaps the spiritual medium is the messenger.

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**REFERENCES

*Shannon Taggart, Séance *
Read the introduction to the book here
Visual companion page for this episode

Shannon and her work are featured in Peter Bebergal's excellent book, Strange Frequencies: The Extraordinary Story of the Technological Quest for the Supernatural

Weird Studies, Episode 24 with Lionel Snell
Lionel Snell, “The Charlatan and the Magus”
George P. Hansen, The Trickster and the Paranormal
Diane Arbus, American photographer
Warner Herzog (dir.), Cave of Forgotten Dreams
Jeffrey Mishlove, Interview with James Tunney on Francis Bacon
Eva C, French medium
Andrew Jackson Davis, American spiritualist
Henry Alcott, American Theosophist

For further reading on women, spiritualism, and the art of the invisible:
Ann Braude, Radical Spirits
Guggenheim, Hilma af Klint: Paintings for the Future Special Guest: Shannon Taggart.

Episode 101: Our Fear of the Dark: On Tanizaki's 'In Praise of Shadows'

Phil Ford and J. F. Martel — Wed, 23 Jun 2021 11:30:00 -0400

In modern physics as in Western theology, darkness and shadows have a purely negative existence. They are merely the absence of light. In mythology and art, however, light and darkness are enjoy a kind of Manichaean equality. Each exists in its own right and lays claim to one half of the Real. In this episode, JF and Phil delve into the luxuriant gloom of the Japanese novelist Jun'ichirō Tanazaki's classic meditation on the half-forgotten virtues of the dark.

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REFERENCES

Junichiro Tanizaki, In Praise of Shadows
Chiaroscuro, Renaissance art style
John Carpenter (dir.), Escape from L.A.
Weird Studies, Episode 13 on Heraclitus
Walter Benjamin, The Work of Art in Age of Mechanical Reproduction
Yasujiro Ozu (dir.), Late Spring
Wabi Sabi, Japanese idea
John Carpenter (dir.), Escape from NY
Jonathan Crary, 24/7: Late Capitalism and the End of Sleep
Eric Voegelin, German-American philosopher

Episode 53: Astral Jet Lag: On William Gibson's 'Pattern Recognition'

Phil Ford and J. F. Martel — Wed, 14 Aug 2019 09:00:00 -0400

William Gibson's Pattern Recognition was published in 2003, in the wake of 9/11. You would think that a novel about the early Internet's effects on the collective psyche would feel dated today. But Gibson's insight into the deeper implications of digital culture and soul-rending consumerism are such that we are still catching up with Cayce Pollard, the novel's protagonist, as she journeys into the hypermodern underworld, searching for the secrets of art, time, and death. In this episode, JF and Phil read Pattern Recognition as an exploration of the attention economy, an ascent of the all-seeing pyramid, a subtle rewilding of postmodern culture, and a handbook for the magicians of the future.

REFERENCES

William Gibson, Pattern Recognition
Malcolm Gladwell, "The Coolhunt"
Douglas Rushkoff, Present Shock: When Everything Happens Now
Alvin and Heidi Toffler, Future Shock
Weird Studies Episode 30 -- On Stanley _Kubrick's Eyes Wide Shut_
Weird Studies Episode 50 -- Demogorgon: On _Stranger Things_
Austin Osman Spare, The Focus of Life: The Mutterings of AOS
Douglas Rushkoff, Program or Be Programmed: Ten Commands for a Digital Age

Episode 47: Machines of Loving Grace: Technology and the Unabomber

Phil Ford and J. F. Martel — Wed, 22 May 2019 10:30:00 -0400

Made in 2003, Lutz Dammbeck's documentary The Net: The Unabomber, LSD, and the Internet is a film about many things, but the gist of it is something like what William Burroughs called the doctrine of control. We live in a world governed by technologies designed with a particular idea of society in mind, one that has its roots in the trauma of global war and the utopian dreams of modern thinkers. The viability of this ideal is, of course, an important question, and it was made all the more urgent by recent developments at the intersection of technology and politics. In this episode, JF and Phil discuss the doctrine of control as imagined by one of its fiercest -- and most insane -- critics: Ted Kaczynski, also known as the Unabomber. Kaczynski's thoughts on technological society form the through-line of Dammbeck's film, which in turn serves as a through-line for this jam on everything from one-world government and cybernetics to the archetype of the magus and the Whole Earth Catalog.

REFERENCES

Lutz Dammbeck (director), The Net: The Unabomber, LSD and the Internet (2003)
Chuck Klosterman, "FAIL" in Eating the Dinosaur
Jacques Ellul, French theorist
Suzanne Treister, HEXEN Tarot Deck
-- Seven of Swords
-- Justice
-- The Sun
Norbert Wiener, Cybernetics: Or Control and Communication in the Animal and Machine and The Human Use of Human Beings
Bertrand Russell, The Scientific Outlook
Aldous Huxley, Brave New World
Kevin Kelly, What Technology Wants
Weird Studies Episode 2: Garmonbozia
Stewart Brand, writer and editor of the Whole Earth Catalog
Ursula Le Guin, Always Coming Home
Gary Snyder's idea that "we are primitives of an unknown culture" is explored in Phil Ford, Dig: Sound and Music in Hip Culture
Richard Brautigan, "All Watched Over by Machines of Loving Grace" (poem)
San Francisco Oracle
Heidegger, The Question Concerning Technology

Episode 31: Scarcely Human at All: On Glenn Gould's 'Prospects of Recording'

Phil Ford and J. F. Martel — Wed, 24 Oct 2018 10:00:00 -0400

Most people know Glenn Gould as a brilliant pianist who forever changed how we receive and interpret the works of Europe's great composers: Bach, Beethoven, Schoenberg... But Gould was also an aesthetic theorist who saw a new horizon for the arts in the age of recording technology. In the future, he said, the superstitious cult of history, performance, and authorship would disappear, and the arts would retrieve a "neo-medieval anonymity" that would allow us to see them for what they really are: scarcely human at all. This episode interprets Gould's prophecy with the help of the Canadian media theorist Marshall McLuhan, the Chinese Daoist sage Zhuang Zhou, and the German philosopher Martin Heidegger, among others.

SHOW NOTES

Glenn Gould, "The Prospects of Recording"
Marshall McLuhan's Tetrad of media effects
Ludwig van Beethoven, Concerto no. 3 in C minor
Glenn Gould, "Glenn Gould Interviews Glenn Gould about Glenn Gould"
Glenn Gould and Yehudi Menuhin, dialogue on The Music of Man
Jean-Luc Godard, A Married Woman (A Married Woman)
Heidegger, Der Spiegel interview (1966)
Daoist sage Zhuang Zhou
Walter Benjamin, "The Work of Art in the Age of Mechanical Reproduction"
Stanley Kubrick, A Clockwork Orange
Marshall McLuhan, The Playboy interview
Marshall McLuhan, The Mechanical Bride
Marshall McLuhan, Understanding Media
Douglas Rushkoff and Michael Avon Oeming, Aleister and Adolph
Joyce Hatto
Lionel Snell, My Years of Magical Thinking
Kevin Bazzana, Glenn Gould: The Performer in the Work
Phil Ford, “Blogging and the Van Meegeren Syndrome”
David Thompson, Have You Seen...?: A Personal Introduction to 1,000 Films