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    <title>Weird Studies - Episodes Tagged with “Tarkovsky”</title>
    <link>https://www.weirdstudies.com/tags/tarkovsky</link>
    <pubDate>Wed, 23 May 2018 10:00:00 -0400</pubDate>
    <description>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality." 
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    <itunes:subtitle>Art and philosophy at the limits of the thinkable</itunes:subtitle>
    <itunes:author>Phil Ford and J. F. Martel</itunes:author>
    <itunes:summary>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality." 
</itunes:summary>
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    <itunes:keywords>weird, art, philosophy</itunes:keywords>
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      <itunes:name>Phil Ford and J. F. Martel</itunes:name>
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<itunes:category text="Arts"/>
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  <itunes:category text="Philosophy"/>
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  <title>Episode 15: On Tarkovsky's 'Stalker' - Part Two</title>
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  <pubDate>Wed, 23 May 2018 10:00:00 -0400</pubDate>
  <author>Phil Ford and J. F. Martel</author>
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  <itunes:episode>15</itunes:episode>
  <itunes:title>On Tarkovsky's 'Stalker' - Part Two</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>The second part of Phil and JF's conversation about Andrei Tarkovsky's masterpiece, "Stalker."</itunes:subtitle>
  <itunes:duration>1:04:34</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
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  <description>In this second of a two-part conversation on Andrei Tarkovsky's 1979 film Stalker, Phil and JF explore the film's prophetic dimension, relating it to Samuel R. Delany's classic science-fiction novel Dhalgren, the cultural revolution of the 1960s, the affordances of despair, the spookiness of color, the transformation of noise into music, and the Chernobyl disaster. They even come up with a title for a novel Robert Ludlum never wrote but should have written: The Criterion Rendition!
REFERENCES
Andrei Tarkovsky (dir.), Stalker (https://www.criterion.com/films/28150-stalker)
Samuel R. Delany, Dhalgren (https://en.wikipedia.org/wiki/Dhalgren) (foreword by William Gibson)
H.P. Lovecraft, "The Colour Out of Space" (https://en.wikipedia.org/wiki/The_Colour_Out_of_Space)
John Searle, Seeing Things as They Are: A Theory of Perception (https://www.amazon.com/Seeing-Things-They-Are-Perception/dp/0199385157)
Steve Reich, Come Out (https://pitchfork.com/features/article/9886-blood-and-echoes-the-story-of-come-out-steve-reichs-civil-rights-era-masterpiece/)
Gustav Mahler, Symphony No. 1 (http://gustavmahler.com/symphonies/mahler-symphony-1.html)
Martin Heidegger, "The Question Concerning Technology" (https://en.wikipedia.org/wiki/The_Question_Concerning_Technology)
Stanley Kubrick, The Shining (https://www.imdb.com/title/tt0081505/)
The Chernobyl Exclusion Zone (https://en.wikipedia.org/wiki/Chernobyl_Exclusion_Zone)
Sigmund Freud, [Beyond the Pleasure Principle](https://en.wikipedia.org/wiki/BeyondthePleasurePrinciple)_ 
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  <content:encoded>
    <![CDATA[<p>In this second of a two-part conversation on Andrei Tarkovsky&#39;s 1979 film <em>Stalker</em>, Phil and JF explore the film&#39;s prophetic dimension, relating it to Samuel R. Delany&#39;s classic science-fiction novel <em>Dhalgren</em>, the cultural revolution of the 1960s, the affordances of despair, the spookiness of color, the transformation of noise into music, and the Chernobyl disaster. They even come up with a title for a novel Robert Ludlum never wrote but should have written: <em>The Criterion Rendition</em>!</p>

<p><strong>REFERENCES</strong></p>

<p>Andrei Tarkovsky (dir.), <em><a href="https://www.criterion.com/films/28150-stalker" rel="nofollow">Stalker</a></em><br>
Samuel R. Delany, <em><a href="https://en.wikipedia.org/wiki/Dhalgren" rel="nofollow">Dhalgren</a></em> (foreword by William Gibson)<br>
H.P. Lovecraft, <a href="https://en.wikipedia.org/wiki/The_Colour_Out_of_Space" rel="nofollow">&quot;The Colour Out of Space&quot;</a><br>
John Searle, <em><a href="https://www.amazon.com/Seeing-Things-They-Are-Perception/dp/0199385157" rel="nofollow">Seeing Things as They Are: A Theory of Perception</a></em><br>
Steve Reich, <em><a href="https://pitchfork.com/features/article/9886-blood-and-echoes-the-story-of-come-out-steve-reichs-civil-rights-era-masterpiece/" rel="nofollow">Come Out</a></em><br>
Gustav Mahler, <em><a href="http://gustavmahler.com/symphonies/mahler-symphony-1.html" rel="nofollow">Symphony No. 1</a></em><br>
Martin Heidegger, <a href="https://en.wikipedia.org/wiki/The_Question_Concerning_Technology" rel="nofollow">&quot;The Question Concerning Technology&quot;</a><br>
Stanley Kubrick, <em><a href="https://www.imdb.com/title/tt0081505/" rel="nofollow">The Shining</a></em><br>
The <a href="https://en.wikipedia.org/wiki/Chernobyl_Exclusion_Zone" rel="nofollow">Chernobyl Exclusion Zone</a><br>
Sigmund Freud, <em><a href="https://en.wikipedia.org/wiki/Beyond_the_Pleasure_Principle" rel="nofollow">Beyond the Pleasure Principle</a></em></p>]]>
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  <itunes:summary>
    <![CDATA[<p>In this second of a two-part conversation on Andrei Tarkovsky&#39;s 1979 film <em>Stalker</em>, Phil and JF explore the film&#39;s prophetic dimension, relating it to Samuel R. Delany&#39;s classic science-fiction novel <em>Dhalgren</em>, the cultural revolution of the 1960s, the affordances of despair, the spookiness of color, the transformation of noise into music, and the Chernobyl disaster. They even come up with a title for a novel Robert Ludlum never wrote but should have written: <em>The Criterion Rendition</em>!</p>

<p><strong>REFERENCES</strong></p>

<p>Andrei Tarkovsky (dir.), <em><a href="https://www.criterion.com/films/28150-stalker" rel="nofollow">Stalker</a></em><br>
Samuel R. Delany, <em><a href="https://en.wikipedia.org/wiki/Dhalgren" rel="nofollow">Dhalgren</a></em> (foreword by William Gibson)<br>
H.P. Lovecraft, <a href="https://en.wikipedia.org/wiki/The_Colour_Out_of_Space" rel="nofollow">&quot;The Colour Out of Space&quot;</a><br>
John Searle, <em><a href="https://www.amazon.com/Seeing-Things-They-Are-Perception/dp/0199385157" rel="nofollow">Seeing Things as They Are: A Theory of Perception</a></em><br>
Steve Reich, <em><a href="https://pitchfork.com/features/article/9886-blood-and-echoes-the-story-of-come-out-steve-reichs-civil-rights-era-masterpiece/" rel="nofollow">Come Out</a></em><br>
Gustav Mahler, <em><a href="http://gustavmahler.com/symphonies/mahler-symphony-1.html" rel="nofollow">Symphony No. 1</a></em><br>
Martin Heidegger, <a href="https://en.wikipedia.org/wiki/The_Question_Concerning_Technology" rel="nofollow">&quot;The Question Concerning Technology&quot;</a><br>
Stanley Kubrick, <em><a href="https://www.imdb.com/title/tt0081505/" rel="nofollow">The Shining</a></em><br>
The <a href="https://en.wikipedia.org/wiki/Chernobyl_Exclusion_Zone" rel="nofollow">Chernobyl Exclusion Zone</a><br>
Sigmund Freud, <em><a href="https://en.wikipedia.org/wiki/Beyond_the_Pleasure_Principle" rel="nofollow">Beyond the Pleasure Principle</a></em></p>]]>
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<item>
  <title>Episode 14: On Tarkovsky's 'Stalker' - Part One</title>
  <link>https://www.weirdstudies.com/14</link>
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  <pubDate>Tue, 15 May 2018 23:00:00 -0400</pubDate>
  <author>Phil Ford and J. F. Martel</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/e38b53e4-e148-4e2d-b301-0b3bb15779ff/6cfbfa0e-50c4-4231-a6f9-fda10afe2b59.mp3" length="49771627" type="audio/mp3"/>
  <itunes:episode>14</itunes:episode>
  <itunes:title>On Tarkovsky's 'Stalker' - Part One</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>The first part of JF and Phil's conversation on Tarkovsky's 1979 masterpiece, "Stalker."</itunes:subtitle>
  <itunes:duration>41:03</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/e/e38b53e4-e148-4e2d-b301-0b3bb15779ff/cover.jpg?v=1"/>
  <description>Journey into the Zone to uncover some of the strange artifacts buried in Tarkovsky's cinematic masterpiece, Stalker (1979). In this first of a two-part conversation, Phil and JF discuss a poem by Tarkovsky's dad, compare the film with the sci-fi novel that inspired it, explore the ideological underpinnings of formulaic genre, delve into the meaning and affordances of the concept of zone, and affirm that in a sufficiently weird mindset, even a casual stroll in your hometown can become an excursion into a Zone of your own. 
REFERENCES
Andrei Tarkovsky (dir.), Stalker (https://www.imdb.com/title/tt0079944/)
Arkady and Boris Strugatsky, [Roadside Picnic](https://en.wikipedia.org/wiki/RoadsidePicnic)_
The Wachowskis (dir.), The Matrix (https://www.imdb.com/title/tt0133093/)
James Cameron (dir.), Avatar (https://www.imdb.com/title/tt0499549/)
Second City Television (https://en.wikipedia.org/wiki/Second_City_Television) (SCTV), vintage Canadian comedy show
Alex Garland (dir.), Annihilation (https://www.imdb.com/title/tt2798920/) (based on the novel by Jeff Vandermeer; here's an article (http://www.vulture.com/2018/02/9-ways-annihilation-the-movie-differs-from-the-book.html) on how Garland's film differs from Vandermeer's arguably weirder text)
SCTV, Monster Chiller Horror Theatre: Whispers of the Wolf (https://www.secondcity.com/network/sctv-monster-chiller-horror-theatre-whispers-of-the-wolf)
</description>
  <content:encoded>
    <![CDATA[<p>Journey into the Zone to uncover some of the strange artifacts buried in Tarkovsky&#39;s cinematic masterpiece, <em>Stalker</em> (1979). In this first of a two-part conversation, Phil and JF discuss a poem by Tarkovsky&#39;s dad, compare the film with the sci-fi novel that inspired it, explore the ideological underpinnings of formulaic genre, delve into the meaning and affordances of the concept of <em>zone</em>, and affirm that in a sufficiently weird mindset, even a casual stroll in your hometown can become an excursion into a Zone of your own. </p>

<p><strong>REFERENCES</strong></p>

<p>Andrei Tarkovsky (dir.), <em><a href="https://www.imdb.com/title/tt0079944/" rel="nofollow">Stalker</a></em><br>
Arkady and Boris Strugatsky, <em><a href="https://en.wikipedia.org/wiki/Roadside_Picnic" rel="nofollow">Roadside Picnic</a></em><br>
The Wachowskis (dir.), <em><a href="https://www.imdb.com/title/tt0133093/" rel="nofollow">The Matrix</a></em><br>
James Cameron (dir.), <em><a href="https://www.imdb.com/title/tt0499549/" rel="nofollow">Avatar</a></em><br>
<a href="https://en.wikipedia.org/wiki/Second_City_Television" rel="nofollow">Second City Television</a> (SCTV), vintage Canadian comedy show<br>
Alex Garland (dir.), <em><a href="https://www.imdb.com/title/tt2798920/" rel="nofollow">Annihilation</a></em> (based on the novel by Jeff Vandermeer; here&#39;s <a href="http://www.vulture.com/2018/02/9-ways-annihilation-the-movie-differs-from-the-book.html" rel="nofollow">an article</a> on how Garland&#39;s film differs from Vandermeer&#39;s arguably <em>weirder</em> text)<br>
SCTV, <em><a href="https://www.secondcity.com/network/sctv-monster-chiller-horror-theatre-whispers-of-the-wolf" rel="nofollow">Monster Chiller Horror Theatre: Whispers of the Wolf</a></em></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Journey into the Zone to uncover some of the strange artifacts buried in Tarkovsky&#39;s cinematic masterpiece, <em>Stalker</em> (1979). In this first of a two-part conversation, Phil and JF discuss a poem by Tarkovsky&#39;s dad, compare the film with the sci-fi novel that inspired it, explore the ideological underpinnings of formulaic genre, delve into the meaning and affordances of the concept of <em>zone</em>, and affirm that in a sufficiently weird mindset, even a casual stroll in your hometown can become an excursion into a Zone of your own. </p>

<p><strong>REFERENCES</strong></p>

<p>Andrei Tarkovsky (dir.), <em><a href="https://www.imdb.com/title/tt0079944/" rel="nofollow">Stalker</a></em><br>
Arkady and Boris Strugatsky, <em><a href="https://en.wikipedia.org/wiki/Roadside_Picnic" rel="nofollow">Roadside Picnic</a></em><br>
The Wachowskis (dir.), <em><a href="https://www.imdb.com/title/tt0133093/" rel="nofollow">The Matrix</a></em><br>
James Cameron (dir.), <em><a href="https://www.imdb.com/title/tt0499549/" rel="nofollow">Avatar</a></em><br>
<a href="https://en.wikipedia.org/wiki/Second_City_Television" rel="nofollow">Second City Television</a> (SCTV), vintage Canadian comedy show<br>
Alex Garland (dir.), <em><a href="https://www.imdb.com/title/tt2798920/" rel="nofollow">Annihilation</a></em> (based on the novel by Jeff Vandermeer; here&#39;s <a href="http://www.vulture.com/2018/02/9-ways-annihilation-the-movie-differs-from-the-book.html" rel="nofollow">an article</a> on how Garland&#39;s film differs from Vandermeer&#39;s arguably <em>weirder</em> text)<br>
SCTV, <em><a href="https://www.secondcity.com/network/sctv-monster-chiller-horror-theatre-whispers-of-the-wolf" rel="nofollow">Monster Chiller Horror Theatre: Whispers of the Wolf</a></em></p>]]>
  </itunes:summary>
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