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    <title>Weird Studies - Episodes Tagged with “Samuel Delany”</title>
    <link>https://www.weirdstudies.com/tags/samuel%20delany</link>
    <pubDate>Wed, 23 May 2018 10:00:00 -0400</pubDate>
    <description>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality." 
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    <itunes:subtitle>Art and philosophy at the limits of the thinkable</itunes:subtitle>
    <itunes:author>Phil Ford and J. F. Martel</itunes:author>
    <itunes:summary>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality." 
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  <title>Episode 15: On Tarkovsky's 'Stalker' - Part Two</title>
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  <pubDate>Wed, 23 May 2018 10:00:00 -0400</pubDate>
  <author>Phil Ford and J. F. Martel</author>
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  <itunes:episode>15</itunes:episode>
  <itunes:title>On Tarkovsky's 'Stalker' - Part Two</itunes:title>
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  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>The second part of Phil and JF's conversation about Andrei Tarkovsky's masterpiece, "Stalker."</itunes:subtitle>
  <itunes:duration>1:04:34</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
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  <description>&lt;p&gt;In this second of a two-part conversation on Andrei Tarkovsky's 1979 film &lt;em&gt;Stalker&lt;/em&gt;, Phil and JF explore the film's prophetic dimension, relating it to Samuel R. Delany's classic science-fiction novel &lt;em&gt;Dhalgren&lt;/em&gt;, the cultural revolution of the 1960s, the affordances of despair, the spookiness of color, the transformation of noise into music, and the Chernobyl disaster. They even come up with a title for a novel Robert Ludlum never wrote but should have written: &lt;em&gt;The Criterion Rendition&lt;/em&gt;!&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;REFERENCES&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Andrei Tarkovsky (dir.), &lt;em&gt;&lt;a href="https://www.criterion.com/films/28150-stalker" target="_blank" rel="nofollow noopener"&gt;Stalker&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Samuel R. Delany, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/Dhalgren" target="_blank" rel="nofollow noopener"&gt;Dhalgren&lt;/a&gt;&lt;/em&gt; (foreword by William Gibson)&lt;br&gt;
H.P. Lovecraft, &lt;a href="https://en.wikipedia.org/wiki/The_Colour_Out_of_Space" target="_blank" rel="nofollow noopener"&gt;"The Colour Out of Space"&lt;/a&gt;&lt;br&gt;
John Searle, &lt;em&gt;&lt;a href="https://www.amazon.com/Seeing-Things-They-Are-Perception/dp/0199385157" target="_blank" rel="nofollow noopener"&gt;Seeing Things as They Are: A Theory of Perception&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Steve Reich, &lt;em&gt;&lt;a href="https://pitchfork.com/features/article/9886-blood-and-echoes-the-story-of-come-out-steve-reichs-civil-rights-era-masterpiece/" target="_blank" rel="nofollow noopener"&gt;Come Out&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Gustav Mahler, &lt;em&gt;&lt;a href="http://gustavmahler.com/symphonies/mahler-symphony-1.html" target="_blank" rel="nofollow noopener"&gt;Symphony No. 1&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Martin Heidegger, &lt;a href="https://en.wikipedia.org/wiki/The_Question_Concerning_Technology" target="_blank" rel="nofollow noopener"&gt;"The Question Concerning Technology"&lt;/a&gt;&lt;br&gt;
Stanley Kubrick, &lt;em&gt;&lt;a href="https://www.imdb.com/title/tt0081505/" target="_blank" rel="nofollow noopener"&gt;The Shining&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
The &lt;a href="https://en.wikipedia.org/wiki/Chernobyl_Exclusion_Zone" target="_blank" rel="nofollow noopener"&gt;Chernobyl Exclusion Zone&lt;/a&gt;&lt;br&gt;
Sigmund Freud, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/Beyond_the_Pleasure_Principle" target="_blank" rel="nofollow noopener"&gt;Beyond the Pleasure Principle&lt;/a&gt;&lt;/em&gt; &lt;/p&gt;
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  <content:encoded>
    <![CDATA[<p>In this second of a two-part conversation on Andrei Tarkovsky&#39;s 1979 film <em>Stalker</em>, Phil and JF explore the film&#39;s prophetic dimension, relating it to Samuel R. Delany&#39;s classic science-fiction novel <em>Dhalgren</em>, the cultural revolution of the 1960s, the affordances of despair, the spookiness of color, the transformation of noise into music, and the Chernobyl disaster. They even come up with a title for a novel Robert Ludlum never wrote but should have written: <em>The Criterion Rendition</em>!</p>

<p><strong>REFERENCES</strong></p>

<p>Andrei Tarkovsky (dir.), <em><a href="https://www.criterion.com/films/28150-stalker" rel="nofollow">Stalker</a></em><br>
Samuel R. Delany, <em><a href="https://en.wikipedia.org/wiki/Dhalgren" rel="nofollow">Dhalgren</a></em> (foreword by William Gibson)<br>
H.P. Lovecraft, <a href="https://en.wikipedia.org/wiki/The_Colour_Out_of_Space" rel="nofollow">&quot;The Colour Out of Space&quot;</a><br>
John Searle, <em><a href="https://www.amazon.com/Seeing-Things-They-Are-Perception/dp/0199385157" rel="nofollow">Seeing Things as They Are: A Theory of Perception</a></em><br>
Steve Reich, <em><a href="https://pitchfork.com/features/article/9886-blood-and-echoes-the-story-of-come-out-steve-reichs-civil-rights-era-masterpiece/" rel="nofollow">Come Out</a></em><br>
Gustav Mahler, <em><a href="http://gustavmahler.com/symphonies/mahler-symphony-1.html" rel="nofollow">Symphony No. 1</a></em><br>
Martin Heidegger, <a href="https://en.wikipedia.org/wiki/The_Question_Concerning_Technology" rel="nofollow">&quot;The Question Concerning Technology&quot;</a><br>
Stanley Kubrick, <em><a href="https://www.imdb.com/title/tt0081505/" rel="nofollow">The Shining</a></em><br>
The <a href="https://en.wikipedia.org/wiki/Chernobyl_Exclusion_Zone" rel="nofollow">Chernobyl Exclusion Zone</a><br>
Sigmund Freud, <em><a href="https://en.wikipedia.org/wiki/Beyond_the_Pleasure_Principle" rel="nofollow">Beyond the Pleasure Principle</a></em></p>]]>
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  <itunes:summary>
    <![CDATA[<p>In this second of a two-part conversation on Andrei Tarkovsky&#39;s 1979 film <em>Stalker</em>, Phil and JF explore the film&#39;s prophetic dimension, relating it to Samuel R. Delany&#39;s classic science-fiction novel <em>Dhalgren</em>, the cultural revolution of the 1960s, the affordances of despair, the spookiness of color, the transformation of noise into music, and the Chernobyl disaster. They even come up with a title for a novel Robert Ludlum never wrote but should have written: <em>The Criterion Rendition</em>!</p>

<p><strong>REFERENCES</strong></p>

<p>Andrei Tarkovsky (dir.), <em><a href="https://www.criterion.com/films/28150-stalker" rel="nofollow">Stalker</a></em><br>
Samuel R. Delany, <em><a href="https://en.wikipedia.org/wiki/Dhalgren" rel="nofollow">Dhalgren</a></em> (foreword by William Gibson)<br>
H.P. Lovecraft, <a href="https://en.wikipedia.org/wiki/The_Colour_Out_of_Space" rel="nofollow">&quot;The Colour Out of Space&quot;</a><br>
John Searle, <em><a href="https://www.amazon.com/Seeing-Things-They-Are-Perception/dp/0199385157" rel="nofollow">Seeing Things as They Are: A Theory of Perception</a></em><br>
Steve Reich, <em><a href="https://pitchfork.com/features/article/9886-blood-and-echoes-the-story-of-come-out-steve-reichs-civil-rights-era-masterpiece/" rel="nofollow">Come Out</a></em><br>
Gustav Mahler, <em><a href="http://gustavmahler.com/symphonies/mahler-symphony-1.html" rel="nofollow">Symphony No. 1</a></em><br>
Martin Heidegger, <a href="https://en.wikipedia.org/wiki/The_Question_Concerning_Technology" rel="nofollow">&quot;The Question Concerning Technology&quot;</a><br>
Stanley Kubrick, <em><a href="https://www.imdb.com/title/tt0081505/" rel="nofollow">The Shining</a></em><br>
The <a href="https://en.wikipedia.org/wiki/Chernobyl_Exclusion_Zone" rel="nofollow">Chernobyl Exclusion Zone</a><br>
Sigmund Freud, <em><a href="https://en.wikipedia.org/wiki/Beyond_the_Pleasure_Principle" rel="nofollow">Beyond the Pleasure Principle</a></em></p>]]>
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