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    <title>Weird Studies - Episodes Tagged with “Romanticism”</title>
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    <pubDate>Tue, 02 Oct 2018 14:00:00 -0400</pubDate>
    <description>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality." 
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    <itunes:subtitle>Art and philosophy at the limits of the thinkable</itunes:subtitle>
    <itunes:author>Phil Ford and J. F. Martel</itunes:author>
    <itunes:summary>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality." 
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  <title>Episode 28: Weird Music, Part Two</title>
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  <author>Phil Ford and J. F. Martel</author>
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  <itunes:episode>28</itunes:episode>
  <itunes:title>Weird Music, Part Two</itunes:title>
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  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>The search for the music of the weird continues with a discussion on Bob Dylan and Franz Liszt.</itunes:subtitle>
  <itunes:duration>1:04:29</itunes:duration>
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  <description>"Music is worth living for," Andrew W.K. sings in his latest rock anthem. In this second episode on the weirdness of music, JF and Phil focus on two works steeped in ambiguity and paradox: Bob Dylan's "Jokerman," from the landmark post-Christian album Infidels, and Franz Liszt's "Mephisto Waltz, No. 1: The Dance at the Village Inn," inspired by an episode in the Faust legend. If this conversation has a central theme, it may be music's power to unhinge every fixed binary, from God and the Devil to culture and nature. Music, as exemplified in these pieces, can put us in touch with the abiding mystery of the eternal in the historical, the unhuman in the human... The hills are alive!
REFERENCES
Bob Dylan, "Jokerman" (https://www.youtube.com/watch?v=1XSvsFgvWr0)
Franz Liszt, “Mephisto Waltz no. 1,” (https://www.youtube.com/watch?v=NaBa9q3u9H0) performed by Boris Berezovsky 
Andrew WK, "Music is Worth Living For" (https://www.youtube.com/watch?v=JdW3UJ7lQvU)
Leonard Cohen, “The Future” (https://genius.com/Leonard-cohen-the-future-lyrics) 
C.G. Jung, [Aion](https://en.wikipedia.org/wiki/Aion:ResearchesintothePhenomenologyoftheSelf)_
Douglas Rushkoff, Testament (http://www.rushkoff.com/books/testament/)
The Guardian, “Carthaginians sacrificed own children, archaeologists say”  (https://www.theguardian.com/science/2014/jan/21/carthaginians-sacrificed-own-children-study)
Garry Wills, "Our Moloch" (https://www.nybooks.com/daily/2012/12/15/our-moloch/)
Minoan snake goddess (https://en.wikipedia.org/wiki/Minoan_snake_goddess_figurines) statues 
Richard Wagner, Parsifal http://www.monsalvat.no/
T.S. Eliot, The Wasteland (https://www.poetryfoundation.org/poems/47311/the-waste-land)
Daniel Albright, Untwisting the Serpent: Modernism in Music, Literature, and Other Arts (https://www.amazon.com/Untwisting-Serpent-Modernism-Music-Literature/dp/0226012549) 
Beckett, Not I (https://www.youtube.com/watch?v=M4LDwfKxr-M)
Nikolaus Lenau (https://en.wikipedia.org/wiki/Nikolaus_Lenau), German Romantic poet
Wolgang von Goethe, Faust, Part 1 (https://www.amazon.com/Faust-Part-Oxford-Worlds-Classics/dp/019953621X), translated by David Luke 
Weird Studies, Episode 3: Sin: "Ecstasy, and the White People" (https://www.weirdstudies.com/3)
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  <itunes:keywords>franz liszt, faust, bob dylan, jokerman</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>&quot;Music is worth living for,&quot; Andrew W.K. sings in his latest rock anthem. In this second episode on the weirdness of music, JF and Phil focus on two works steeped in ambiguity and paradox: Bob Dylan&#39;s &quot;Jokerman,&quot; from the landmark post-Christian album <em>Infidels</em>, and Franz Liszt&#39;s &quot;Mephisto Waltz, No. 1: The Dance at the Village Inn,&quot; inspired by an episode in the Faust legend. If this conversation has a central theme, it may be music&#39;s power to unhinge every fixed binary, from God and the Devil to culture and nature. Music, as exemplified in these pieces, can put us in touch with the abiding mystery of the eternal in the historical, the unhuman in the human... The hills are alive!</p>

<p><strong>REFERENCES</strong></p>

<p>Bob Dylan, <a href="https://www.youtube.com/watch?v=1XSvsFgvWr0" rel="nofollow">&quot;Jokerman&quot;</a><br>
Franz Liszt, <a href="https://www.youtube.com/watch?v=NaBa9q3u9H0" rel="nofollow">“Mephisto Waltz no. 1,”</a> performed by Boris Berezovsky </p>

<p>Andrew WK, <a href="https://www.youtube.com/watch?v=JdW3UJ7lQvU" rel="nofollow">&quot;Music is Worth Living For&quot;</a><br>
Leonard Cohen, <a href="https://genius.com/Leonard-cohen-the-future-lyrics" rel="nofollow">“The Future”</a> <br>
C.G. Jung, <em><a href="https://en.wikipedia.org/wiki/Aion:_Researches_into_the_Phenomenology_of_the_Self" rel="nofollow">Aion</a></em><br>
Douglas Rushkoff, <em><a href="http://www.rushkoff.com/books/testament/" rel="nofollow">Testament</a></em><br>
The Guardian, <a href="https://www.theguardian.com/science/2014/jan/21/carthaginians-sacrificed-own-children-study" rel="nofollow">“Carthaginians sacrificed own children, archaeologists say” </a><br>
Garry Wills, <a href="https://www.nybooks.com/daily/2012/12/15/our-moloch/" rel="nofollow">&quot;Our Moloch&quot;</a><br>
Minoan <a href="https://en.wikipedia.org/wiki/Minoan_snake_goddess_figurines" rel="nofollow">snake goddess</a> statues <br>
Richard Wagner, Parsifal <a href="http://www.monsalvat.no/" rel="nofollow">http://www.monsalvat.no/</a><br>
T.S. Eliot, <em><a href="https://www.poetryfoundation.org/poems/47311/the-waste-land" rel="nofollow">The Wasteland</a></em><br>
Daniel Albright, <em><a href="https://www.amazon.com/Untwisting-Serpent-Modernism-Music-Literature/dp/0226012549" rel="nofollow">Untwisting the Serpent: Modernism in Music, Literature, and Other Arts</a></em> <br>
Beckett, <em><a href="https://www.youtube.com/watch?v=M4LDwfKxr-M" rel="nofollow">Not I</a></em><br>
<a href="https://en.wikipedia.org/wiki/Nikolaus_Lenau" rel="nofollow">Nikolaus Lenau</a>, German Romantic poet<br>
Wolgang von Goethe, <em><a href="https://www.amazon.com/Faust-Part-Oxford-Worlds-Classics/dp/019953621X" rel="nofollow">Faust, Part 1</a></em>, translated by David Luke <br>
Weird Studies, <a href="https://www.weirdstudies.com/3" rel="nofollow">Episode 3: Sin: &quot;Ecstasy, and the White People&quot;</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>&quot;Music is worth living for,&quot; Andrew W.K. sings in his latest rock anthem. In this second episode on the weirdness of music, JF and Phil focus on two works steeped in ambiguity and paradox: Bob Dylan&#39;s &quot;Jokerman,&quot; from the landmark post-Christian album <em>Infidels</em>, and Franz Liszt&#39;s &quot;Mephisto Waltz, No. 1: The Dance at the Village Inn,&quot; inspired by an episode in the Faust legend. If this conversation has a central theme, it may be music&#39;s power to unhinge every fixed binary, from God and the Devil to culture and nature. Music, as exemplified in these pieces, can put us in touch with the abiding mystery of the eternal in the historical, the unhuman in the human... The hills are alive!</p>

<p><strong>REFERENCES</strong></p>

<p>Bob Dylan, <a href="https://www.youtube.com/watch?v=1XSvsFgvWr0" rel="nofollow">&quot;Jokerman&quot;</a><br>
Franz Liszt, <a href="https://www.youtube.com/watch?v=NaBa9q3u9H0" rel="nofollow">“Mephisto Waltz no. 1,”</a> performed by Boris Berezovsky </p>

<p>Andrew WK, <a href="https://www.youtube.com/watch?v=JdW3UJ7lQvU" rel="nofollow">&quot;Music is Worth Living For&quot;</a><br>
Leonard Cohen, <a href="https://genius.com/Leonard-cohen-the-future-lyrics" rel="nofollow">“The Future”</a> <br>
C.G. Jung, <em><a href="https://en.wikipedia.org/wiki/Aion:_Researches_into_the_Phenomenology_of_the_Self" rel="nofollow">Aion</a></em><br>
Douglas Rushkoff, <em><a href="http://www.rushkoff.com/books/testament/" rel="nofollow">Testament</a></em><br>
The Guardian, <a href="https://www.theguardian.com/science/2014/jan/21/carthaginians-sacrificed-own-children-study" rel="nofollow">“Carthaginians sacrificed own children, archaeologists say” </a><br>
Garry Wills, <a href="https://www.nybooks.com/daily/2012/12/15/our-moloch/" rel="nofollow">&quot;Our Moloch&quot;</a><br>
Minoan <a href="https://en.wikipedia.org/wiki/Minoan_snake_goddess_figurines" rel="nofollow">snake goddess</a> statues <br>
Richard Wagner, Parsifal <a href="http://www.monsalvat.no/" rel="nofollow">http://www.monsalvat.no/</a><br>
T.S. Eliot, <em><a href="https://www.poetryfoundation.org/poems/47311/the-waste-land" rel="nofollow">The Wasteland</a></em><br>
Daniel Albright, <em><a href="https://www.amazon.com/Untwisting-Serpent-Modernism-Music-Literature/dp/0226012549" rel="nofollow">Untwisting the Serpent: Modernism in Music, Literature, and Other Arts</a></em> <br>
Beckett, <em><a href="https://www.youtube.com/watch?v=M4LDwfKxr-M" rel="nofollow">Not I</a></em><br>
<a href="https://en.wikipedia.org/wiki/Nikolaus_Lenau" rel="nofollow">Nikolaus Lenau</a>, German Romantic poet<br>
Wolgang von Goethe, <em><a href="https://www.amazon.com/Faust-Part-Oxford-Worlds-Classics/dp/019953621X" rel="nofollow">Faust, Part 1</a></em>, translated by David Luke <br>
Weird Studies, <a href="https://www.weirdstudies.com/3" rel="nofollow">Episode 3: Sin: &quot;Ecstasy, and the White People&quot;</a></p>]]>
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