Weird Studies - Episodes Tagged with “Politics”

Episode 169: On Free Expression

Phil Ford and J. F. Martel — Wed, 15 May 2024 10:30:00 -0400

The ongoing crackdown on protests at many American universities prompts a discussion on the politics, ethics, and metaphysics of free expression.

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REFERENCES

Virginia Woolf, A Room of One’s Own
Federico Campagna, Technic and Magic
George Orwell, The Prevention of Literature
George Orwell, Inside the Whale
New York Times, “At Indiana University, Protests Only Add to a Full Year of Conflicts
John Stuart Mill, On Liberty
Indiana Daily Student, “Provost Addresses Controversy”
Official government page for the Proposed Bill to address Online Harms in Canada.
Immanuel Kant, Groundwork of the Metaphysics of Morals
GK Chesterton, Orthodoxy
Daryl Davis, American musician and activist
DavidFoster Wallace, Just Asking

Episode 161: Scene of the Crime: On Alan Moore and Eddie Campbell's 'From Hell'

Phil Ford and J. F. Martel — Wed, 24 Jan 2024 10:30:00 -0500

Listener discretion advised: This episode delves into the disturbing details of the Whitechapel murders of 1888, and may not be suitable for all audiences.

Serialized from 1989 to 1996, Alan Moore and Eddie Campbell's graphic novel From Hell was first released in a single volume in 1999, just as the world was groaning into the present century. This is an important detail, because according to the creators of this astounding work, the age then passing away could not be understood without reference to the gruesome murders, never solved, of five women in London's Whitechapel district, in the fall of 1888. In Alan Moore's occult imagination, the Ripper murders were more than another instance of human depravity: they constituted a magical operation intended to alter the course of history. The nature of this operation, and whether or not it was successful, is the focus of this episode, in which JF and Phil also explore the imaginal actuality of Victorian London and the strange nature of history and time.

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Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia.
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Get the T-shirt design from Cotton Bureau!

REFERENCES

Daniel Silver, Terry Nichols Clark, and Clemente Jesus Navarro Yanez, “Scenes: Social Context in an Age of Contingency”
Alan Moore and Eddie Campbell, From Hell
Floating World, Edo Japanese concept
Phil Ford, Dig: Sound and Music in Hip Culture
John Clellon Holmes recordings
Arthur Conan Doyle, Sherlock Holmes Collection
Yacht Rock, web series
Stephen Knight, Jack the Ripper: The Final Solution
Colin Wilson, Jack the Ripper: Summing Up and Verdict
Manly P. Hall, The Secret Teachings of All Ages
Peter Ackroyd, Hawksmoor
Weird Studies, Episode 89 on “Mumbo Jumbo”
Charles Howard Hinton, mathematician
J. G. Ballard, Preface to Crash
William Gibson and Bruce Sterling, The Difference Engine

Episode 159: Three Songs, with Meredith Michael

Phil Ford and J. F. Martel — Wed, 06 Dec 2023 11:15:00 -0500

Every once in a while, JF and Phil like to do a “song swap.” Each picks a song, and the ensuing conversation locates linkages and correspondences where none was previously thought to exist. In this episode, they are joined by the music scholar Meredith Michael – Weird Studies assistant, and co-host of Cosmophonia, a podcast about music and outer space – to discuss songs by Lili Boulanger, Vienna Teng, and Iron & Wine. Before long, this disparate assortment personal favourites occasions a weirdly focused dialogue on time, impermanence, control, (mis)recognition, and the affinity of art and synchronicity.

REFERENCES
Iron and Wine, “Passing Afternoon”
Vienna Teng, “The Hymn of Acxiom”, (and here is the live version)
Lili Boulanger, Vieille Priére Bouddhique
Star Trek: Deep Space Nine
Karol Berger, Bach’s Cycle Mozart’s Arrow
William Shakespeare, Hamlet
Charles Darwin, The Origin of Species
Immanuel Kant, Critique of Pure Reason
Vladimir Jankelevitch, Music and the Ineffable
Hector Berlioz, Fugue on “amen” from La Damnation du Faust
Slavoj Zizek, A Pervert’s Guide to Idiology
Federico Campagna, Technic and Magic
Shepard Tone
Rudolf Steiner, The Influces of Lucifer and Ahriman

Special Guest: Meredith Michael.

Episode 157: Long Live the New Flesh: On David Cronenberg's 'Videodrome'

Phil Ford and J. F. Martel — Wed, 08 Nov 2023 11:00:00 -0500

"Death to Videodrome! Long live the New Flesh!"

It was perhaps inevitable that the modern Weird, driven as it is to swallow all things, would sooner or later veer into the realm of political sloganeering without losing any of its unknowable essence. David Cronenberg's 1983 film Videodrome is more than a masterwork of body horror: it is a study in technopolitics, a meditation on the complex weave of imagination and perception, and a prophecy of the now on-going coalescence of flesh and technology into a strange new alloy. In this episode, recorded live after a screening of the film at Indiana University Cinema in Bloomington, JF and Phil set out to interpret Cronenberg's vision... and come to dig the New Flesh.

REFERENCES
David Cronenberg, Videodrome
Maurice Merleau-Ponty, The Visible and the Invisible
Paul Virilio, The Information Bomb
Weird Studies, Episode 75 on “2001: A Space Odyssey”
Richard Porton and David Cronenberg, "The Film Director as Philosopher: An Interview with David Cronenberg"
George Hickenlooper and David Cronenberg, "The Primal Energies of the Horror Film: An Interview with David Cronenberg"
Weird Studies, Episode 144 with Connor Habib
William Friedkin (dir.), The Exorcist
Plato, Timaeus
William Gibson, Idoru
CBC, Yorkville: Hippie Haven
Linda Williams, “Film Bodies: Gender, Genre, and Excess”

Episode 145: Waiting for the Miracle: On Vanessa Onwuemezi's "Dark Neighbourhood"

Phil Ford and J. F. Martel — Wed, 26 Apr 2023 11:30:00 -0400

In this episode, Phil and JF discuss Vanessa Onwuemezi's, "Dark Neighbourhood," a tale of scintillant darkness from her debut collection of the same name. This strangest of strange stories is set in a vast encampment of destitute yet hopeful people whose lives consist entirely of waiting for their turn to step through the iron gates of the Beyond. Living off the dregs of civilization, they seem the last of our kind. They are the ones who, having made it to the front of the line, have the dubious honour of contemplating directly the mystery that awaits us all. Unlike anything we've covered on the show, "Dark Neighbourhood" is a chilling and moving story that elicits interpretation as elegantly as it resists it.

Pierre-Yves Martel's album Mer bleue drops on May 1st, 2023!

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REFERENCES

Show Notes.docx

Vanessa Omwuemezi, Dark Neighbourhood
Peter Breugel, Landscape with the Fall of Icarus
Weird Studies, Episode 140 on “Spirited Away”
Karl Marx, Capital
Phil Ford, Dig
Murray Bookchin, Post-Scarcity Anarchism
Weird Studies, Episode 98 on “Taboo”
Michael Wadleigh (dir.), Woodstock
Samuel R. Delaney, Dahlgren
Leonard Cohen, “Waiting for the Miracle
Martin Esslin, The Theatre of the Absurd
One red paperclip, story of guy who traded a paper clip for a house
Weird Studies, Episode 101 on Tanizaki
James Hillman, The Dream and the Underworld
George Steiner, Real Presences
H. P. Lovecraft, “Nyarlothotep”
Alexander Wendt and Raymond Duvall, “Sovereignty and the UFO”
Weird Studies, Episode 144 on Hellraiser
Weird Studies, Episode 29 on Lovecraft

Episode 139: Sex, Money, and Power are YOURS with our SECRET Art-Power Formula!

Phil Ford and J. F. Martel — Wed, 01 Feb 2023 11:30:00 -0500

"YOU MUST CHANGE YOUR LIFE!"

Tired of failure and self-loathing? Want to be rich and famous while having a good time all the time? Wondering how to turn your banal opinions into Transcendent Truths? Look no further than this special, exclusive episode of Weird Studies, where we reveal, once and for all, the secrets of ART-POWER!

Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel
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Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.)
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SHOW NOTES

Ramsey Dukes, BLAST Your Way to Megabuck$ with My SECRET Sex-Power Formula
James Raggi's statements on artistic freedom in tabletop roleplaying games: Proud to Commit Commercial Suicide 2023 and On Potential Inclusivity/Morality Clauses in RPG Licenses
David Cronenberg, "I Would Like to Make a Case for the Crime of Art"
Oscar Wilde, Preface to The Picture of Dorian Grey
Alfred Gell, The Art of Anthropology
Susanne Langer, “On the Cultural Importance of the Arts”
Weird Studies, Episodes 73 and 74 on Carl Jung’s Theory of Art
Kodo Sawaki, Japanese zen teacher
Eric Voegelin, The New Science of Politics
Gilles Deleuze, Pure Immanence
Werner Herzog, Cave of Forgotten Dreams
John Dewey, Art as Experience
Susanne Langer, Philosophy in a New Key
Neil Gaiman, “Make Good Art”
Leon Wieseltier, “Perhaps Culture is Now the Counterculture”
Eugene Vodolazkin, Laurus

Episode 134: On Federico Campagna's 'Technic and Magic'

Phil Ford and J. F. Martel — Tue, 01 Nov 2022 22:00:00 -0400

In Technic and Magic: The Reconstruction of Reality, the philosopher Federico Campagna argues that we moderns have exhausted the reality system we devised at the dawn of our age, a system he calls Technic. Technic has one goal: to reduce all things to language by naming, tagging, measuring, and quantifying them, by turning every parcel of the physical and psychic universe into a "unit" defined by its position in the system. The result has been an erasure of the mere "suchness" of things, the singularity of things simply existing as they are. To replace a worldview that is now revealing its endemic nihilism, Campagna proposes Magic, a way of seeing that reestablishes a balance between the measurable and the ineffable. JF and Phil discuss Campagna's magisterial performance in this episode.

Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel
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SHOW NOTES

Federico Campagna, Technic and Magic
Bill Hicks, “Bit on Marketing”
Fredric Jameson, The Seeds of Time
Plotinus, Neoplatonist philosopher
Francis Bacon, Irish artist
Samuel Beckett, Irish author
William S. Burroughs, Naked Lunch
Weird Stuides, Episode 87 on Arthur Machen
Northrop Frye, Anatomy of Criticism

Episode 130: Holiday Memories

Phil Ford and J. F. Martel — Wed, 07 Sep 2022 10:00:00 -0400

In August, 2022, JF and Phil flew to the UK to attend the Diverse Intelligences Summer Institute (DISI) at the University of St. Andrews and the Supernormal Festival in Oxfordshire. In addition to recording two live shows (to be released in the coming weeks), they encountered billiant minds, novel ideas, and arresting works of art that opened new avenues for thought. It's these encounters that anchor this conversation, which branches off to touch ideas such as the elusive ideal of intersciplinarity, Hakim Bey's temporary autonomous zone, the legacy of the 20th-century counterculture, the fate of revolutionary movements, non--human intelligences, and the weirdness of human thought.

Header Image by RomitaGirl67 via Wikimedia Commons.

References

Dial M for Musicology, Interdisciplinarity
Hakim Bey, The Temporary Autonomous Zone
Entitled Opinions Podcast
William Gibson, Foreword to Samuel Delaney’s Dhalgren
DISI Podcast, Many Minds
John Krakauer, professor of nuerology and neuroscience
Hunter S. Thompson, American journalist
The Great Ape Dictionary, specific database used by Cat Hobaiter

Episode 127: Leaving the Mechanical Dollhouse: On Abeba Birhane's "The Impossibility of Automating Ambiguity"

Phil Ford and J. F. Martel — Wed, 06 Jul 2022 10:30:00 -0400

Like Caligula declaring war on Neptune and ordering his troops to charge into the Mediterranean Sea, our technological masters are designing neural networks meant to capture the human soul in all its oceanic complexity. According to the cognitive scientist Abeba Birhane, this is a fool's errand that we undertake at our peril. In her paper "The Impossibility of Automating Ambiguity," she makes the case for the irremediable fluidity, spontaneity, and relationality of people and societies. She argues that ongoing efforts to subsume the human (and the rest of reality) in predictive algorithms is actually narrowing the human experience, as so many of us are excluded from the system while others are compelled to artificially conform to its idea of the human. Far from paving the way to a better world, the tyranny of automation threatens to cut us off from the Real, ensuring an endless perpetuation of the past with all its errors and injustices. Phil and JF discuss Birhane's essay in this episode.

Header image from via www.vpnsrus.com (cropped). Downloaded from Wikimedia Commons.

REFERENCES

Abebe Birhane, "The Impossibility of Automating Ambiguity”
J. F. Martel, “Reality is Analog: Philosophizing with Stranger Things”
Melissa Adler, Cruising the Library: Perversities in the Organization of Knowledge
Weird Studies, Episode 75 on 2001: A Space Odyssey
Weird Studies, Episode 114 on the Wheel of Fortune
William James, American philosopher
Midjourney, AI art generator
Rhine Research Center, parapsychology lab
George Lewis, “Improvised Music after 1950: Afrological and Eurological Perspectives”
Abebe Birhane, “Descartes was Wrong: A Person is a Person Through Other Persons”
Gottfried Wilhelm Leibniz, German philosopher
J. R. R. Tolkein, “On Fairy-Stories”
Martin Buber, I and Thou

Episode 115: Transience & Immersion: On Brian Eno's 'Music for Airports'

Phil Ford and J. F. Martel — Wed, 02 Feb 2022 09:00:00 -0500

Soft, soothing, and understated as a rule, ambient music may seem the least weird of all musical genres. Not so, say JF and Phil, who devote this episode to Brian Eno's Ambient 1: Music for Airports, the 1978 album in whose liner notes the term "ambient music" first appeared. In this conversation, your hosts explore the aesthetic, metaphysical, and political implications of a kind of music designed to interact with the listener -- and the listener's environment -- below the threshold of ordinary, directed awareness. Eno and Peter Schmidt's famous Oblique Strategies, a deck of cards designed to heighten and deepen creativity, lends divinatory support to the endeavor.

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Find us on Discord
Get the new T-shirt design from Cotton Bureau!
Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.)
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Buy the Weird Studies soundtrack

REFERENCES

Brian Eno, Ambient 1: Music for Airports
Gabriella Cardazzo, Duncan Ward, and Brian Eno, Imaginary Landscapes
Oblique Strategies Deck
Theodore Adorno, Introduction to the Sociology of Music
Marc Auge, Non-Places
Anahid Kassabian, “Ubiquitous Music”
Sigmund Freud, “On Transience”
Weird Studies, Episode 104 on Sgt. Pepper
Joris Karl Huysmans, A Rebours
Roger Moseley, Keys to Play

Episode 74: A Luminous Parasite: Jung on Art, Part Two

Phil Ford and J. F. Martel — Wed, 27 May 2020 13:30:00 -0400

In this second part of their exploration of C. G. Jung's essay "On the Relation of Analytical Psychology to Poetry," JF and Phil try to discern the psychological and metaphysical implications of the great Swiss psychologist's theory of art. For one, this involves discussing what Jung meant by archetypes, and how these relate to the artists who bring them forth in artistic works. This in turn leads to a discussion of the emergent artwork as an "autonomous complex," that is, as a self-moving spirit that requires the artist merely as a conduit for its manifestation in human -- and cosmic -- history.

REFERENCES

Carl Gustav Jung, "On the Relation of Analytical Psychology to Poetry"
Arthur Machen, "Hieroglyphics: A Note Upon Ecstasy"
Rick Riordan, [Percy Jackson & the Olympians](https://en.wikipedia.org/wiki/Percy_Jackson%26_the_Olympians)_ series of novels
Robert Altman (director), Nashville
Homer, The Odyssey
Jacques Offenbach, The Tales of Hoffmann
E. T. A. Hoffmann, "The Sandman"
David Lynch, American filmmaker (the Dionysian!)
Stanley Kubrick, American filmmaker (the Apollonian!)
Richard Wagner's idea of Gesamtkunstwerk
William S. Burroughs, Naked Lunch
Johannes Vermeer, Woman Holding a Balance, and JF's analysis thereof
Lisa Ruddick, "When Nothing is Cool"
Weird Studies episode 5: Reading Lisa Ruddick's "When Nothing is Cool"

Episode 64: Dreams and Shadows: On Ursula Le Guin's 'A Wizard of Earthsea'

Phil Ford and J. F. Martel — Wed, 22 Jan 2020 10:30:00 -0500

In her National Book Award acceptance speech in 2014, Ursula K. Le Guin intimated that, far from being superseded by digital technology, fantastic fiction has never been more important than it is about to become. Soon, she prophesied, "we will need writers who can remember freedom -- poets, visionaries, realists of a larger reality." In this episode, Phil and JF plumb the prophetic depths of one of her most famous books, A Wizard of Earthsea. A discussion of the novel's style and lore leads us into the politics and metaphysics of fantasy as developed by Le Guin and her predecessor, J. R. R. Tolkien. In the end, we realize that fantasy is not the literary ghetto it's been made out to be, but the sine qua non of all fiction.

SHOW NOTES

John Keats, "Ode on a Grecian Urn"
Heidegger, "On the Origin of the Work of Art"
Beowulf, An Anglo-Saxon epic poem
Weird Studies, episode 41 -- On Speculative Fiction, with Matt Cardin
Weird Studies, episode 61 -- Evil and Ecstasy: On 'The Silence of the Lambs'
Weird Studies, episode 62: Like 'The Shining,' But With Nuns: On 'Black Narcissus'
The Complete Romances of Chretien de Troyes (translated by J.F.'s mentor, David Staines)
Sir Thomas Malory, La Morte d'Arthur
Lewis Carroll, British fantasist
Ursula K. Le Guin's acceptance speech at the National Book Awards, 2014
David Hume, An Enquiry Concerning Human Understanding and A Treatise of Human Nature

Episode 58: What Do Critics Do?

Phil Ford and J. F. Martel — Wed, 23 Oct 2019 13:00:00 -0400

What is the role of the critic in the world of art? For some, including lots of critics, the figure exudes an aura of authority: her task is to tell us what this or that work of art means, why it matters, and what we are supposed to think and feel in its presence. Cast in in this mold, the critic is an arbiter, not just of taste, but also of sense and meaning. The American art critic Dave Hickey categorically rejects this interpretation, which he says gives off a mild stench of fascism. For Hickey, the critic plays a weak role, and it's this weakness that makes it essential. In his essay "Air Guitar," published in 1997, Hickey argues that criticism can never really penetrate the mystery of any artwork. Criticism is rather a way to capture the "enigmatic whoosh" of art as one instance of the more pervasive "whoosh" of ordinary experience. So, no act of criticism can ever exhaust an artwork. The critic interprets a singular experience of art into words so that others might be encouraged to have their own, equally singular experiences. In this episode, Phil and JF discuss what criticism has to do with art, life, politics, and ordinary experience.

Header image: Caravaggio, The Calling of Saint Matthew (1599-1600)

REFERENCES

Dave Hickey, Air Guitar: Essays on Art and Democracy
Plato, Republic
Oscar Wilde, "The Decay of Lying"
Phil Ford, Dig: Sound and Music in Hip Culture
Gilles Deleuze and Félix Guattari, Kafka: Toward a Minor Literature
Deleuze and Félix Guattari, What is Philosophy?
Dave Hickey, "Buying the World"
Clinton e-mails exhibition at the Venice Biennale
Oscar Wilde, The Portrait of Dorian Gray

Christmas Bonus: Hyperstition Addendum

Phil Ford and J. F. Martel — Tue, 25 Dec 2018 11:00:00 -0500

Happy holidays, Weird Studies listeners! In this short "Christmas Bonus" episode, your intrepid hosts finish up what began as a discussion of Nick Land's concept of hyperstition. Following last week's closing remarks about the importance of "banishing" ideas that might otherwise take us over, the segment focuses on the dividing line between the personal and the political. Where does the one end and the other begin? What do we risk when we choose to make a necessarily limited standpoint the locus of some totalizing view? The answers will take back to the birth of eukaryotic cells, the sin of Cain, and the wisdom of Sun Ra.

References made in this conversation were included in the show notes for Episode 36.