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    <title>Weird Studies - Episodes Tagged with “Nihilism”</title>
    <link>https://www.weirdstudies.com/tags/nihilism</link>
    <pubDate>Wed, 17 Jul 2019 11:30:00 -0400</pubDate>
    <description>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality."</description>
    <language>en-us</language>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>Art and philosophy at the limits of the thinkable</itunes:subtitle>
    <itunes:author>Phil Ford and J. F. Martel</itunes:author>
    <itunes:summary>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality."</itunes:summary>
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    <itunes:explicit>yes</itunes:explicit>
    <itunes:keywords>weird, art, philosophy</itunes:keywords>
    <itunes:owner>
      <itunes:name>Phil Ford and J. F. Martel</itunes:name>
      <itunes:email>admin@weirdstudies.com</itunes:email>
    </itunes:owner>
<itunes:category text="Arts"/>
<itunes:category text="Society &amp; Culture">
  <itunes:category text="Philosophy"/>
</itunes:category>
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  <title>Episode 51: Blind Seers: On Flannery O'Connor's 'Wise Blood'</title>
  <link>https://www.weirdstudies.com/51</link>
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  <pubDate>Wed, 17 Jul 2019 11:30:00 -0400</pubDate>
  <author>Phil Ford and J. F. Martel</author>
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  <itunes:episode>51</itunes:episode>
  <itunes:title>Blind Seers: On Flannery O'Connor's 'Wise Blood'</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>Phil and JF discuss Flannery O'Connor first novel, interpreting it as an investigation into the implications of the modern.</itunes:subtitle>
  <itunes:duration>1:35:43</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/e/e38b53e4-e148-4e2d-b301-0b3bb15779ff/cover.jpg?v=1"/>
  <description>&lt;p&gt;Through her fiction, Flannery O'Connor reenvisioned life as a supernatural war wherein each soul becomes the site of a clash of mysterious, almost incomprehensible forces. Her first novel, &lt;em&gt;Wise Blood&lt;/em&gt;, tells the story of Hazel Motes, a young preacher with a new religion to sell: the Church Without Christ. In this episode, JF and Phil read Motes's misadventures in the "Jesus-haunted" city of Taulkinham, Tennessee, as a prophetic vision of the modern condition that is at once supremely tragic and funny as hell. As O'Connor herself wrote in her prefac to the book: "(&lt;em&gt;Wise Blood&lt;/em&gt;) is a comic novel about a Christian &lt;em&gt;malgré lui&lt;/em&gt;, and as such, very serious, for all comic novels that are any good must be about matters of life and death.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;REFERENCES&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Flannery O'Connor, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/Wise_Blood" rel="nofollow noopener"&gt;Wise Blood&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
James Marshall, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/George_and_Martha" rel="nofollow noopener"&gt;George and Martha&lt;/a&gt;&lt;/em&gt; (here's a great &lt;a href="https://www.nytimes.com/2018/03/29/books/george-and-martha-james-marshall.html" rel="nofollow noopener"&gt;NYT piece&lt;/a&gt; on the books)&lt;br&gt;
Graham Hancock, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/Fingerprints_of_the_Gods" rel="nofollow noopener"&gt;Fingerprints of the Gods&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Paul Elie, &lt;em&gt;&lt;a href="https://www.amazon.com/Life-You-Save-May-Your/dp/0374529213" rel="nofollow noopener"&gt;The Life You Save May Be Your Own: An American Pilgrimage&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Jonathan Haidt, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/The_Righteous_Mind" rel="nofollow noopener"&gt;The Righteous Mind&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
G. K. Chesterton, &lt;em&gt;&lt;a href="https://www.gutenberg.org/ebooks/130" rel="nofollow noopener"&gt;Orthodoxy&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Daniel Ingram, &lt;em&gt;&lt;a href="https://www.mctb.org" rel="nofollow noopener"&gt;Mastering the Core Teachings of the Buddha&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
George Santayana, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/The_Sense_of_Beauty" rel="nofollow noopener"&gt;The Sense of Beauty&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Amy Hungerford's &lt;a href="https://oyc.yale.edu/english/engl-291/lecture-3" rel="nofollow noopener"&gt;lecture&lt;/a&gt; on &lt;em&gt;Wise Blood&lt;/em&gt; (Yale University) &lt;/p&gt;
</description>
  <itunes:keywords>Flannery O'Connor, wise blood, analysis, christianity, nihilism, modernism</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Through her fiction, Flannery O'Connor reenvisioned life as a supernatural war wherein each soul becomes the site of a clash of mysterious, almost incomprehensible forces. Her first novel, <em>Wise Blood</em>, tells the story of Hazel Motes, a young preacher with a new religion to sell: the Church Without Christ. In this episode, JF and Phil read Motes's misadventures in the "Jesus-haunted" city of Taulkinham, Tennessee, as a prophetic vision of the modern condition that is at once supremely tragic and funny as hell. As O'Connor herself wrote in her prefac to the book: "(<em>Wise Blood</em>) is a comic novel about a Christian <em>malgré lui</em>, and as such, very serious, for all comic novels that are any good must be about matters of life and death.</p>

<p><strong>REFERENCES</strong></p>

<p>Flannery O'Connor, <em><a href="https://en.wikipedia.org/wiki/Wise_Blood" rel="nofollow noopener">Wise Blood</a></em><br>
James Marshall, <em><a href="https://en.wikipedia.org/wiki/George_and_Martha" rel="nofollow noopener">George and Martha</a></em> (here's a great <a href="https://www.nytimes.com/2018/03/29/books/george-and-martha-james-marshall.html" rel="nofollow noopener">NYT piece</a> on the books)<br>
Graham Hancock, <em><a href="https://en.wikipedia.org/wiki/Fingerprints_of_the_Gods" rel="nofollow noopener">Fingerprints of the Gods</a></em><br>
Paul Elie, <em><a href="https://www.amazon.com/Life-You-Save-May-Your/dp/0374529213" rel="nofollow noopener">The Life You Save May Be Your Own: An American Pilgrimage</a></em><br>
Jonathan Haidt, <em><a href="https://en.wikipedia.org/wiki/The_Righteous_Mind" rel="nofollow noopener">The Righteous Mind</a></em><br>
G. K. Chesterton, <em><a href="https://www.gutenberg.org/ebooks/130" rel="nofollow noopener">Orthodoxy</a></em><br>
Daniel Ingram, <em><a href="https://www.mctb.org" rel="nofollow noopener">Mastering the Core Teachings of the Buddha</a></em><br>
George Santayana, <em><a href="https://en.wikipedia.org/wiki/The_Sense_of_Beauty" rel="nofollow noopener">The Sense of Beauty</a></em><br>
Amy Hungerford's <a href="https://oyc.yale.edu/english/engl-291/lecture-3" rel="nofollow noopener">lecture</a> on <em>Wise Blood</em> (Yale University)</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Through her fiction, Flannery O'Connor reenvisioned life as a supernatural war wherein each soul becomes the site of a clash of mysterious, almost incomprehensible forces. Her first novel, <em>Wise Blood</em>, tells the story of Hazel Motes, a young preacher with a new religion to sell: the Church Without Christ. In this episode, JF and Phil read Motes's misadventures in the "Jesus-haunted" city of Taulkinham, Tennessee, as a prophetic vision of the modern condition that is at once supremely tragic and funny as hell. As O'Connor herself wrote in her prefac to the book: "(<em>Wise Blood</em>) is a comic novel about a Christian <em>malgré lui</em>, and as such, very serious, for all comic novels that are any good must be about matters of life and death.</p>

<p><strong>REFERENCES</strong></p>

<p>Flannery O'Connor, <em><a href="https://en.wikipedia.org/wiki/Wise_Blood" rel="nofollow noopener">Wise Blood</a></em><br>
James Marshall, <em><a href="https://en.wikipedia.org/wiki/George_and_Martha" rel="nofollow noopener">George and Martha</a></em> (here's a great <a href="https://www.nytimes.com/2018/03/29/books/george-and-martha-james-marshall.html" rel="nofollow noopener">NYT piece</a> on the books)<br>
Graham Hancock, <em><a href="https://en.wikipedia.org/wiki/Fingerprints_of_the_Gods" rel="nofollow noopener">Fingerprints of the Gods</a></em><br>
Paul Elie, <em><a href="https://www.amazon.com/Life-You-Save-May-Your/dp/0374529213" rel="nofollow noopener">The Life You Save May Be Your Own: An American Pilgrimage</a></em><br>
Jonathan Haidt, <em><a href="https://en.wikipedia.org/wiki/The_Righteous_Mind" rel="nofollow noopener">The Righteous Mind</a></em><br>
G. K. Chesterton, <em><a href="https://www.gutenberg.org/ebooks/130" rel="nofollow noopener">Orthodoxy</a></em><br>
Daniel Ingram, <em><a href="https://www.mctb.org" rel="nofollow noopener">Mastering the Core Teachings of the Buddha</a></em><br>
George Santayana, <em><a href="https://en.wikipedia.org/wiki/The_Sense_of_Beauty" rel="nofollow noopener">The Sense of Beauty</a></em><br>
Amy Hungerford's <a href="https://oyc.yale.edu/english/engl-291/lecture-3" rel="nofollow noopener">lecture</a> on <em>Wise Blood</em> (Yale University)</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 5: Reading Lisa Ruddick's "When Nothing is Cool"</title>
  <link>https://www.weirdstudies.com/5</link>
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  <pubDate>Tue, 13 Mar 2018 15:45:00 -0400</pubDate>
  <author>Phil Ford and J. F. Martel</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/e38b53e4-e148-4e2d-b301-0b3bb15779ff/61e6357d-d09b-4ec0-aa93-2f9f9b0344f8.mp3" length="83130487" type="audio/mpeg"/>
  <itunes:episode>5</itunes:episode>
  <itunes:title>Reading Lisa Ruddick's "When Nothing is Cool"</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>Phil and JF do their best to weird the cultural politics of the postmodern academy. </itunes:subtitle>
  <itunes:duration>1:08:51</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
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  <description>&lt;p&gt;Phil and JF discuss Lisa Ruddick's "When Nothing is Cool," an essay on the postmodern humanities and its allergy to essences -- especially that personal essence we call soul. Maybe the soul is a heap of miscellaneous notions and influences that I paint a face onto and then call "me." Or maybe there is something under that painted effigy of the self. If so, what? And if there's nothing under there, could it be a nothing that delivers? &lt;/p&gt;

&lt;p&gt;&lt;strong&gt;WORKS DISCUSSED IN THIS EPISODE&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Lisa Ruddick, &lt;a href="https://thepointmag.com/2015/criticism/when-nothing-is-cool" rel="nofollow noopener"&gt;"When Nothing is Cool"&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Elizabeth Gilbert, &lt;a href="https://www.ted.com/talks/elizabeth_gilbert_on_genius" rel="nofollow noopener"&gt;"Your Elusive Creative Genius"&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Judith Halberstam, &lt;a href="https://read.dukeupress.edu/camera-obscura/article-abstract/9/3%20(27)/36/31508/Skinflick-Posthuman-Gender-in-Jonathan-Demme-s-The?redirectedFrom=fulltext" rel="nofollow noopener"&gt;"Skinflick: Posthuman Gender in Jonathan Demme's &lt;em&gt;The Silence of the Lambs&lt;/em&gt;"&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;a href="http://www.music.hku.hk/daniel_chua.html#books" rel="nofollow noopener"&gt;Daniel Chua&lt;/a&gt; (the musicologist whose name Phil couldn't remember)&lt;/p&gt;

&lt;p&gt;Brett Easton Ellis, &lt;a href="https://www.amazon.com/American-Psycho-Bret-Easton-Ellis/dp/0679735771" rel="nofollow noopener"&gt;American Psycho&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;Mary Harron, &lt;a href="https://en.wikipedia.org/wiki/American_Psycho_(film)" rel="nofollow noopener"&gt;American Psycho (film)&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;David Lynch, &lt;a href="http://www.sho.com/twin-peaks" rel="nofollow noopener"&gt;Twin Peaks: The Return&lt;/a&gt; &lt;/p&gt;
</description>
  <content:encoded>
    <![CDATA[<p>Phil and JF discuss Lisa Ruddick's "When Nothing is Cool," an essay on the postmodern humanities and its allergy to essences -- especially that personal essence we call soul. Maybe the soul is a heap of miscellaneous notions and influences that I paint a face onto and then call "me." Or maybe there is something under that painted effigy of the self. If so, what? And if there's nothing under there, could it be a nothing that delivers? </p>

<p><strong>WORKS DISCUSSED IN THIS EPISODE</strong></p>

<p>Lisa Ruddick, <a href="https://thepointmag.com/2015/criticism/when-nothing-is-cool" rel="nofollow noopener">"When Nothing is Cool"</a></p>

<p>Elizabeth Gilbert, <a href="https://www.ted.com/talks/elizabeth_gilbert_on_genius" rel="nofollow noopener">"Your Elusive Creative Genius"</a></p>

<p>Judith Halberstam, <a href="https://read.dukeupress.edu/camera-obscura/article-abstract/9/3%20(27)/36/31508/Skinflick-Posthuman-Gender-in-Jonathan-Demme-s-The?redirectedFrom=fulltext" rel="nofollow noopener">"Skinflick: Posthuman Gender in Jonathan Demme's <em>The Silence of the Lambs</em>"</a></p>

<p><a href="http://www.music.hku.hk/daniel_chua.html#books" rel="nofollow noopener">Daniel Chua</a> (the musicologist whose name Phil couldn't remember)</p>

<p>Brett Easton Ellis, <a href="https://www.amazon.com/American-Psycho-Bret-Easton-Ellis/dp/0679735771" rel="nofollow noopener">American Psycho</a></p>

<p>Mary Harron, <a href="https://en.wikipedia.org/wiki/American_Psycho_(film)" rel="nofollow noopener">American Psycho (film)</a></p>

<p>David Lynch, <a href="http://www.sho.com/twin-peaks" rel="nofollow noopener">Twin Peaks: The Return</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Phil and JF discuss Lisa Ruddick's "When Nothing is Cool," an essay on the postmodern humanities and its allergy to essences -- especially that personal essence we call soul. Maybe the soul is a heap of miscellaneous notions and influences that I paint a face onto and then call "me." Or maybe there is something under that painted effigy of the self. If so, what? And if there's nothing under there, could it be a nothing that delivers? </p>

<p><strong>WORKS DISCUSSED IN THIS EPISODE</strong></p>

<p>Lisa Ruddick, <a href="https://thepointmag.com/2015/criticism/when-nothing-is-cool" rel="nofollow noopener">"When Nothing is Cool"</a></p>

<p>Elizabeth Gilbert, <a href="https://www.ted.com/talks/elizabeth_gilbert_on_genius" rel="nofollow noopener">"Your Elusive Creative Genius"</a></p>

<p>Judith Halberstam, <a href="https://read.dukeupress.edu/camera-obscura/article-abstract/9/3%20(27)/36/31508/Skinflick-Posthuman-Gender-in-Jonathan-Demme-s-The?redirectedFrom=fulltext" rel="nofollow noopener">"Skinflick: Posthuman Gender in Jonathan Demme's <em>The Silence of the Lambs</em>"</a></p>

<p><a href="http://www.music.hku.hk/daniel_chua.html#books" rel="nofollow noopener">Daniel Chua</a> (the musicologist whose name Phil couldn't remember)</p>

<p>Brett Easton Ellis, <a href="https://www.amazon.com/American-Psycho-Bret-Easton-Ellis/dp/0679735771" rel="nofollow noopener">American Psycho</a></p>

<p>Mary Harron, <a href="https://en.wikipedia.org/wiki/American_Psycho_(film)" rel="nofollow noopener">American Psycho (film)</a></p>

<p>David Lynch, <a href="http://www.sho.com/twin-peaks" rel="nofollow noopener">Twin Peaks: The Return</a></p>]]>
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