Weird Studies - Episodes Tagged with “Meredith Michael”

Episode 181: On 'The X Files,' with Meredith Michael

Phil Ford and J. F. Martel — Wed, 04 Dec 2024 11:30:00 -0500

Chris Carter's The X-Files is weird on its face: a dramatic series that, from the start, presented itself as more than drama, an exploration of the reality of the paranormal using the tools of fiction, a fantasy posing as reality (or is it the other way around?). Strangely prescient, undeniably zany, and truly "hyperstitious," the series is likely to strike contemporary viewers as equal parts naive and prophetic. In this episode, music scholar and Weird Studies assistant Meredith Michael joins Phil and JF for a deep dive into the archival sublime of the filing cabinet marked "X."

To purchase tickets to JF and Phil's December 19th solstice event on Weirdosphere, with live music by Pierre-Yves Martel, to to weirdosphere.org.

Support us on Patreon.
Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page.
Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia.
Visit the Weird Studies Bookshop
Find us on Discord
Get the T-shirt design from Cotton Bureau!

REFERENCES

Cut-up technique
Phil Ford, “The View from the Cheap Seats at the UFO Show”
Richard Dawkins, Unweaving the Rainbow

Special Guest: Meredith Michael.

Episode 159: Three Songs, with Meredith Michael

Phil Ford and J. F. Martel — Wed, 06 Dec 2023 11:15:00 -0500

Every once in a while, JF and Phil like to do a “song swap.” Each picks a song, and the ensuing conversation locates linkages and correspondences where none was previously thought to exist. In this episode, they are joined by the music scholar Meredith Michael – Weird Studies assistant, and co-host of Cosmophonia, a podcast about music and outer space – to discuss songs by Lili Boulanger, Vienna Teng, and Iron & Wine. Before long, this disparate assortment personal favourites occasions a weirdly focused dialogue on time, impermanence, control, (mis)recognition, and the affinity of art and synchronicity.

Support us on Patreon.
Buy the Weird Studies sountrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page.
Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia.
Visit the Weird Studies Bookshop
Find us on Discord
Get the T-shirt design from Cotton Bureau!

REFERENCES
Iron and Wine, “Passing Afternoon”
Vienna Teng, “The Hymn of Acxiom”, (and here is the live version)
Lili Boulanger, Vieille Priére Bouddhique
Star Trek: Deep Space Nine
Karol Berger, Bach’s Cycle Mozart’s Arrow
William Shakespeare, Hamlet
Charles Darwin, The Origin of Species
Immanuel Kant, Critique of Pure Reason
Vladimir Jankelevitch, Music and the Ineffable
Hector Berlioz, Fugue on “amen” from La Damnation du Faust
Slavoj Zizek, A Pervert’s Guide to Idiology
Federico Campagna, Technic and Magic
Shepard Tone
Rudolf Steiner, The Influces of Lucifer and Ahriman Special Guest: Meredith Michael.

Episode 140: That Ain't Plot: On Hayao Miyazaki's 'Spirited Away,' with Meredith Michael

Phil Ford and J. F. Martel — Wed, 15 Feb 2023 11:30:00 -0500

Hayao Miyazaki's Spirited Away is one of those rare films that is both super popular and super weird. Rife with cinematic non sequiturs, unforgettable imagery, and moments of horror, it is an outstanding example of a story form that goes all the way back to the myth of Psyche and Eros from Apuleius's Golden Ass, if not earlier. In this type of story, a girl on the cusp of maturity steps into a magical realm where people and things from waking life reappear, draped in the gossamer of dream and nightmare. Musicologist and WS assistant Meredith Michael joins JF and Phil to discuss a strange jewel of Japanese animated cinema.

Support us on Patreon and get early access to Phil Ford's new podcast series on Wagner's Ring Cycle.

Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel
Find us on Discord
Get the T-shirt design from Cotton Bureau!
Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.)
Visit the Weird Studies Bookshop

REFERENCES

Hayao Miyazaki, Spirited Away
Kyle Gann, Robert Ashley
Robert Ashely, Perfect Lives
Apuleius, “Psyche and Eros” from The Golden Ass
Henri Bergson, Time and Free Will
Kentucky Route Zero, video game
Legend of Zelda Breath of the Wild, video game
Jean Sibelius, 5th Symphony
Quentin Tarantino, film maker
Mark Rothko, American painter
Giles Deleuze, “What is the Creative Act?”
GK Chesterton, Orthdoxy
Herman Hesse, Siddhartha
Andrew Osmond, BFI Guide to Spirited Away

Special Guest: Meredith Michael.

Episode 119: Behind the Cosmic Curtain: On Stanislaw Lem's 'The New Cosmogony,' with Meredith Michael

Phil Ford and J. F. Martel — Wed, 30 Mar 2022 10:30:00 -0400

Over the last several centuries, there has been one thing on which science and religion have generally agreed, and that is the fixity of the laws under which the universe came to be. At the moment of the Big Bang or the dawn of the First Day, the underlying principles that govern reality were already set, and they have never changed. But what if the laws of nature were not as chiseled in stone as Western intellectuals on both sides of the magisterial divide have assumed them to be? What if creation was an ongoing process, such that our universe in its beginning might have behaved very differently from how it does at present? This is the central conceit of Stanislaw Lem's story "The New Cosmogony," the capstone of his metafictional collection A Perfect Vacuum, originally published in 1971. In this episode, Meredith Michael joins JF and Phil to discuss the metaphysical implications of the idea that nature is an eternal work-in-progress.

Support us on Patreon
Find us on Discord
Get the new T-shirt design from Cotton Bureau!
Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.)
Visit the Weird Studies Bookshop
Buy the Weird Studies soundtrack

REFERENCES

For more information JF's new course, Groundwork for a Philosophy of Magic, visit Nura Learning.

Stanislaw Lem, “A New Cosmogony” in A Perfect Vacuum
Weird Studies, Episode 118 The Unseen and Unnamed
Ramsey Dukes, SSOTBME
Quentin Meillassoux, After Finitude
M. John Harrison, The Course of the Heart
Michael Harner, The Way of the Shaman
Richard Dawkins, The Selfish Gene
Stanislaw Lem, Solaris
Stanislaw Lem, His Master’s Voice
David Pruett, Reason and Wonder
Andrei Tarkovsky (dir.), Solaris
Philip K. Dick, “Do Androids Dream of Electric Sheep”
Andrew W.K., “No One to Know”

Special Guest: Meredith Michael.

Episode 118: The Unseen and the Unnamed, with Meredith Michael

Phil Ford and J. F. Martel — Wed, 16 Mar 2022 11:30:00 -0400

In this episode, Phil and JF are joined by music scholar and Weird Studies assistant Meredith Michael to discuss two strange and unsettling short stories: J.G. Ballard's "The Gioconda of the Twilight Noon" (1964) and Ursula K. Le Guin's "She Unnames Them" (1985). Their plan was to talk about three stories, but they never got to Phil's pick, which will be the focus of episode 119. The reason is that Le Guin and Ballard's stories share surprising resonances that merited close discussion. From opposite perspectives, both tales put words to a region of reality that resists discursive description, a borderland where that which is named reveals its unnamed facet, and that which must remain unseen reveals itself to the inner eye.

REFERENCES

J. G. Ballard, “The Giaconda of the Twilight Noon,” from The Complete Stories of J. G. Ballard
Ursula K. Le Guin, "She Unnames Them," from The Real and the Uneal
Alfred Hitchcock (dir.), The Birds
Jung's concept of the collective unconscious
Walter Pater, The Renaissance
Ursula K. Le Guin, “She Unnames Them” in The Real and the Unreal
Henri Bergson, Creative Evolution
M. C .Richards, Centering
Weird Studies, Episode 35 on Centering
Weird Studies, Episode 81 on The Course of the Heart
Weird Studies, Episode 84 on the Empress
Linguistically deprived children
Walter Ong, Orality and Literacy
Samuel Taylor Coleridge's thoughts on on imagination and fancy can be found in Biographia Literaria Special Guest: Meredith Michael.