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    <title>Weird Studies - Episodes Tagged with “Media Theory”</title>
    <link>https://www.weirdstudies.com/tags/media%20theory</link>
    <pubDate>Wed, 08 Nov 2023 11:00:00 -0500</pubDate>
    <description>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality."</description>
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    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>Art and philosophy at the limits of the thinkable</itunes:subtitle>
    <itunes:author>Phil Ford and J. F. Martel</itunes:author>
    <itunes:summary>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality."</itunes:summary>
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      <itunes:name>Phil Ford and J. F. Martel</itunes:name>
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  <itunes:category text="Philosophy"/>
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<item>
  <title>Episode 157: Long Live the New Flesh: On David Cronenberg's 'Videodrome'</title>
  <link>https://www.weirdstudies.com/157</link>
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  <pubDate>Wed, 08 Nov 2023 11:00:00 -0500</pubDate>
  <author>Phil Ford and J. F. Martel</author>
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  <itunes:episode>157</itunes:episode>
  <itunes:title>Long Live the New Flesh: On David Cronenberg's 'Videodrome'</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>Phil and JF discuss David Cronenberg's 1983 masterpiece of body horror.</itunes:subtitle>
  <itunes:duration>1:14:04</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/e/e38b53e4-e148-4e2d-b301-0b3bb15779ff/cover.jpg?v=1"/>
  <description>&lt;p&gt;"Death to Videodrome! Long live the New Flesh!"&lt;/p&gt;

&lt;p&gt;It was perhaps inevitable that the modern Weird, driven as it is to swallow all things, would sooner or later veer into the realm of political sloganeering without losing any of its unknowable essence. David Cronenberg's 1983 film &lt;em&gt;Videodrome&lt;/em&gt; is more than a masterwork of body horror: it is a study in technopolitics, a meditation on the complex weave of imagination and perception, and a prophecy of the now on-going coalescence of flesh and technology into a strange new alloy. In this episode, recorded live after a screening of the film at Indiana &lt;a href="https://cinema.indiana.edu/index.html" rel="nofollow noopener"&gt;University Cinema&lt;/a&gt; in Bloomington, JF and Phil set out to interpret Cronenberg's vision... and come to dig the New Flesh.&lt;/p&gt;

&lt;p&gt;Support us on &lt;a href="https://www.patreon.com/weirdstudies" rel="nofollow noopener"&gt;Patreon&lt;/a&gt;.&lt;br&gt;
Buy the Weird Studies sountrack, volumes &lt;a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1" rel="nofollow noopener"&gt;1&lt;/a&gt; and &lt;a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2" rel="nofollow noopener"&gt;2&lt;/a&gt;, on Pierre-Yves Martel's &lt;a href="https://pierre-yvesmartel.bandcamp.com" rel="nofollow noopener"&gt;Bandcamp&lt;/a&gt; page.&lt;br&gt;
Listen to Meredith Michael and Gabriel Lubell's podcast, &lt;em&gt;&lt;a href="https://cosmophonia.podbean.com/" rel="nofollow noopener"&gt;Cosmophonia&lt;/a&gt;&lt;/em&gt;.&lt;br&gt;
Visit the Weird Studies &lt;a href="https://bookshop.org/shop/weirdstudies" rel="nofollow noopener"&gt;Bookshop&lt;/a&gt;&lt;br&gt;
Find us on &lt;a href="https://discord.com/invite/Jw22CHfGwp" rel="nofollow noopener"&gt;Discord&lt;/a&gt;&lt;br&gt;
Get the T-shirt design from &lt;a href="https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s" rel="nofollow noopener"&gt;Cotton Bureau&lt;/a&gt;!&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;REFERENCES&lt;/strong&gt;&lt;br&gt;
David Cronenberg, &lt;em&gt;&lt;a href="https://www.imdb.com/title/tt0086541/" rel="nofollow noopener"&gt;Videodrome&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Maurice Merleau-Ponty, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9780810104570" rel="nofollow noopener"&gt;The Visible and the Invisible&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Paul Virilio, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9781844670598" rel="nofollow noopener"&gt;The Information Bomb&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Weird Studies, &lt;a href="https://www.weirdstudies.com/75" rel="nofollow noopener"&gt;Episode 75 on “2001: A Space Odyssey”&lt;/a&gt; &lt;br&gt;
Richard Porton and David Cronenberg, &lt;a href="https://www.jstor.org/stable/41690094" rel="nofollow noopener"&gt;"The Film Director as Philosopher: An Interview with David Cronenberg"&lt;/a&gt; &lt;br&gt;
George Hickenlooper and David Cronenberg, &lt;a href="https://www.jstor.org/stable/41687643" rel="nofollow noopener"&gt;"The Primal Energies of the Horror Film: An Interview with David Cronenberg"&lt;/a&gt; &lt;br&gt;
Weird Studies, &lt;a href="https://www.weirdstudies.com/144" rel="nofollow noopener"&gt;Episode 144 with Connor Habib&lt;/a&gt; &lt;br&gt;
William Friedkin (dir.), &lt;em&gt;&lt;a href="https://www.imdb.com/title/tt0070047/" rel="nofollow noopener"&gt;The Exorcist&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Plato, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9780140455045" rel="nofollow noopener"&gt;Timaeus&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
William Gibson, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9780425158647" rel="nofollow noopener"&gt;Idoru&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
CBC, &lt;a href="https://www.cbc.ca/player/play/1564883669" rel="nofollow noopener"&gt;Yorkville: Hippie Haven&lt;/a&gt; &lt;br&gt;
Linda Williams, &lt;a href="https://www.jstor.org/stable/1212758" rel="nofollow noopener"&gt;“Film Bodies: Gender, Genre, and Excess”&lt;/a&gt;  &lt;/p&gt;
</description>
  <itunes:keywords>Cronenberg, videodrome, interpretation, critique, technology, media, new flesh, body horror, weird studies</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>"Death to Videodrome! Long live the New Flesh!"</p>

<p>It was perhaps inevitable that the modern Weird, driven as it is to swallow all things, would sooner or later veer into the realm of political sloganeering without losing any of its unknowable essence. David Cronenberg's 1983 film <em>Videodrome</em> is more than a masterwork of body horror: it is a study in technopolitics, a meditation on the complex weave of imagination and perception, and a prophecy of the now on-going coalescence of flesh and technology into a strange new alloy. In this episode, recorded live after a screening of the film at Indiana <a href="https://cinema.indiana.edu/index.html" rel="nofollow noopener">University Cinema</a> in Bloomington, JF and Phil set out to interpret Cronenberg's vision... and come to dig the New Flesh.</p>

<p>Support us on <a href="https://www.patreon.com/weirdstudies" rel="nofollow noopener">Patreon</a>.<br>
Buy the Weird Studies sountrack, volumes <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1" rel="nofollow noopener">1</a> and <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2" rel="nofollow noopener">2</a>, on Pierre-Yves Martel's <a href="https://pierre-yvesmartel.bandcamp.com" rel="nofollow noopener">Bandcamp</a> page.<br>
Listen to Meredith Michael and Gabriel Lubell's podcast, <em><a href="https://cosmophonia.podbean.com/" rel="nofollow noopener">Cosmophonia</a></em>.<br>
Visit the Weird Studies <a href="https://bookshop.org/shop/weirdstudies" rel="nofollow noopener">Bookshop</a><br>
Find us on <a href="https://discord.com/invite/Jw22CHfGwp" rel="nofollow noopener">Discord</a><br>
Get the T-shirt design from <a href="https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s" rel="nofollow noopener">Cotton Bureau</a>!</p>

<p><strong>REFERENCES</strong><br>
David Cronenberg, <em><a href="https://www.imdb.com/title/tt0086541/" rel="nofollow noopener">Videodrome</a></em> <br>
Maurice Merleau-Ponty, <em><a href="https://bookshop.org/a/18799/9780810104570" rel="nofollow noopener">The Visible and the Invisible</a></em> <br>
Paul Virilio, <em><a href="https://bookshop.org/a/18799/9781844670598" rel="nofollow noopener">The Information Bomb</a></em> <br>
Weird Studies, <a href="https://www.weirdstudies.com/75" rel="nofollow noopener">Episode 75 on “2001: A Space Odyssey”</a> <br>
Richard Porton and David Cronenberg, <a href="https://www.jstor.org/stable/41690094" rel="nofollow noopener">"The Film Director as Philosopher: An Interview with David Cronenberg"</a> <br>
George Hickenlooper and David Cronenberg, <a href="https://www.jstor.org/stable/41687643" rel="nofollow noopener">"The Primal Energies of the Horror Film: An Interview with David Cronenberg"</a> <br>
Weird Studies, <a href="https://www.weirdstudies.com/144" rel="nofollow noopener">Episode 144 with Connor Habib</a> <br>
William Friedkin (dir.), <em><a href="https://www.imdb.com/title/tt0070047/" rel="nofollow noopener">The Exorcist</a></em> <br>
Plato, <em><a href="https://bookshop.org/a/18799/9780140455045" rel="nofollow noopener">Timaeus</a></em> <br>
William Gibson, <em><a href="https://bookshop.org/a/18799/9780425158647" rel="nofollow noopener">Idoru</a></em> <br>
CBC, <a href="https://www.cbc.ca/player/play/1564883669" rel="nofollow noopener">Yorkville: Hippie Haven</a> <br>
Linda Williams, <a href="https://www.jstor.org/stable/1212758" rel="nofollow noopener">“Film Bodies: Gender, Genre, and Excess”</a> </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>"Death to Videodrome! Long live the New Flesh!"</p>

<p>It was perhaps inevitable that the modern Weird, driven as it is to swallow all things, would sooner or later veer into the realm of political sloganeering without losing any of its unknowable essence. David Cronenberg's 1983 film <em>Videodrome</em> is more than a masterwork of body horror: it is a study in technopolitics, a meditation on the complex weave of imagination and perception, and a prophecy of the now on-going coalescence of flesh and technology into a strange new alloy. In this episode, recorded live after a screening of the film at Indiana <a href="https://cinema.indiana.edu/index.html" rel="nofollow noopener">University Cinema</a> in Bloomington, JF and Phil set out to interpret Cronenberg's vision... and come to dig the New Flesh.</p>

<p>Support us on <a href="https://www.patreon.com/weirdstudies" rel="nofollow noopener">Patreon</a>.<br>
Buy the Weird Studies sountrack, volumes <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1" rel="nofollow noopener">1</a> and <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2" rel="nofollow noopener">2</a>, on Pierre-Yves Martel's <a href="https://pierre-yvesmartel.bandcamp.com" rel="nofollow noopener">Bandcamp</a> page.<br>
Listen to Meredith Michael and Gabriel Lubell's podcast, <em><a href="https://cosmophonia.podbean.com/" rel="nofollow noopener">Cosmophonia</a></em>.<br>
Visit the Weird Studies <a href="https://bookshop.org/shop/weirdstudies" rel="nofollow noopener">Bookshop</a><br>
Find us on <a href="https://discord.com/invite/Jw22CHfGwp" rel="nofollow noopener">Discord</a><br>
Get the T-shirt design from <a href="https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s" rel="nofollow noopener">Cotton Bureau</a>!</p>

<p><strong>REFERENCES</strong><br>
David Cronenberg, <em><a href="https://www.imdb.com/title/tt0086541/" rel="nofollow noopener">Videodrome</a></em> <br>
Maurice Merleau-Ponty, <em><a href="https://bookshop.org/a/18799/9780810104570" rel="nofollow noopener">The Visible and the Invisible</a></em> <br>
Paul Virilio, <em><a href="https://bookshop.org/a/18799/9781844670598" rel="nofollow noopener">The Information Bomb</a></em> <br>
Weird Studies, <a href="https://www.weirdstudies.com/75" rel="nofollow noopener">Episode 75 on “2001: A Space Odyssey”</a> <br>
Richard Porton and David Cronenberg, <a href="https://www.jstor.org/stable/41690094" rel="nofollow noopener">"The Film Director as Philosopher: An Interview with David Cronenberg"</a> <br>
George Hickenlooper and David Cronenberg, <a href="https://www.jstor.org/stable/41687643" rel="nofollow noopener">"The Primal Energies of the Horror Film: An Interview with David Cronenberg"</a> <br>
Weird Studies, <a href="https://www.weirdstudies.com/144" rel="nofollow noopener">Episode 144 with Connor Habib</a> <br>
William Friedkin (dir.), <em><a href="https://www.imdb.com/title/tt0070047/" rel="nofollow noopener">The Exorcist</a></em> <br>
Plato, <em><a href="https://bookshop.org/a/18799/9780140455045" rel="nofollow noopener">Timaeus</a></em> <br>
William Gibson, <em><a href="https://bookshop.org/a/18799/9780425158647" rel="nofollow noopener">Idoru</a></em> <br>
CBC, <a href="https://www.cbc.ca/player/play/1564883669" rel="nofollow noopener">Yorkville: Hippie Haven</a> <br>
Linda Williams, <a href="https://www.jstor.org/stable/1212758" rel="nofollow noopener">“Film Bodies: Gender, Genre, and Excess”</a> </p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 71: The Medium is the Message</title>
  <link>https://www.weirdstudies.com/71</link>
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  <pubDate>Wed, 15 Apr 2020 13:00:00 -0400</pubDate>
  <author>Phil Ford and J. F. Martel</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/e38b53e4-e148-4e2d-b301-0b3bb15779ff/d7b3c31a-78fe-4526-8c5b-10570037f4b9.mp3" length="81530937" type="audio/mpeg"/>
  <itunes:episode>71</itunes:episode>
  <itunes:title>The Medium is the Message</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>JF and Phil discuss the meanings of Marshall McLuhan's famous utterance.</itunes:subtitle>
  <itunes:duration>1:24:53</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/e/e38b53e4-e148-4e2d-b301-0b3bb15779ff/cover.jpg?v=1"/>
  <description>&lt;p&gt;On the surface, the phrase "the medium is the message," prophetic as it may have been when Marshall McLuhan coined it, points a now-obvious fact of our wired world, namely that the &lt;em&gt;content&lt;/em&gt; of any medium is less important than its &lt;em&gt;form&lt;/em&gt;. The advent of email, for instance, has brought about changes in society and culture that are more far-reaching than the content of any particular email. On the other hand, this aphorism of  McLuhan's has the ring of an utterance of the Delphic Oracle. As Phil proposes in this episode of Weird Studies, it is an example of what Zen practitioners call a &lt;em&gt;koan&lt;/em&gt;, a statement that occludes and illumines in equal measures, a jewel whose shining surface is an invitation to descend into dark depths. Join JF and Phil as they discuss the mystical and cosmic implications of McLuhan's oracular vision.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;REFERENCES&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;McLuhan, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/Understanding_Media" rel="nofollow noopener"&gt;Understanding Media&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
The &lt;em&gt;Playboy&lt;/em&gt; &lt;a href="https://nextnature.net/2009/12/the-playboy-interview-marshall-mcluhan" rel="nofollow noopener"&gt;interview&lt;/a&gt;&lt;br&gt;
McLuhan and Quentin Fiore, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/The_Medium_Is_the_Massage" rel="nofollow noopener"&gt;The Medium is the Massage: An Inventory of Effects&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Graham_Harman" rel="nofollow noopener"&gt;Graham Harman&lt;/a&gt;, American philosopher&lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Clement_Greenberg" rel="nofollow noopener"&gt;Clement Greenberg&lt;/a&gt;, American critic&lt;br&gt;
Dale Pendell, &lt;em&gt;&lt;a href="https://www.amazon.com/gp/product/1556438052/ref=dbs_a_def_rwt_bibl_vppi_i2" rel="nofollow noopener"&gt;Pharmako/Poeia: Plant Powers, Poisons, and Herbcraft&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Brian_Eno" rel="nofollow noopener"&gt;Brian Eno&lt;/a&gt;, British composer&lt;br&gt;
Marshall and Eric McLuhan, &lt;em&gt;&lt;a href="https://utorontopress.com/ca/laws-of-media-1" rel="nofollow noopener"&gt;The Laws of Media: The New Science&lt;/a&gt; _&lt;br&gt;
Jonathan Sterne, _&lt;a href="https://www.dukeupress.edu/the-audible-past" rel="nofollow noopener"&gt;The Audible Past: Cultural Origins of Sound Reproduction&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Eric McLuhan and Frank Zingrone (editors), &lt;em&gt;&lt;a href="https://www.amazon.com/Essential-McLuhan-Eric/dp/0465019951" rel="nofollow noopener"&gt;The Essential McLuhan&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Charles A. Reich, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/The_Greening_of_America" rel="nofollow noopener"&gt;The Greening of America&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
David Fincher (director), &lt;em&gt;&lt;a href="https://www.imdb.com/title/tt1285016/" rel="nofollow noopener"&gt;The Social Network&lt;/a&gt; _&lt;br&gt;
Gilles Deleuze, _&lt;a href="https://www.upress.umn.edu/book-division/books/cinema-1" rel="nofollow noopener"&gt;Cinema I&lt;/a&gt; _and _&lt;a href="https://www.upress.umn.edu/book-division/books/cinema-2" rel="nofollow noopener"&gt;Cinema II&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Jean Gebser, &lt;em&gt;&lt;a href="https://www.amazon.com/Ever-Present-Origin-Part-Aperspectival-Manifestations/dp/0821407694" rel="nofollow noopener"&gt;The Ever-Present Origin&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Eric Havelock,_ &lt;a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674699069" rel="nofollow noopener"&gt;Preface to Plato&lt;/a&gt;_&lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Walter_J._Ong" rel="nofollow noopener"&gt;Walter J. Ong&lt;/a&gt;, American theorist &lt;br&gt;
Plato, &lt;em&gt;[Republic](&lt;a href="https://en.wikipedia.org/wiki/Republic" rel="nofollow noopener"&gt;https://en.wikipedia.org/wiki/Republic&lt;/a&gt;&lt;/em&gt;(Plato))_&lt;/p&gt;
</description>
  <itunes:keywords>Marshall McLuhan, medium is the message, communications, mysticism, meaning, significance</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>On the surface, the phrase "the medium is the message," prophetic as it may have been when Marshall McLuhan coined it, points a now-obvious fact of our wired world, namely that the <em>content</em> of any medium is less important than its <em>form</em>. The advent of email, for instance, has brought about changes in society and culture that are more far-reaching than the content of any particular email. On the other hand, this aphorism of  McLuhan's has the ring of an utterance of the Delphic Oracle. As Phil proposes in this episode of Weird Studies, it is an example of what Zen practitioners call a <em>koan</em>, a statement that occludes and illumines in equal measures, a jewel whose shining surface is an invitation to descend into dark depths. Join JF and Phil as they discuss the mystical and cosmic implications of McLuhan's oracular vision.</p>

<p><strong>REFERENCES</strong></p>

<p>McLuhan, <em><a href="https://en.wikipedia.org/wiki/Understanding_Media" rel="nofollow noopener">Understanding Media</a></em><br>
The <em>Playboy</em> <a href="https://nextnature.net/2009/12/the-playboy-interview-marshall-mcluhan" rel="nofollow noopener">interview</a><br>
McLuhan and Quentin Fiore, <em><a href="https://en.wikipedia.org/wiki/The_Medium_Is_the_Massage" rel="nofollow noopener">The Medium is the Massage: An Inventory of Effects</a></em><br>
<a href="https://en.wikipedia.org/wiki/Graham_Harman" rel="nofollow noopener">Graham Harman</a>, American philosopher<br>
<a href="https://en.wikipedia.org/wiki/Clement_Greenberg" rel="nofollow noopener">Clement Greenberg</a>, American critic<br>
Dale Pendell, <em><a href="https://www.amazon.com/gp/product/1556438052/ref=dbs_a_def_rwt_bibl_vppi_i2" rel="nofollow noopener">Pharmako/Poeia: Plant Powers, Poisons, and Herbcraft</a></em><br>
<a href="https://en.wikipedia.org/wiki/Brian_Eno" rel="nofollow noopener">Brian Eno</a>, British composer<br>
Marshall and Eric McLuhan, <em><a href="https://utorontopress.com/ca/laws-of-media-1" rel="nofollow noopener">The Laws of Media: The New Science</a> _<br>
Jonathan Sterne, _<a href="https://www.dukeupress.edu/the-audible-past" rel="nofollow noopener">The Audible Past: Cultural Origins of Sound Reproduction</a></em><br>
Eric McLuhan and Frank Zingrone (editors), <em><a href="https://www.amazon.com/Essential-McLuhan-Eric/dp/0465019951" rel="nofollow noopener">The Essential McLuhan</a></em><br>
Charles A. Reich, <em><a href="https://en.wikipedia.org/wiki/The_Greening_of_America" rel="nofollow noopener">The Greening of America</a></em><br>
David Fincher (director), <em><a href="https://www.imdb.com/title/tt1285016/" rel="nofollow noopener">The Social Network</a> _<br>
Gilles Deleuze, _<a href="https://www.upress.umn.edu/book-division/books/cinema-1" rel="nofollow noopener">Cinema I</a> _and _<a href="https://www.upress.umn.edu/book-division/books/cinema-2" rel="nofollow noopener">Cinema II</a></em><br>
Jean Gebser, <em><a href="https://www.amazon.com/Ever-Present-Origin-Part-Aperspectival-Manifestations/dp/0821407694" rel="nofollow noopener">The Ever-Present Origin</a></em><br>
Eric Havelock,_ <a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674699069" rel="nofollow noopener">Preface to Plato</a>_<br>
<a href="https://en.wikipedia.org/wiki/Walter_J._Ong" rel="nofollow noopener">Walter J. Ong</a>, American theorist <br>
Plato, <em>[Republic](<a href="https://en.wikipedia.org/wiki/Republic" rel="nofollow noopener">https://en.wikipedia.org/wiki/Republic</a></em>(Plato))_</p>]]>
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    <![CDATA[<p>On the surface, the phrase "the medium is the message," prophetic as it may have been when Marshall McLuhan coined it, points a now-obvious fact of our wired world, namely that the <em>content</em> of any medium is less important than its <em>form</em>. The advent of email, for instance, has brought about changes in society and culture that are more far-reaching than the content of any particular email. On the other hand, this aphorism of  McLuhan's has the ring of an utterance of the Delphic Oracle. As Phil proposes in this episode of Weird Studies, it is an example of what Zen practitioners call a <em>koan</em>, a statement that occludes and illumines in equal measures, a jewel whose shining surface is an invitation to descend into dark depths. Join JF and Phil as they discuss the mystical and cosmic implications of McLuhan's oracular vision.</p>

<p><strong>REFERENCES</strong></p>

<p>McLuhan, <em><a href="https://en.wikipedia.org/wiki/Understanding_Media" rel="nofollow noopener">Understanding Media</a></em><br>
The <em>Playboy</em> <a href="https://nextnature.net/2009/12/the-playboy-interview-marshall-mcluhan" rel="nofollow noopener">interview</a><br>
McLuhan and Quentin Fiore, <em><a href="https://en.wikipedia.org/wiki/The_Medium_Is_the_Massage" rel="nofollow noopener">The Medium is the Massage: An Inventory of Effects</a></em><br>
<a href="https://en.wikipedia.org/wiki/Graham_Harman" rel="nofollow noopener">Graham Harman</a>, American philosopher<br>
<a href="https://en.wikipedia.org/wiki/Clement_Greenberg" rel="nofollow noopener">Clement Greenberg</a>, American critic<br>
Dale Pendell, <em><a href="https://www.amazon.com/gp/product/1556438052/ref=dbs_a_def_rwt_bibl_vppi_i2" rel="nofollow noopener">Pharmako/Poeia: Plant Powers, Poisons, and Herbcraft</a></em><br>
<a href="https://en.wikipedia.org/wiki/Brian_Eno" rel="nofollow noopener">Brian Eno</a>, British composer<br>
Marshall and Eric McLuhan, <em><a href="https://utorontopress.com/ca/laws-of-media-1" rel="nofollow noopener">The Laws of Media: The New Science</a> _<br>
Jonathan Sterne, _<a href="https://www.dukeupress.edu/the-audible-past" rel="nofollow noopener">The Audible Past: Cultural Origins of Sound Reproduction</a></em><br>
Eric McLuhan and Frank Zingrone (editors), <em><a href="https://www.amazon.com/Essential-McLuhan-Eric/dp/0465019951" rel="nofollow noopener">The Essential McLuhan</a></em><br>
Charles A. Reich, <em><a href="https://en.wikipedia.org/wiki/The_Greening_of_America" rel="nofollow noopener">The Greening of America</a></em><br>
David Fincher (director), <em><a href="https://www.imdb.com/title/tt1285016/" rel="nofollow noopener">The Social Network</a> _<br>
Gilles Deleuze, _<a href="https://www.upress.umn.edu/book-division/books/cinema-1" rel="nofollow noopener">Cinema I</a> _and _<a href="https://www.upress.umn.edu/book-division/books/cinema-2" rel="nofollow noopener">Cinema II</a></em><br>
Jean Gebser, <em><a href="https://www.amazon.com/Ever-Present-Origin-Part-Aperspectival-Manifestations/dp/0821407694" rel="nofollow noopener">The Ever-Present Origin</a></em><br>
Eric Havelock,_ <a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674699069" rel="nofollow noopener">Preface to Plato</a>_<br>
<a href="https://en.wikipedia.org/wiki/Walter_J._Ong" rel="nofollow noopener">Walter J. Ong</a>, American theorist <br>
Plato, <em>[Republic](<a href="https://en.wikipedia.org/wiki/Republic" rel="nofollow noopener">https://en.wikipedia.org/wiki/Republic</a></em>(Plato))_</p>]]>
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