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    <title>Weird Studies - Episodes Tagged with “Media Theory”</title>
    <link>https://www.weirdstudies.com/tags/media%20theory</link>
    <pubDate>Wed, 08 Nov 2023 11:00:00 -0500</pubDate>
    <description>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality." 
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    <itunes:subtitle>Art and philosophy at the limits of the thinkable</itunes:subtitle>
    <itunes:author>Phil Ford and J. F. Martel</itunes:author>
    <itunes:summary>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality." 
</itunes:summary>
    <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/e/e38b53e4-e148-4e2d-b301-0b3bb15779ff/cover.jpg?v=1"/>
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      <itunes:name>Phil Ford and J. F. Martel</itunes:name>
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<itunes:category text="Arts"/>
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  <itunes:category text="Philosophy"/>
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<item>
  <title>Episode 157: Long Live the New Flesh: On David Cronenberg's 'Videodrome'</title>
  <link>https://www.weirdstudies.com/157</link>
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  <pubDate>Wed, 08 Nov 2023 11:00:00 -0500</pubDate>
  <author>Phil Ford and J. F. Martel</author>
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  <itunes:episode>157</itunes:episode>
  <itunes:title>Long Live the New Flesh: On David Cronenberg's 'Videodrome'</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>Phil and JF discuss David Cronenberg's 1983 masterpiece of body horror.</itunes:subtitle>
  <itunes:duration>1:14:04</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/e/e38b53e4-e148-4e2d-b301-0b3bb15779ff/cover.jpg?v=1"/>
  <description>"Death to Videodrome! Long live the New Flesh!"
It was perhaps inevitable that the modern Weird, driven as it is to swallow all things, would sooner or later veer into the realm of political sloganeering without losing any of its unknowable essence. David Cronenberg's 1983 film Videodrome is more than a masterwork of body horror: it is a study in technopolitics, a meditation on the complex weave of imagination and perception, and a prophecy of the now on-going coalescence of flesh and technology into a strange new alloy. In this episode, recorded live after a screening of the film at Indiana University Cinema (https://cinema.indiana.edu/index.html) in Bloomington, JF and Phil set out to interpret Cronenberg's vision... and come to dig the New Flesh.
Support us on Patreon (https://www.patreon.com/weirdstudies).
Buy the Weird Studies sountrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page.
Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/).
Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies)
Find us on Discord (https://discord.com/invite/Jw22CHfGwp)
Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)!
REFERENCES
David Cronenberg, Videodrome (https://www.imdb.com/title/tt0086541/) 
Maurice Merleau-Ponty, The Visible and the Invisible (https://bookshop.org/a/18799/9780810104570) 
Paul Virilio, The Information Bomb (https://bookshop.org/a/18799/9781844670598) 
Weird Studies, Episode 75 on “2001: A Space Odyssey” (https://www.weirdstudies.com/75) 
Richard Porton and David Cronenberg, "The Film Director as Philosopher: An Interview with David Cronenberg" (https://www.jstor.org/stable/41690094) 
George Hickenlooper and David Cronenberg, "The Primal Energies of the Horror Film: An Interview with David Cronenberg" (https://www.jstor.org/stable/41687643) 
Weird Studies, Episode 144 with Connor Habib (https://www.weirdstudies.com/144) 
William Friedkin (dir.), The Exorcist (https://www.imdb.com/title/tt0070047/) 
Plato, Timaeus (https://bookshop.org/a/18799/9780140455045) 
William Gibson, Idoru (https://bookshop.org/a/18799/9780425158647) 
CBC, Yorkville: Hippie Haven (https://www.cbc.ca/player/play/1564883669) 
Linda Williams, “Film Bodies: Gender, Genre, and Excess” (https://www.jstor.org/stable/1212758)  
</description>
  <itunes:keywords>Cronenberg, videodrome, interpretation, critique, technology, media, new flesh, body horror, weird studies</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>&quot;Death to Videodrome! Long live the New Flesh!&quot;</p>

<p>It was perhaps inevitable that the modern Weird, driven as it is to swallow all things, would sooner or later veer into the realm of political sloganeering without losing any of its unknowable essence. David Cronenberg&#39;s 1983 film <em>Videodrome</em> is more than a masterwork of body horror: it is a study in technopolitics, a meditation on the complex weave of imagination and perception, and a prophecy of the now on-going coalescence of flesh and technology into a strange new alloy. In this episode, recorded live after a screening of the film at Indiana <a href="https://cinema.indiana.edu/index.html" rel="nofollow">University Cinema</a> in Bloomington, JF and Phil set out to interpret Cronenberg&#39;s vision... and come to dig the New Flesh.</p>

<p>Support us on <a href="https://www.patreon.com/weirdstudies" rel="nofollow">Patreon</a>.<br>
Buy the Weird Studies sountrack, volumes <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1" rel="nofollow">1</a> and <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2" rel="nofollow">2</a>, on Pierre-Yves Martel&#39;s <a href="https://pierre-yvesmartel.bandcamp.com" rel="nofollow">Bandcamp</a> page.<br>
Listen to Meredith Michael and Gabriel Lubell&#39;s podcast, <em><a href="https://cosmophonia.podbean.com/" rel="nofollow">Cosmophonia</a></em>.<br>
Visit the Weird Studies <a href="https://bookshop.org/shop/weirdstudies" rel="nofollow">Bookshop</a><br>
Find us on <a href="https://discord.com/invite/Jw22CHfGwp" rel="nofollow">Discord</a><br>
Get the T-shirt design from <a href="https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s" rel="nofollow">Cotton Bureau</a>!</p>

<p><strong>REFERENCES</strong><br>
David Cronenberg, <em><a href="https://www.imdb.com/title/tt0086541/" rel="nofollow">Videodrome</a></em> <br>
Maurice Merleau-Ponty, <em><a href="https://bookshop.org/a/18799/9780810104570" rel="nofollow">The Visible and the Invisible</a></em> <br>
Paul Virilio, <em><a href="https://bookshop.org/a/18799/9781844670598" rel="nofollow">The Information Bomb</a></em> <br>
Weird Studies, <a href="https://www.weirdstudies.com/75" rel="nofollow">Episode 75 on “2001: A Space Odyssey”</a> <br>
Richard Porton and David Cronenberg, <a href="https://www.jstor.org/stable/41690094" rel="nofollow">&quot;The Film Director as Philosopher: An Interview with David Cronenberg&quot;</a> <br>
George Hickenlooper and David Cronenberg, <a href="https://www.jstor.org/stable/41687643" rel="nofollow">&quot;The Primal Energies of the Horror Film: An Interview with David Cronenberg&quot;</a> <br>
Weird Studies, <a href="https://www.weirdstudies.com/144" rel="nofollow">Episode 144 with Connor Habib</a> <br>
William Friedkin (dir.), <em><a href="https://www.imdb.com/title/tt0070047/" rel="nofollow">The Exorcist</a></em> <br>
Plato, <em><a href="https://bookshop.org/a/18799/9780140455045" rel="nofollow">Timaeus</a></em> <br>
William Gibson, <em><a href="https://bookshop.org/a/18799/9780425158647" rel="nofollow">Idoru</a></em> <br>
CBC, <a href="https://www.cbc.ca/player/play/1564883669" rel="nofollow">Yorkville: Hippie Haven</a> <br>
Linda Williams, <a href="https://www.jstor.org/stable/1212758" rel="nofollow">“Film Bodies: Gender, Genre, and Excess”</a> </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>&quot;Death to Videodrome! Long live the New Flesh!&quot;</p>

<p>It was perhaps inevitable that the modern Weird, driven as it is to swallow all things, would sooner or later veer into the realm of political sloganeering without losing any of its unknowable essence. David Cronenberg&#39;s 1983 film <em>Videodrome</em> is more than a masterwork of body horror: it is a study in technopolitics, a meditation on the complex weave of imagination and perception, and a prophecy of the now on-going coalescence of flesh and technology into a strange new alloy. In this episode, recorded live after a screening of the film at Indiana <a href="https://cinema.indiana.edu/index.html" rel="nofollow">University Cinema</a> in Bloomington, JF and Phil set out to interpret Cronenberg&#39;s vision... and come to dig the New Flesh.</p>

<p>Support us on <a href="https://www.patreon.com/weirdstudies" rel="nofollow">Patreon</a>.<br>
Buy the Weird Studies sountrack, volumes <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1" rel="nofollow">1</a> and <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2" rel="nofollow">2</a>, on Pierre-Yves Martel&#39;s <a href="https://pierre-yvesmartel.bandcamp.com" rel="nofollow">Bandcamp</a> page.<br>
Listen to Meredith Michael and Gabriel Lubell&#39;s podcast, <em><a href="https://cosmophonia.podbean.com/" rel="nofollow">Cosmophonia</a></em>.<br>
Visit the Weird Studies <a href="https://bookshop.org/shop/weirdstudies" rel="nofollow">Bookshop</a><br>
Find us on <a href="https://discord.com/invite/Jw22CHfGwp" rel="nofollow">Discord</a><br>
Get the T-shirt design from <a href="https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s" rel="nofollow">Cotton Bureau</a>!</p>

<p><strong>REFERENCES</strong><br>
David Cronenberg, <em><a href="https://www.imdb.com/title/tt0086541/" rel="nofollow">Videodrome</a></em> <br>
Maurice Merleau-Ponty, <em><a href="https://bookshop.org/a/18799/9780810104570" rel="nofollow">The Visible and the Invisible</a></em> <br>
Paul Virilio, <em><a href="https://bookshop.org/a/18799/9781844670598" rel="nofollow">The Information Bomb</a></em> <br>
Weird Studies, <a href="https://www.weirdstudies.com/75" rel="nofollow">Episode 75 on “2001: A Space Odyssey”</a> <br>
Richard Porton and David Cronenberg, <a href="https://www.jstor.org/stable/41690094" rel="nofollow">&quot;The Film Director as Philosopher: An Interview with David Cronenberg&quot;</a> <br>
George Hickenlooper and David Cronenberg, <a href="https://www.jstor.org/stable/41687643" rel="nofollow">&quot;The Primal Energies of the Horror Film: An Interview with David Cronenberg&quot;</a> <br>
Weird Studies, <a href="https://www.weirdstudies.com/144" rel="nofollow">Episode 144 with Connor Habib</a> <br>
William Friedkin (dir.), <em><a href="https://www.imdb.com/title/tt0070047/" rel="nofollow">The Exorcist</a></em> <br>
Plato, <em><a href="https://bookshop.org/a/18799/9780140455045" rel="nofollow">Timaeus</a></em> <br>
William Gibson, <em><a href="https://bookshop.org/a/18799/9780425158647" rel="nofollow">Idoru</a></em> <br>
CBC, <a href="https://www.cbc.ca/player/play/1564883669" rel="nofollow">Yorkville: Hippie Haven</a> <br>
Linda Williams, <a href="https://www.jstor.org/stable/1212758" rel="nofollow">“Film Bodies: Gender, Genre, and Excess”</a> </p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 71: The Medium is the Message</title>
  <link>https://www.weirdstudies.com/71</link>
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  <pubDate>Wed, 15 Apr 2020 13:00:00 -0400</pubDate>
  <author>Phil Ford and J. F. Martel</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/e38b53e4-e148-4e2d-b301-0b3bb15779ff/d7b3c31a-78fe-4526-8c5b-10570037f4b9.mp3" length="81530937" type="audio/mpeg"/>
  <itunes:episode>71</itunes:episode>
  <itunes:title>The Medium is the Message</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>JF and Phil discuss the meanings of Marshall McLuhan's famous utterance.</itunes:subtitle>
  <itunes:duration>1:24:53</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/e/e38b53e4-e148-4e2d-b301-0b3bb15779ff/cover.jpg?v=1"/>
  <description>On the surface, the phrase "the medium is the message," prophetic as it may have been when Marshall McLuhan coined it, points a now-obvious fact of our wired world, namely that the content of any medium is less important than its form. The advent of email, for instance, has brought about changes in society and culture that are more far-reaching than the content of any particular email. On the other hand, this aphorism of  McLuhan's has the ring of an utterance of the Delphic Oracle. As Phil proposes in this episode of Weird Studies, it is an example of what Zen practitioners call a koan, a statement that occludes and illumines in equal measures, a jewel whose shining surface is an invitation to descend into dark depths. Join JF and Phil as they discuss the mystical and cosmic implications of McLuhan's oracular vision.
REFERENCES
McLuhan, [Understanding Media](https://en.wikipedia.org/wiki/UnderstandingMedia)_
The Playboy interview (https://nextnature.net/2009/12/the-playboy-interview-marshall-mcluhan)
McLuhan and Quentin Fiore, [The Medium is the Massage: An Inventory of Effects](https://en.wikipedia.org/wiki/TheMediumIstheMassage)
Graham Harman (https://en.wikipedia.org/wiki/Graham_Harman), American philosopher
Clement Greenberg (https://en.wikipedia.org/wiki/Clement_Greenberg), American critic
Dale Pendell, [Pharmako/Poeia: Plant Powers, Poisons, and Herbcraft](https://www.amazon.com/gp/product/1556438052/ref=dbsadefrwtbiblvppii2)
Brian Eno (https://en.wikipedia.org/wiki/Brian_Eno), British composer
Marshall and Eric McLuhan, The Laws of Media: The New Science (https://utorontopress.com/ca/laws-of-media-1) _
Jonathan Sterne, _The Audible Past: Cultural Origins of Sound Reproduction (https://www.dukeupress.edu/the-audible-past)
Eric McLuhan and Frank Zingrone (editors), The Essential McLuhan (https://www.amazon.com/Essential-McLuhan-Eric/dp/0465019951)
Charles A. Reich, [The Greening of America](https://en.wikipedia.org/wiki/TheGreeningofAmerica)_
David Fincher (director), The Social Network (https://www.imdb.com/title/tt1285016/) _
Gilles Deleuze, _Cinema I (https://www.upress.umn.edu/book-division/books/cinema-1) _and _Cinema II (https://www.upress.umn.edu/book-division/books/cinema-2)
Jean Gebser, The Ever-Present Origin (https://www.amazon.com/Ever-Present-Origin-Part-Aperspectival-Manifestations/dp/0821407694)
Eric Havelock,_ Preface to Plato (https://www.hup.harvard.edu/catalog.php?isbn=9780674699069)_
Walter J. Ong (https://en.wikipedia.org/wiki/Walter_J._Ong), American theorist 
Plato, [Republic](https://en.wikipedia.org/wiki/Republic(Plato))_
</description>
  <itunes:keywords>Marshall McLuhan, medium is the message, communications, mysticism, meaning, significance</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>On the surface, the phrase &quot;the medium is the message,&quot; prophetic as it may have been when Marshall McLuhan coined it, points a now-obvious fact of our wired world, namely that the <em>content</em> of any medium is less important than its <em>form</em>. The advent of email, for instance, has brought about changes in society and culture that are more far-reaching than the content of any particular email. On the other hand, this aphorism of  McLuhan&#39;s has the ring of an utterance of the Delphic Oracle. As Phil proposes in this episode of Weird Studies, it is an example of what Zen practitioners call a <em>koan</em>, a statement that occludes and illumines in equal measures, a jewel whose shining surface is an invitation to descend into dark depths. Join JF and Phil as they discuss the mystical and cosmic implications of McLuhan&#39;s oracular vision.</p>

<p><strong>REFERENCES</strong></p>

<p>McLuhan, <em><a href="https://en.wikipedia.org/wiki/Understanding_Media" rel="nofollow">Understanding Media</a></em><br>
The <em>Playboy</em> <a href="https://nextnature.net/2009/12/the-playboy-interview-marshall-mcluhan" rel="nofollow">interview</a><br>
McLuhan and Quentin Fiore, <em><a href="https://en.wikipedia.org/wiki/The_Medium_Is_the_Massage" rel="nofollow">The Medium is the Massage: An Inventory of Effects</a></em><br>
<a href="https://en.wikipedia.org/wiki/Graham_Harman" rel="nofollow">Graham Harman</a>, American philosopher<br>
<a href="https://en.wikipedia.org/wiki/Clement_Greenberg" rel="nofollow">Clement Greenberg</a>, American critic<br>
Dale Pendell, <em><a href="https://www.amazon.com/gp/product/1556438052/ref=dbs_a_def_rwt_bibl_vppi_i2" rel="nofollow">Pharmako/Poeia: Plant Powers, Poisons, and Herbcraft</a></em><br>
<a href="https://en.wikipedia.org/wiki/Brian_Eno" rel="nofollow">Brian Eno</a>, British composer<br>
Marshall and Eric McLuhan, <em><a href="https://utorontopress.com/ca/laws-of-media-1" rel="nofollow">The Laws of Media: The New Science</a> _<br>
Jonathan Sterne, _<a href="https://www.dukeupress.edu/the-audible-past" rel="nofollow">The Audible Past: Cultural Origins of Sound Reproduction</a></em><br>
Eric McLuhan and Frank Zingrone (editors), <em><a href="https://www.amazon.com/Essential-McLuhan-Eric/dp/0465019951" rel="nofollow">The Essential McLuhan</a></em><br>
Charles A. Reich, <em><a href="https://en.wikipedia.org/wiki/The_Greening_of_America" rel="nofollow">The Greening of America</a></em><br>
David Fincher (director), <em><a href="https://www.imdb.com/title/tt1285016/" rel="nofollow">The Social Network</a> _<br>
Gilles Deleuze, _<a href="https://www.upress.umn.edu/book-division/books/cinema-1" rel="nofollow">Cinema I</a> _and _<a href="https://www.upress.umn.edu/book-division/books/cinema-2" rel="nofollow">Cinema II</a></em><br>
Jean Gebser, <em><a href="https://www.amazon.com/Ever-Present-Origin-Part-Aperspectival-Manifestations/dp/0821407694" rel="nofollow">The Ever-Present Origin</a></em><br>
Eric Havelock,_ <a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674699069" rel="nofollow">Preface to Plato</a>_<br>
<a href="https://en.wikipedia.org/wiki/Walter_J._Ong" rel="nofollow">Walter J. Ong</a>, American theorist <br>
Plato, <em>[Republic](<a href="https://en.wikipedia.org/wiki/Republic" rel="nofollow">https://en.wikipedia.org/wiki/Republic</a></em>(Plato))_</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>On the surface, the phrase &quot;the medium is the message,&quot; prophetic as it may have been when Marshall McLuhan coined it, points a now-obvious fact of our wired world, namely that the <em>content</em> of any medium is less important than its <em>form</em>. The advent of email, for instance, has brought about changes in society and culture that are more far-reaching than the content of any particular email. On the other hand, this aphorism of  McLuhan&#39;s has the ring of an utterance of the Delphic Oracle. As Phil proposes in this episode of Weird Studies, it is an example of what Zen practitioners call a <em>koan</em>, a statement that occludes and illumines in equal measures, a jewel whose shining surface is an invitation to descend into dark depths. Join JF and Phil as they discuss the mystical and cosmic implications of McLuhan&#39;s oracular vision.</p>

<p><strong>REFERENCES</strong></p>

<p>McLuhan, <em><a href="https://en.wikipedia.org/wiki/Understanding_Media" rel="nofollow">Understanding Media</a></em><br>
The <em>Playboy</em> <a href="https://nextnature.net/2009/12/the-playboy-interview-marshall-mcluhan" rel="nofollow">interview</a><br>
McLuhan and Quentin Fiore, <em><a href="https://en.wikipedia.org/wiki/The_Medium_Is_the_Massage" rel="nofollow">The Medium is the Massage: An Inventory of Effects</a></em><br>
<a href="https://en.wikipedia.org/wiki/Graham_Harman" rel="nofollow">Graham Harman</a>, American philosopher<br>
<a href="https://en.wikipedia.org/wiki/Clement_Greenberg" rel="nofollow">Clement Greenberg</a>, American critic<br>
Dale Pendell, <em><a href="https://www.amazon.com/gp/product/1556438052/ref=dbs_a_def_rwt_bibl_vppi_i2" rel="nofollow">Pharmako/Poeia: Plant Powers, Poisons, and Herbcraft</a></em><br>
<a href="https://en.wikipedia.org/wiki/Brian_Eno" rel="nofollow">Brian Eno</a>, British composer<br>
Marshall and Eric McLuhan, <em><a href="https://utorontopress.com/ca/laws-of-media-1" rel="nofollow">The Laws of Media: The New Science</a> _<br>
Jonathan Sterne, _<a href="https://www.dukeupress.edu/the-audible-past" rel="nofollow">The Audible Past: Cultural Origins of Sound Reproduction</a></em><br>
Eric McLuhan and Frank Zingrone (editors), <em><a href="https://www.amazon.com/Essential-McLuhan-Eric/dp/0465019951" rel="nofollow">The Essential McLuhan</a></em><br>
Charles A. Reich, <em><a href="https://en.wikipedia.org/wiki/The_Greening_of_America" rel="nofollow">The Greening of America</a></em><br>
David Fincher (director), <em><a href="https://www.imdb.com/title/tt1285016/" rel="nofollow">The Social Network</a> _<br>
Gilles Deleuze, _<a href="https://www.upress.umn.edu/book-division/books/cinema-1" rel="nofollow">Cinema I</a> _and _<a href="https://www.upress.umn.edu/book-division/books/cinema-2" rel="nofollow">Cinema II</a></em><br>
Jean Gebser, <em><a href="https://www.amazon.com/Ever-Present-Origin-Part-Aperspectival-Manifestations/dp/0821407694" rel="nofollow">The Ever-Present Origin</a></em><br>
Eric Havelock,_ <a href="https://www.hup.harvard.edu/catalog.php?isbn=9780674699069" rel="nofollow">Preface to Plato</a>_<br>
<a href="https://en.wikipedia.org/wiki/Walter_J._Ong" rel="nofollow">Walter J. Ong</a>, American theorist <br>
Plato, <em>[Republic](<a href="https://en.wikipedia.org/wiki/Republic" rel="nofollow">https://en.wikipedia.org/wiki/Republic</a></em>(Plato))_</p>]]>
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