Weird Studies - Episodes Tagged with “Literature”

Episode 187: The Affirmation of Imagination: On John Crowley's 'Little, Big,' with Erik Davis

Phil Ford and J. F. Martel — Wed, 26 Mar 2025 10:30:00 -0400

John Crowley’s Little, Big is, at once, a family saga, a fairy tale, an occult thriller, an idyll, a dystopia, as well as a meditation on myth and history, the real and the fantasy, memory and imagination. Little, Big is also a book that JF and Phil have been planning to discuss for as long as Weird Studies has existed. In this episode, they are joined by writer and scholar Erik Davis to explore the enduring charms and mysteries of one of the greatest—and most underrated—American novels of the late twentieth century.

Order Christian Bunyan's Weird Studies poster here.
Visit Weirdosphere for more details on Erik Davis's ongoing course, The Three Stigmata of Philip K. Dick.

Support us on Patreon.
Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page.
Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia.
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REFERENCES

John Crowley, Little, Big
Roald Dahl, Charlie and the Chocolate Factory
Thomas Mann, The Magic Mountain
Eric Davis, interview with Neil Gaiman and Rachel Pollack
David Lynch (dir.), Lost Highway
America, “The Last Unicorn”
John Cooper Powys, A Glastonbury Romance
J. R. R. Tolkein, The Lord of the Rings
Patrick Harpur, Daimonic Reality
Lord Dunsany, Irish novelist
Special Guest: Erik Davis.

Episode 183: On Hermann Hesse's 'Siddhartha'

Phil Ford and J. F. Martel — Wed, 22 Jan 2025 10:30:00 -0500

Hermann Hesse's Siddhartha is one of the great novels of the twentieth century and a prime example of literature that transforms the deeply personal into something universal. For Phil and JF in this episode, the novel serves as the foundation for a discussion on spiritual journeying, the ideal of enlightenment, and the challenge of living in an ensouled universe.

Sign up for JF's new Weirdosphere course on the supernatural, starting on February 6th, 2025.

Purchase tickets to the Weirdosphere screening of Aaron Poole's Dada on February 1st, 2025.

REFERENCES

Herman Hesse, Siddhartha
Christopher Theofanidis and Melissa Studdard, Siddhartha
Gustav Holst, The Planets
Richard Wagner, Parsifal
G. K. Chesterton, Orthodoxy
Colin Wilson, The Outsider
Adam Kirsch, “Herman Hesse’s Arrested Development”
Dogen, Genjakoan
Chögyam Trungpa, Cutting Through Spiritual Materialism

Mid-Break Bonus: The Quiet Earth

Phil Ford and J. F. Martel — Wed, 21 Aug 2024 10:30:00 -0400

Every off-week, listeners who have chosen to support Weird Studies by joining our Patreon at the Listener's Tier get to enjoy a bonus episode. These episodes are different from the flagship show. Less formal and entirely improvised, they offer Phil and JF a different way of exploring the weird in art, philosophy and culture. To tide our listenership over until the next new episode drops on September 25th, 2024, here is a recent example of a Weird Studies audio extra, recorded as your hosts were finishing up their first Weirdosphere course, "The Beauty and the Horror." The conversation ended up centering on cultural works we experienced in childhood, and that are all the more magical for being only vaguely remembered.

To enroll in JF's upcoming Weirdosphere course, "Whirl Without End: Fairy Tales and the Weird," please visit www.weirdosphere.org.

Episode 175: Don't Look Now: Live at Lily Dale

Phil Ford and J. F. Martel — Wed, 07 Aug 2024 10:30:00 -0400

Daphne du Maurier was a prolific English writer of novels, plays, and short stories resonant with what she termed "a sense of unreality." In this episode, JF and Phil discuss her great short story "Don't Look Now," which Nicholas Roeg famously adapted to the screen in 1973 in a film starring Donald Sutherland and Julie Christie. Recorded live at Shannon Taggart's Lily Dale Symposium on July 25th, 2024, the discussion takes a number of turns, exploring the ghost as an "image of itself," the phenomenon of "deathishness," the experience of derealization, the human capacity to break time, and grief as a rift in time.

Visit the Weirdosphere and sign up for JF's upcoming course of lectures and discussions, "Whirl Without End: Fairy Tales and the Weird," starting on September 5th, 2024.

REFERENCES

Daphne du Maurier, "Don't Look Now"
Nicholas Roeg (dir.), Don't Look Now
Weird Studies, Episode 66 on “Diviner’s Time”
Chuck Klosterman, "Tomorrow Rarely Knows”
Thomas Mann, Death in Venice
Peter Medak (dir.), The Changeling
Philip K. Dick, “Schizophrenia and the Book of Changes”

Episode 173: By Heart: On Memory, Poetry, and Form

Phil Ford and J. F. Martel — Wed, 10 Jul 2024 10:30:00 -0400

In this computerized age, we tend to see memory as a purely cerebral faculty. To memorize is to store information away in the brain in such a way as to make it retrievable at a later time. But the old expression "knowing by heart" calls us to a stranger, more embodied and mysterious take on memory. In this episode, Phil and JF endeavour to recite two poems they've learned by heart, as a preamble to a discussion on poetry, form, and the magic of memory.

Details on Shannon Taggart's Symposium @ Lily Dale (July 25-28).

REFERENCES

Samuel Taylor Coleridge, “Kubla Khan”
Elizabeth Barrett Browning, “A Musical Instrument”
Dave Hickey, “Formalism” from Pirates and Farmers
Weird Studies, Episode 109-110 on “The Glass Bead Game”
Samuel Taylor Coleridge, Biographia Literaria
Weird Studies, Episode 42 with Kerry O Brien
Francis Yates, Giordano Bruno and the Hermetic Tradition

Episode 171: The Beauty and the Horror

Phil Ford and J. F. Martel — Thu, 13 Jun 2024 21:00:00 -0400

This week on Weird Studies, Phil and JF explore the intersections of the beautiful and the terrible in art and literature. There is a conventional beauty that calms and placates, and there is a radical beauty which, taking horror’s pale-gloved hand, gives up all pretense to permanence and fixity and joins the danse macabre of our endless becoming. This episode is a preamble to a five-week course of lectures and discussions starting June 20th on Weirdosphere, JF and Phil’s new online learning platform. For more information and to enroll in The Beauty and the Horror, visit www.weirdosphere.org.

REFERENCES

JF Martel, Reclaiming Art in the Age of Artifice, the audiobook, with a new introduction written and read by Donna Tartt.
Denis Villeneuve, Dune: Part Two
William Blake, “The Tyger”
Junichiro Tanizaki, In Praise of Shadows
Steven Spielberg, Raiders of the Lost Ark
Walter Pater, The Renaissance
David Lynch, Twin Peaks: The Return
Anna Aikin, “On the Pleasure Derived from Objects of Terror
Donna Tartt, The Secret History
Keiji Nishitani, Religion and Nothingness
Charles Baudelaire, “Le Voyage”
Franz Schubert, “Death and the Maiden” Quartet
Franz Schubert, Piano Sonata in C major, D. 840
J.R.R. Tolkein, The Hobbit

Episode 165: Tatters of the King: On Robert Chambers' 'The King in Yellow'

Phil Ford and J. F. Martel — Wed, 20 Mar 2024 10:30:00 -0400

"Let the red dawn surmise / What we shall do, / When the blue starlight dies / And all is through." This short poem, an epigraph to "The Yellow Sign," arguably the most memorable tale in Robert W. Chambers' 1895 collection The King in Yellow, encapsulates in four brief lines the affect that drives cosmic horror: the fearful sense of imminent annihilation. In the four stories JF and Phil discuss in this episode, this affect, which would inspire a thousand works of fiction in the twentieth century, emerges fully formed, dripping with the xanthous milk of Decadence. What’s more, it is here given a symbol, a face, and a home in the Yellow Sign, the Pallid Mask of the Yellow King, and the lost land of Carcosa. Come one, come all.

Join JF's upcoming course on the films of Stanley Kubrick, starting March 28, 2024.
Support us on Patreon.
Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page.
Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia.
Visit the Weird Studies Bookshop
Find us on Discord
Get the T-shirt design from Cotton Bureau!

REFERENCES

Robert W. Chambers, The King in Yellow
Weird Studies, Episode 100 on John Carpenter films
Algernon Blackwood, “The Man Who Found Out”
Susannah Clarke, Jonathan Strange and Mr. Norrell
Walter Benjamin, “The Work of Art in the Age of Mechanical Reproduction”
Annie Besant and Charles Leadbeater, Thought Forms
Weird Studies, Episode 140 on “Spirited Away”
Vladimir Nabokov, Think, Write, Speak
Charles Taylor, A Secular Age
David Bentley Hart, “Angelic Monster”
M. R. James, Oh, Whistle and I’ll Come to you my Lad”
William Carlos Williams, The Red Wheelbarrow

Episode 164: Towards a Weird Materialism: On Expressionism in Cinema

Phil Ford and J. F. Martel — Wed, 06 Mar 2024 10:30:00 -0500

What is expressionism? A school? A movement? A philosophy? At the end of this episode, Phil and JF agree that it is, above all, a sensibility, one that surfaces periodically in history, punctuating it with occasional bursts of frenetic colour and eruptions of light and shadow. Whenever it appears, expressionism challenges our tendency to divide the world up into neat quadrants: mind and matter, subject and object lose their legitimacy as they start to bleed into one another. Prior to recording, your hosts agreed to focus on two pieces of writing: Victoria Nelson's The Secret Life of Puppets and a recent Internet post on eighties and nineties American films entitled "Neo-Expressionism: The Forgotten Studio Style." Though focused on a number of films, the conversation includes forays into the world of the visual arts, literature, and music.

REFERENCES

comrade_yui, “neo-expressionism: the forgotten studio style”
Victoria Nelson, The Secret Life of Puppets
Francis Ford Coppola, Bram Stoker’s Dracula
Weird Studies, Episode 161 on ‘From Hell’
Bram Stoker, Dracula
E. H. Gombrich, The Story of Art
Jean-Francois Millet, “Gleaners”
Kathe Kollwitz, “Need”
Robert Weine, The Cabinet of Dr. Caligari
Arnold Schoneberg, Pierrot Lunaire
Gilles Deleuze, Cinema 1
Peter Yates (dir.), Krull
Wilhelm Worringer, German art historian
Weird Studies, Episode 136 on ‘The Evil Dead’
In Camera The Naive Visual Effects of Dracula
Kenneth Gross, Puppet: An Essay on Uncanny Life
Weird Studies, Episode 121 ‘Mandwagon’

Episode 162: The Incarnation of Meaning: Greenwich Village After the War

Phil Ford and J. F. Martel — Wed, 07 Feb 2024 10:30:00 -0500

In this second of two episodes on "scenes," Phil and JF set their sights on Greenwich Village in the wake of the Second World War. Focusing on two works on the era – Anatole Broyard's Kafka Was the Rage and John Cassavetes' Shadows – the conversation further develops the mystique of urban scenes and explores the weirdness of cities. The city, long considered the human artifact par excellence, comes to seem like something that comes from outside the ambit of humanity.

Support us on Patreon.
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Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia.
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Get the T-shirt design from Cotton Bureau!

REFERENCES
Anatole Broyard, Kafka Was the Rage
John Cassavetes, Shadows
Kazuo Ishiguro, An Artist of the Floating World
Phil Ford, Dig
Weird Studies, Episode 90 on “Owl in Daylight”
Kult, role-playing game
Tom Delong and Peter Lavenda, Secret Machines: Gods, Men, and War
Chandler Brossard, Who Walk in Darkness
Yukio Mishima, Japanese artist
Anatole Broyard, “Portrait of the Hipster”

Episode 156: The Only Possible End: On Donna Tartt's 'The Secret History'

Phil Ford and J. F. Martel — Wed, 25 Oct 2023 10:00:00 -0400

There are works of weird fiction that dispense their strangeness so subtly that many readers never pick up on it, books that allow themselves to be pass for mundane, the better to haunt us after we put them down. Donna Tartt's debut novel The Secret History, published in 1992, is such a work. On the surface, it is a brilliant, yet completely naturalistic, telling of the lead-up and aftermath of a murder. But The Secret History is also a work of the depths, and readers who go in seeking the Weird will find it lurking on every page. More than a masterpiece of psychological exploration, it is a story about the resurgence of the old god Dionysus, and a chronicle of fate; fate conceived, in the manner of the Ancient Greeks, as a cosmic force.

REFERENCES

Donna Tartt, The Secret History
Robertson Davies, Canadian novelist
Weird Studies, Episode 98 on Exotica
M. R. James, English author
Weird Studies, Episode 3 on “The White People”
E. R. Dodds, The Greeks and the Irrational
Jean Cocteau, La Machine Infernale
John Crowley, Little, Big
Star Trek: The Next Generation, “The Outrageous Okana”
Weird Studies, Episode 110 on “The Glass Bead Game”
Gabriel Faure, Nocturne No. 11
Pierre-André Boutang, L'Abécédaire de Gilles Deleuze
Donna Tartt, The Goldfinch

Episode 154: Into the Night Land, with Erik Davis

Phil Ford and J. F. Martel — Tue, 26 Sep 2023 23:00:00 -0400

William Hope Hodgson's The Night Land is without a doubt one of the weirdest entries in the annals of weird fiction. Set in the earth's distant future, after the sun has gone out and the planet has been cleaved in two by an unspecified disaster, a telepathic scientist dons his armour and weapons to brave the monster-haunted yet strangely monotonous wastes that engirdle the massive pyramid in which the last humans took refuge, hundreds of thousands of years earlier. If Samuel Beckett tripped hard on ayahuasca, he might have come up with something like Hodgson's genre-defying novel, which reads more like a report to committee of 17th-century heretics than a piece of speculative fiction from the early twentieth century.

MIT Press recently released a (blessedly) abridged edition of The Night Land as part of their Radium Series. Journalist, scholar, and lecturer Erik Davis, who penned a brilliant foreword for the new edition, was kind enough to join Phil and JF to discuss this underrated masterpiece.

Support us on Patreon and gain access to Phil's podcast on Wagner's Ring Cycle.
Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia.
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Find us on Discord
Get the T-shirt design from Cotton Bureau!

SHOW NOTES

William Hope Hodgeson, The Night Land
Weird Studies, Episode 37 with Stuart Davis
Walter Ong, Orality and Literacy
Charles Taylor, A Secular Age
William Hope Hodgeson, House on the Borderland
Samuel Beckett, Molloy
Sumptuary Laws
Arcosanti, arcology
Olaf Stapledon, Last and First Men
Pierre Schaeffer, “Traité des objets musicaux”
Schitzophonia
H.G. Wells, The Time Machine Special Guest: Erik Davis.

Episode 145: Waiting for the Miracle: On Vanessa Onwuemezi's "Dark Neighbourhood"

Phil Ford and J. F. Martel — Wed, 26 Apr 2023 11:30:00 -0400

In this episode, Phil and JF discuss Vanessa Onwuemezi's, "Dark Neighbourhood," a tale of scintillant darkness from her debut collection of the same name. This strangest of strange stories is set in a vast encampment of destitute yet hopeful people whose lives consist entirely of waiting for their turn to step through the iron gates of the Beyond. Living off the dregs of civilization, they seem the last of our kind. They are the ones who, having made it to the front of the line, have the dubious honour of contemplating directly the mystery that awaits us all. Unlike anything we've covered on the show, "Dark Neighbourhood" is a chilling and moving story that elicits interpretation as elegantly as it resists it.

Pierre-Yves Martel's album Mer bleue drops on May 1st, 2023!

Support us on Patreon and gain access to Phil's ongoing podcast on Richard Wagner's Ring Cycle.

Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel
Find us on Discord
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Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.)
Visit the Weird Studies Bookshop

REFERENCES

Show Notes.docx

Vanessa Omwuemezi, Dark Neighbourhood
Peter Breugel, Landscape with the Fall of Icarus
Weird Studies, Episode 140 on “Spirited Away”
Karl Marx, Capital
Phil Ford, Dig
Murray Bookchin, Post-Scarcity Anarchism
Weird Studies, Episode 98 on “Taboo”
Michael Wadleigh (dir.), Woodstock
Samuel R. Delaney, Dahlgren
Leonard Cohen, “Waiting for the Miracle
Martin Esslin, The Theatre of the Absurd
One red paperclip, story of guy who traded a paper clip for a house
Weird Studies, Episode 101 on Tanizaki
James Hillman, The Dream and the Underworld
George Steiner, Real Presences
H. P. Lovecraft, “Nyarlothotep”
Alexander Wendt and Raymond Duvall, “Sovereignty and the UFO”
Weird Studies, Episode 144 on Hellraiser
Weird Studies, Episode 29 on Lovecraft

Episode 144: On Clive Barker's 'Hellraiser' and 'The Hellbound Heart,' with Conner Habib

Phil Ford and J. F. Martel — Wed, 12 Apr 2023 10:30:00 -0400

In the 1980s, Clive Barker burst onto the cultural scene with The Books of Blood, collections of unforgettable tales of horror, depravity, and decadence the likes of which had been seldom seen since the days of Lautréamont's Les Chants de Maldoror and Huysmans' Là-Bas. In the decades that followed, he went on to create an astounding body of work in fantasy and horror as a writer, artist, and film director. In this episode, author, lecturer, and podcaster Conner Habib joins JF and Phil to discuss what is arguably Barker's best-known work, the 1987 horror classic Hellraiser, as well as the novella that inspired it, "The Hellbound Heart."

Preorder Pierre-Yves Martel's album Mer bleue.

Support us on Patreon and gain access to Phil's ongoing podcast on Richard Wagner's Ring Cycle.

References

Clive Barker, The Hellbound Heart
Clive Barker (dir.), Hellraiser
Tod Browning (dir.), Freaks
Clive Barker, “In the Hills, The Cities” in Books of Blood
Wes Craven, A Nightmare on Elm Street
Angela Carter, English writer
Susan Sontag, “Happenings: An Art of Radical Juxtaposition”
Gilles Deleuze and Felix Guattari, What is Philosophy?
Sturm und Drang, 18th-century artistic movement
Gayle Rubin, American cultural anthropologist
Stephen King, It
Robert Wise (dir.), The Sound of Music
Slavoj Zizek, The Pervert’s Guide to Cinema
Robert Wise (dir.), The Haunting
David Mamet, On Directing Film
Mark Hedsel and David Ovason, The Zealotor
David Lynch (dir.), Mulholland Drive
Stanley Kubrick, The Shining
Coil, Hellraiser Themes
Bela Bartok, Music for Strings, Percussion, and Celesta
Golden Section, mathematical ratio
Kevin Williamson,, American screenwriter
Susan Sontag, Against Interpretation
Special Guest: Conner Habib.

Off-Week Bonus: On Worlds and Stories, with a Special Announcement

Phil Ford and J. F. Martel — Tue, 27 Sep 2022 15:00:00 -0400

In this bonus episode, originally released for Listener's Tier Patreon supporters, a discussion of the books Phil and JF are reading leads to a debate about the place of plot, story, and worldbuilding in narrative art. The episode contains information on "Weirding," a new course that the hosts of Weird Studies will be teaching together at Nura Learning, starting in late October. Visit nuralearning.com for more information.

Episode 128: Demon Workshop: On Victoria Nelson's 'Neighbor George'

Phil Ford and J. F. Martel — Tue, 19 Jul 2022 17:00:00 -0400

The American writer and thinker Victoria Nelson is justly revered by afficionados of the Weird for The Secret Life of Puppets and its follow-up Gothicka. Both are masterful explorations the supernatural as it subsists in the "sub-Zeitgeist" of the modern secular West. In 2021, Strange Attractor Press released Neighbor George, Nelson's first novel. In this episode, JF and Phil discuss this gothic anti-romance with a mind to seeing how it contributes to Nelson's overall project of acquainting us with the eldritch undercurrents of contemporary life.

Click here for more information on the Supernormal Festival, Aug 12-14, in Oxfordshire, England.

Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel
Support us on Patreon
Find us on Discord
Get the new T-shirt design from Cotton Bureau!
Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.)
Visit the Weird Studies Bookshop

References

Victoria Nelson, Neighbor George
Victoria Nelson, The Secret Life of Puppets
Victoria Nelson, Gothicka
Wendy Lesser, American critic
Ward Sutton Onion cartoons
Extension, metaphysical concept
Terry Castle, The Female Thermometer
Cessation of Miracles, theological belief
E. E. Evans-Pritchard, Witchcraft, Oracles, and Magic among the Azande
Greg Anderson, “Retrieving the Lost Worlds of the Past: A Case for the Ontological Turn”
Orcus Grotto, sculpture
Margaret Atwood, The Edible Woman
Nathalie Cooke, Margaret Atwood: A Biography
Weird Studies, Episode 96 on Beauty and the Beast
M. C. Richards, “Wrestling with the Daemonic”

Episode 126: The Daemon Speaks, with Matt Cardin

Phil Ford and J. F. Martel — Wed, 22 Jun 2022 11:00:00 -0400

Returning guest Matt Cardin is a writer of fiction and nonfiction whose focus on numinous horror places him in the literary lineage as Arthur Machen and Algernon Blackwood. His new book, What the Daemon Said, collects two decades' worth of meditations on literature, cinema, mysticism, philosophy, and the weird. He joins Phil and JF to talk about a range of topics including dark enlightenment, the idea that fear and trembling are the only sensible reactions to direct exposure to cosmic truth.

Header image: detail of cover design for What the Daemon Said, by Dan Sauer Design.

REFERENCES

Matt Cardin's website
Matt Cardin, What the Daemon Said: Essays on Horror, Fiction, Film and Philosophy
Matt Cardin, Dark Awakenings
Julia Cameron, The Artist’s Way Morning Pages Journal
Natalie Goldberg, Writing Down the Bones
The Gospel of Thomas
Matt Cardin, Dark Awakenings
Robert Frost, “The Figure a Poem Makes”
John Horgen, Rational Mysticism
Weird Studies, Episode 41 with Matt Cardin
Oswald Chambers, My Utmost for his Highest
Weird Studies ep. 124: Dark Night Radio of the Soul, with Duncan Barford
Theodore Roszak, American scholar
M. C. Richards, Centering
Friedrich Nietzsche, Twilight of the Idols
Huston Smith, American religious scholar
Martin Buber, I and Thou
John Lee Hancock (dir.), The Rookie (2002)
Eckart Tolle, German spiritual teacher
Richard Wagner, Parsifal
Peter Berger, The Sacred Canopy: Elements of a Sociological Theory of Religion
Alan Watts, English writer and teacher
Richard Rose, After the Absolute: The Inner Teachings of Richard Rose

Special Guest: Matt Cardin.

Episode 119: Behind the Cosmic Curtain: On Stanislaw Lem's 'The New Cosmogony,' with Meredith Michael

Phil Ford and J. F. Martel — Wed, 30 Mar 2022 10:30:00 -0400

Over the last several centuries, there has been one thing on which science and religion have generally agreed, and that is the fixity of the laws under which the universe came to be. At the moment of the Big Bang or the dawn of the First Day, the underlying principles that govern reality were already set, and they have never changed. But what if the laws of nature were not as chiseled in stone as Western intellectuals on both sides of the magisterial divide have assumed them to be? What if creation was an ongoing process, such that our universe in its beginning might have behaved very differently from how it does at present? This is the central conceit of Stanislaw Lem's story "The New Cosmogony," the capstone of his metafictional collection A Perfect Vacuum, originally published in 1971. In this episode, Meredith Michael joins JF and Phil to discuss the metaphysical implications of the idea that nature is an eternal work-in-progress.

Support us on Patreon
Find us on Discord
Get the new T-shirt design from Cotton Bureau!
Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.)
Visit the Weird Studies Bookshop
Buy the Weird Studies soundtrack

REFERENCES

For more information JF's new course, Groundwork for a Philosophy of Magic, visit Nura Learning.

Stanislaw Lem, “A New Cosmogony” in A Perfect Vacuum
Weird Studies, Episode 118 The Unseen and Unnamed
Ramsey Dukes, SSOTBME
Quentin Meillassoux, After Finitude
M. John Harrison, The Course of the Heart
Michael Harner, The Way of the Shaman
Richard Dawkins, The Selfish Gene
Stanislaw Lem, Solaris
Stanislaw Lem, His Master’s Voice
David Pruett, Reason and Wonder
Andrei Tarkovsky (dir.), Solaris
Philip K. Dick, “Do Androids Dream of Electric Sheep”
Andrew W.K., “No One to Know”

Special Guest: Meredith Michael.

Episode 118: The Unseen and the Unnamed, with Meredith Michael

Phil Ford and J. F. Martel — Wed, 16 Mar 2022 11:30:00 -0400

In this episode, Phil and JF are joined by music scholar and Weird Studies assistant Meredith Michael to discuss two strange and unsettling short stories: J.G. Ballard's "The Gioconda of the Twilight Noon" (1964) and Ursula K. Le Guin's "She Unnames Them" (1985). Their plan was to talk about three stories, but they never got to Phil's pick, which will be the focus of episode 119. The reason is that Le Guin and Ballard's stories share surprising resonances that merited close discussion. From opposite perspectives, both tales put words to a region of reality that resists discursive description, a borderland where that which is named reveals its unnamed facet, and that which must remain unseen reveals itself to the inner eye.

REFERENCES

J. G. Ballard, “The Giaconda of the Twilight Noon,” from The Complete Stories of J. G. Ballard
Ursula K. Le Guin, "She Unnames Them," from The Real and the Uneal
Alfred Hitchcock (dir.), The Birds
Jung's concept of the collective unconscious
Walter Pater, The Renaissance
Ursula K. Le Guin, “She Unnames Them” in The Real and the Unreal
Henri Bergson, Creative Evolution
M. C .Richards, Centering
Weird Studies, Episode 35 on Centering
Weird Studies, Episode 81 on The Course of the Heart
Weird Studies, Episode 84 on the Empress
Linguistically deprived children
Walter Ong, Orality and Literacy
Samuel Taylor Coleridge's thoughts on on imagination and fancy can be found in Biographia Literaria Special Guest: Meredith Michael.

Episode 110: Monks of the Cultural Apocalypse: 'The Glass Bead Game,' Part Two

Phil Ford and J. F. Martel — Wed, 10 Nov 2021 11:00:00 -0500

In the current "attention economy," which has resulted in plummeting literacy rates and the almost wanton neglect of various cultural practices, what significance does culture even have? Why seek to preserve something our age has decided doesn't have to exist? Perhaps Hermann Hesse's The Glass Bead Game can be read as an answer to those questions. The order of monastic scholars in the novel exists mainly to remember what others were happy to consign to oblivion. In this episode, Phil and JF discuss Hesse's ideas on the order and its sacred game in terms of how they might help us meet the challenge facing anyone who believes the value of culture can't be expressed in dollars and cents.

REFERENCES

Herman Hesse, The Glass Bead Game
Pope Benedict XVI, former head of the Catholic church
J.S. Bach, Well Tempered Clavier, Rosalyn Tureck interpretation and Glenn Gould interpretation
Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction
Chauvet Cave
Peter Bebergal Strange Frequencies
Andy Goldsworthy, British artist
Alain de Botton, Religion for Atheists
William Irwin Thompson, The Time Falling Bodies Take to Light

Episode 109: Infinite Play: On 'The Glass Bead Game,' by Hermann Hesse

Phil Ford and J. F. Martel — Wed, 27 Oct 2021 10:30:00 -0400

JF and Phil have been talking about doing a show on The Glass Bead Game since Weird Studies' earliest beginnings. It is a science-fiction novel that alights on some of the key ideas that run through the podcast: the dichotomy of work and play, the limits and affordances of institutional life, the obscure boundary where certainty gives way to mystery... Throughout his literary career, Hesse wrote about people trying to square their inner and outer selves, their life in the spirit and their life in the world. The Glass Bead Game brings this central concern to a properly ambiguous and heartbreaking conclusion. But the novel is more than a brilliant work of philosophical or psychological literature. It is also an act of prophecy -- one that seems intended for us now.

Header image by Liz West, via Wikimedia Commons.

REFERENCES

Herman Hesse, The Glass Bead Game

Paul Hindemith, German composer
Morris Berman, The Twilight of American Culture
Alfred Korzybski, concept of Time Binding
Christopher Nolan, Memento
William Irwin Thompson, The Time Falling Bodies Take to Light
Thomas Mann, The Magic Mountain
David Tracy, The Analogical Imagination: Christian Theology and the Culture of Pluralism
Jeremy Johnson, Seeing Through the World: Jean Gebser and Integral Consciousness
Teilhard de Chardin, French theologian
Mathesis
Joshua Ramey, The Hermetic Deleuze
Weird Studies, Episode 22 with Joshua Ramey
Joseph Needham, British historian of Chinese culture
James Carse, Finite and Infinite Games

Episode 107: On Joy Williams' 'Breaking and Entering,' with Conner Habib

Phil Ford and J. F. Martel — Wed, 29 Sep 2021 10:30:00 -0400

Joy Williams' third novel, Breaking and Entering, is the story of lovers who break into strangers' homes and live their lives for a time before moving on. First published in 1988, it is a book impossible to describe, a work of singular vision and sensibilty that is as infectious in its weird effect as it is unforgettable for the quality of its prose.

In this episode, the novelist, spiritual thinker, and acclaimed podcaster Conner Habib joins JF and Phil to explore how the novel's enchantments rest on the uniqueness of Williams' style, which is to say, her bold embrace of ways of seeing that are hers alone. Williams is an artist who refuses to work from within some predetermined philosophical or political idiom. As Habib tells your hosts, she goes her own way, and even the gods must follow.

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Photo by Wolfgang Moroder via Wikimedia Commons

REFERENCES

Conner Habib, "Joy Williams: The Best Fiction Writer Alive"

Joy Williams, Breaking and Entering
Joy Williams, The Quick and the Dead
The Paris Review, Interview with Joy Williams
Heraclitus, Fragments
Joy Williams, “Breakfast” in Taking Care
Bret Easton Ellis, American Psycho
The Phantom Stranger, DC Comics character
James Joyce, Ulysses
Eugene Ionesco, Rhinoceros
Deleuze and Guatarri, What is Philosophy?
Quentin Meillassoux, French philosopher
David Mamet, On Directing Film
David Mamet, True and False
Nicholas Winding Refn (dir.), The Neon Demon
Joy Williams, “Congress”
Joy Williams, “Hawk”
Stephen Sexton, If All the World and Love Were Young
Scott Burnham, Mozart’s Grace Special Guest: Conner Habib.

Episode 101: Our Fear of the Dark: On Tanizaki's 'In Praise of Shadows'

Phil Ford and J. F. Martel — Wed, 23 Jun 2021 11:30:00 -0400

In modern physics as in Western theology, darkness and shadows have a purely negative existence. They are merely the absence of light. In mythology and art, however, light and darkness are enjoy a kind of Manichaean equality. Each exists in its own right and lays claim to one half of the Real. In this episode, JF and Phil delve into the luxuriant gloom of the Japanese novelist Jun'ichirō Tanazaki's classic meditation on the half-forgotten virtues of the dark.

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REFERENCES

Junichiro Tanizaki, In Praise of Shadows
Chiaroscuro, Renaissance art style
John Carpenter (dir.), Escape from L.A.
Weird Studies, Episode 13 on Heraclitus
Walter Benjamin, The Work of Art in Age of Mechanical Reproduction
Yasujiro Ozu (dir.), Late Spring
Wabi Sabi, Japanese idea
John Carpenter (dir.), Escape from NY
Jonathan Crary, 24/7: Late Capitalism and the End of Sleep
Eric Voegelin, German-American philosopher

Episode 95: Demon Seed: On Doris Lessing's 'The Fifth Child'

Phil Ford and J. F. Martel — Wed, 31 Mar 2021 10:30:00 -0400

Doris Lessing's uncategorizable oeuvre reached strange new heights in 1988 with the publication of her short novel The Fifth Child. The story couldn't be simpler. In the England of the 1970s, a couple determined to live out a dream that many of their generation have rejected -- the big family in the old house with the pretty garden -- conceive a child that may or may not be human. From that moment on, the boy, their fifth, becomes the alien force that will tear their dream to pieces. Profoundly ambiguous and unsettling, The Fifth Child is a weird novel that raises questions about parenthood, family, and the impenetrable depths of nature.

Header Image: The Changeling by Henry Fuseli (1780)

Additional music: "Fast Bossa Nova: Falling Stars" by Dee Yan-Key

REFERENCES

Doris Lessing, The Fifth Child
Doris Lessing, Shikasta
M. R. James, weird fiction author
Anne Rice, Interview with the Vampire
Weird Studies, Episode 67 on “Hellier”
Victoria Nelson, The Secret Life of Puppets
David Icke, conspiracy theorist
Deros, underground beings from the fiction of Richard Sharpe Shaver
Hieronymus Bosch, Dutch Renaissance painter
Weird Studies, Episode 86 on “The Sandman”
Slavoj Žižek, The Puppet and the Dwarf
Louis Sass, “The Land of Unreality: On the Phenomenology of the Schizophrenic Break”
Louis Sass, Madness and Modernism
Giorgio Agamben, Homo Sacer: Sovereign Power and Bare Life
Richard Thorpe (dir.), The Wizard of Oz
Frank L. Baum, The Wizard of Oz
Weird Studies, bonus episode on Adventure Time
James Hillman, The Soul’s Code
Doris Lessing, Ben in the World
Roman Polanski (dir.), Rosemary’s Baby
Richard Donner (dir.), The Omen
Donald Cammell (dir.), Demon Seed

Episode 89: On Ishmael Reed's 'Mumbo Jumbo,' or, Why We Need More Magical Thinking

Phil Ford and J. F. Martel — Wed, 06 Jan 2021 10:00:00 -0500

Ishmael Reed's 1972 novel Mumbo Jumbo is a conspiracy thriller, a postmodern experiment, a revolutionary tract, a celebration, and a magical working. It is a novel that, over and above prophetically describing the world we live in, creates a whole new world and invites us to move in. For Phil and JF, Mumbo Jumbo exemplifies art's creative power to generate new possibilities for life. It is also the perfect occasion for pinpointing the difference between the kind of magical thinking that fuels virulent conspiricism, and the more profound magical thinking which alone can save us from it.

**Image: **Albrecht Dürer, Two Pairs of Hands with Book

REFERENCES

Ishmael Reed, Mumbo Jumbo

Harold Bloom, The Western Canon
For more on Colin Wilson's concept of lunar religion, see The Occult
Weird Studies, episode 36: "On Hyperstition"
William S. Burroughs, Naked Lunch
Carl Van Vechten, American writer
Robert Anton Wilson and Robert Shea, Illuminatus!
MC5, "Kick Out the Jams"
Karl Pfeiffer (dir.), Hellier, webseries
Jasun Horsley, 16 Maps of Hell
Ramsey Dukes (Lionel Snell), SSOTBME
Anonymous, Meditations on the Tarot
Fats Waller, American jazz musician
Owen Barfield, Saving the Appearances: A Study in Idolatry
Weird Studies, episode 57 - "Box of Gods: On Raiders of the Lost Ark"
Hans Jonas, The Gnostic Religion: The Message of the Alien God and the Beginnings of Christianity
Gilles Deleuze and Félix Guattari, Kafka: Toward a Minor Literature

Episode 87: Glyphs, Rifts, and Ecstasy: On Arthur Machen's Vision of Art

Phil Ford and J. F. Martel — Wed, 25 Nov 2020 10:30:00 -0500

It would be wrong to describe Arthur Machen's Hieroglyphics: A Note Upon Ecstasy in Literature (1902) as a work of nonfiction, since the book features a narrative frame that is as moody and irreal as the best tales penned by this luminary of weird fiction. But if the eccentric recluse at the centre Hieroglyphics is a fictional philosopher, he is one who, in Phil and JF's opinion, rivals most aesthetic thinkers in the history of philosophy. The significance of this text lies in its willingness to disclose a function of art that few before Machen had dared to touch, namely its capacity to generate ecstasy by confronting us with the mystery that beats the heart of existence. In this episode, your hosts discuss a work which, in their opinion, comes as close to scripture as the nonexistent field of Weird Studies is likely to get.

REFERENCES

Arthur Machen, Hieroglyphics: A Note Upon Ecstasy in Literature

Thomas Ligotti, Songs of a Dead Dreamer
Weird Studies, Episode 3 on the White People
J.F. Martel, Reclaiming Art in the Age of Artifice
Weird Studies, Episode 63 on Colin Wilson’s 'The Occult'
William Shakespeare, Hamlet
Indra’s Net, philosophical concept
James Machin, Weird Fiction in Britain, 1880 – 1939
Weird Studies, Episode 5 on Lisa Ruddick's 'When Nothing is Cool'
Oscar Wilde, The Soul of Man Under Socialism
Rudolph Otto, German theologian

Episode 77: What a Fool Believes: On the Unnumbered Card in the Tarot

Phil Ford and J. F. Martel — Wed, 08 Jul 2020 10:30:00 -0400

"What a fool believes he sees, no wise man can reason away." This line from a Doobie Brothers song is probably one of the most profound in the history of rock-'n'-roll. It is profound for all the reasons (or unreasons) explored in this discussion, which lasers in on just one of the major trumps of the traditional tarot deck, that of the Fool. The Fool is integral to the world, yet stands outside it. The Fool is an idiot but also a sage. The Fool does not know; s/he intuits, improvises a path through the brambles of existence. We intend this episode on the Fool to be the first in an occasional series covering all twenty-two of the major trumps of the Tarot of Marseilles.

REFERENCES

The Fool in the tarot
St. Paul's First Epistle to the Corinthians
Meditations on the Tarot: A Journey Into Christian Hermeticism
Aleister Crowley, The Book of Thoth
Plato, Phaedrus
Weird Studies episode 60 - Space is the Place: On Sun Ra, Gnosticism, and the Tarot
Till Eulenspiegel, folk figure
Aleister Crowley, Magick Without Tears
Weird Studies episode 75 - Our Old Friend the Monolith: On Stanley Kubrick's 2001: A Space Odyssey
Weird Studies episode 76 - Below the Abyss: On Bergson's Metaphysics
Rider-Waite Tarot Deck
Richard Wagner, Parsifal
G. W. F. Hegel, German philosopher
Ramsey Dukes, Words Made Flesh: Information in Formation
George Spencer Brown, Laws of Form
Alain Badiou, Deleuze: The Clamor of Being
Punch and Judy, British puppet show
George P. Hansen, The Trickster and the Paranormal
Lin Yutang, The Importance of Living
Thomas Mann, Death in Venice
Phil Ford's lecture on Death in Venice (Patreon exclusive!)
Fyodor Dostoevsky, The Idiot
Hal Ashby (dir.), Being There
Alejandro Jodorowsky and Marianne Costa, The Way of the Tarot
Frank Pavich (dir.), Jodorowsky’s Dune
Tarot of Marseilles
André Breton, French surrealist artist

Episode 65: Touched by that Fire: On Visionary Literature, with B. W. Powe

Phil Ford and J. F. Martel — Wed, 05 Feb 2020 10:30:00 -0500

B. W. Powe is a Canadian poet, novelist, essayist and professor at York University, in Toronto. His work, though it covers an immense range of topics from politics and poetics to magic and technology, proceeds from a mystical apprehension of the universe as the locus of magical operations, the site of experiments in cosmic becoming. In his various books and essays, Powe continues a uniquely Canadian form of the visionary tradition whose luminaries include his former teachers Marshall McLuhan and Northrop Frye. In this episode, he joins JF and Phil for an exploration of the meaning, potency, and danger of the visionary in art and literature.

Header image: Detail of "Green Color" by Gausanchennai (Wikimedia Commons).

REFERENCES

B. W. Powe's website
B. W. Powe, The Charge in the Global Membrane
B. W. Powe, Marshall McLuhan and Northrop Frye: Apocalypse and Alchemy

Frank Lentricchia, "Last Will and Testament of an Ex-Literary Critic"
Lorca's concept of duende
Hildegard of Bingen's concept of viriditas
Gilles Deleuze, Cinema II
Ernest Hemingway, The Old Man and the Sea
Marshall McLuhan, Understanding Media
Marshall McLuhan, The Gutenberg Galaxy
Marshall McLuhan, "Notes on William Burroughs"
Phil Ford, Dig: Sound and Music in Hip Culture
John Clellon Holmes, beatnik
Northrop Frye, Canadian literary critic
Hildegard von Bingen, Ordo Virtutum
Joni Mitchell, "Woodstock"
Genesis 32, Jacob and the Angel
R. D. Laing, Scottish psychologist
Pierre Teilhard de Chardin, The Phenomenon of Man
William James, The Varieties of Religious Experience
Sylvia Plath, "Lady Lazarus"
Sylvia Plath, "Daddy"
Jack Kerouac, American writer
Allen Ginsberg, American poet
Lionel Snell, British philosopher and magician Special Guest: B. W. Powe.

Episode 64: Dreams and Shadows: On Ursula Le Guin's 'A Wizard of Earthsea'

Phil Ford and J. F. Martel — Wed, 22 Jan 2020 10:30:00 -0500

In her National Book Award acceptance speech in 2014, Ursula K. Le Guin intimated that, far from being superseded by digital technology, fantastic fiction has never been more important than it is about to become. Soon, she prophesied, "we will need writers who can remember freedom -- poets, visionaries, realists of a larger reality." In this episode, Phil and JF plumb the prophetic depths of one of her most famous books, A Wizard of Earthsea. A discussion of the novel's style and lore leads us into the politics and metaphysics of fantasy as developed by Le Guin and her predecessor, J. R. R. Tolkien. In the end, we realize that fantasy is not the literary ghetto it's been made out to be, but the sine qua non of all fiction.

SHOW NOTES

John Keats, "Ode on a Grecian Urn"
Heidegger, "On the Origin of the Work of Art"
Beowulf, An Anglo-Saxon epic poem
Weird Studies, episode 41 -- On Speculative Fiction, with Matt Cardin
Weird Studies, episode 61 -- Evil and Ecstasy: On 'The Silence of the Lambs'
Weird Studies, episode 62: Like 'The Shining,' But With Nuns: On 'Black Narcissus'
The Complete Romances of Chretien de Troyes (translated by J.F.'s mentor, David Staines)
Sir Thomas Malory, La Morte d'Arthur
Lewis Carroll, British fantasist
Ursula K. Le Guin's acceptance speech at the National Book Awards, 2014
David Hume, An Enquiry Concerning Human Understanding and A Treatise of Human Nature

Episode 51: Blind Seers: On Flannery O'Connor's 'Wise Blood'

Phil Ford and J. F. Martel — Wed, 17 Jul 2019 11:30:00 -0400

Through her fiction, Flannery O'Connor reenvisioned life as a supernatural war wherein each soul becomes the site of a clash of mysterious, almost incomprehensible forces. Her first novel, Wise Blood, tells the story of Hazel Motes, a young preacher with a new religion to sell: the Church Without Christ. In this episode, JF and Phil read Motes's misadventures in the "Jesus-haunted" city of Taulkinham, Tennessee, as a prophetic vision of the modern condition that is at once supremely tragic and funny as hell. As O'Connor herself wrote in her prefac to the book: "(Wise Blood) is a comic novel about a Christian malgré lui, and as such, very serious, for all comic novels that are any good must be about matters of life and death.

REFERENCES

Flannery O'Connor, Wise Blood
James Marshall, George and Martha (here's a great NYT piece on the books)
Graham Hancock, Fingerprints of the Gods
Paul Elie, The Life You Save May Be Your Own: An American Pilgrimage
Jonathan Haidt, The Righteous Mind
G. K. Chesterton, Orthodoxy
Daniel Ingram, Mastering the Core Teachings of the Buddha
George Santayana, The Sense of Beauty
Amy Hungerford's lecture on Wise Blood (Yale University)

Episode 48: Walking the Tightrope with Erik Davis

Phil Ford and J. F. Martel — Wed, 05 Jun 2019 13:30:00 -0400

Journalist and historian of religion Erik Davis joins Phil and JF to talk about his latest magnum opus, High Weirdness: Drugs, Esoterica, and Visionary Experience in the Seventies. In this masterwork of weird scholarship, Davis explores the simultaneously luminous and obscure worlds of three giants of Seventies counterculture: Terence McKenna, Robert Anton Wilson, and Philip K. Dick. Their psychonautical legacy serve as fuel for a deep-delving conversation on Davis' own ontological leanings, yearnings, and hesitations. We touch on his philosophical development since the release of Techgnosis in 1998, the meaning of "weird naturalism," the primacy of the aesthetic, the uses and abuses of anthropotechnics, the challenges of tightrope-walking across bottomless chasms, and lots more.

REFERENCES

Erik Davis, High Weirdness: Drugs, Esoterica, and Visionary Expreience in the Seventies
Erik Davis, Techgnosis: Myth, Magic, and Mysticism in the Age of Information

Philip K. Dick, American science fiction writer
Robert Anton Wilson, American writer
Terence McKenna, Half-elf bard
Graham Harman, American philosopher
Timothy Morton, British philosopher
Jeffrey J. Kripal, The Serpent’s Gift: Gnostic Reflections on the Study of Religion
William James, American philosopher and psychologist
Hee-jin Kim, Eihei Dogen: Mystical Realist
Dogen, "Instructions for the Cook"
Steve Reich, "Music as a Gradual Process"
Peter Sloterdijk, You Must Change Your Life
Albert Hofman’s famous bicycle ride
Erowid LSD vault
George Lackoff and Mark Johnson, Metaphors We Live By
Alexander Bard and Jan Söderqvist, Syntheism: Creating God in the Internet Age
Special Guest: Erik Davis.