Weird Studies - Episodes Tagged with “Horror”

Episode 184: On David Lynch

Phil Ford and J. F. Martel — Wed, 05 Feb 2025 10:30:00 -0500

David Lynch passed away on January 15th, 2025, leaving behind a body of work that reshaped the landscape of cinema and television. Few artists have delved as deeply into the strange, the beautiful, and the terrifying as Lynch, and few have had as profound an influence on Weird Studies. His films have long been a touchstone for JF and Phil's discussions on art, philosophy, and the nature of the weird. To honor his memory, they decided to devote an episode to Lynch's work as a whole, with special attention paid to Eraserhead—the nightmarish debut that announced his singular vision to the world. A study in dread, desire, and the uncanny, Eraserhead remains one of the most disturbing and mysterious works of American cinema. In this episode, we explore what makes it so powerful and how it connects to Lynch’s larger artistic project.

To enroll in JF's new Weirdosphere course, It's All Real: An Inquiry Into the Reality of the Supernatural, please visit www.weirdosphere.org. The course starts on Thursday, Feb 6, at 8 pm Eastern.

A video for the piece For David Lynch is available on Pierre-Yves Martel's YouTube channel.

REFERENCES

David Lynch, Eraserhead
David Lynch: The Art Life
Victorian Nelson, The Secret Life of Puppets
Norman Mailer, An American Dream
Laura Adams, "Existential Aesthetics: An Interview with Norman Mailer”
George P. Hansen, The Trickster and the Paranormal
Carl Jung, The Red Book
Jack Arnold (dir.), The Creature from the Black Lagoon
Noel Caroll, The Philosophy of Horror
Gilles Deleuze, The Logic of Sense
Jack Smith, “The Perfect Filmic Appositeness of Maria Montez”
David Foster Wallace, “David Lynch Keeps his Head” in A Supposedly Fun Thing I’ll Never do Again
Arthur Machen, The White People
William Shakespeare, Macbeth

Episode 182: Providence of Evil: On Robert Eggers' 'Nosferatu'

Phil Ford and J. F. Martel — Wed, 08 Jan 2025 10:30:00 -0500

In this episode, JF and Phil examine the myth of the vampire through the lens of Robert Eggers' latest film, Nosferatu, a reimagining of F. W. Murnau's German Expressionist masterpiece. Topics covered include the nature of vampires, the symbolism of evil, the implicit theology of Eggers' film (compared with that of Coppola's Bram Stoker's Dracula), the need for shadow work, as well as the power of real introspection and self-sacrifice.

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Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia.
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Get the T-shirt design from Cotton Bureau!

REFERENCES

Robert Eggers (dir.), Nosferatu
F. W. Murnau (dir.), Nosferatu
Mel Brooks (dir.), Dracula: Dead and Loving It
Francis Ford Coppola (dir.), Bram Stoker’s Dracula
Bram Stoker, Dracula
Richard Wagner, Tristan und Isolde
David James Smith, “The Archaeologist Couple who Unearthed a Field Full of Vampires”
Robert Eggers, The Witch
Richard Strauss, Salome
Weird Studies, Episode 156 on “The Secret History”
Rudolf Steiner, “Lucifer and Ahriman”
Richard Wagner, Ring Cycle

Episode 178: Edge of Reality: On John Carpenter's 'In the Mouth of Madness'

Phil Ford and J. F. Martel — Wed, 23 Oct 2024 10:30:00 -0400

Earlier this month, Phil and JF recorded a live episode at Indiana University Cinema in Bloomington following a screening of John Carpenter's film In the Mouth of Madness. Carpenter’s cult classic obliterates the boundary between reality and fiction, madness and revelation—an ideal subject for a Weird Studies conversation. In this episode, recorded before a live audience, the hosts explore the film’s Lovecraftian themes, the porous nature of storytelling, and how art can function as a conduit to unsettling truths.

Special thanks to Dr. Alicia Kozma and the IU Cinema team for hosting and recording the event.

REFERENCES
John Carpenter, In the Mouth of Madness
John Carpenter, Prince of Darkness*
John Carpenter, The Thing
Joshua Clover, BFI Film Classics: The Matrix
Philip K. Dick, Time Out of Joint
David Cronenberg, Videodrome
Louis Althusser, "Ideology and Ideological State Apparatuses (Notes towards an Investigation)"
Giorgio Agamben, Homo Sacer
Nick Land, English philosopher
H. P. Lovecraft, "The Call of Cthulhu"
Jonathan Carroll, The Land of Laughs

Mid-Hiatus Bonus: On Horror and the Retail Experience

Phil Ford and J. F. Martel — Wed, 10 Jan 2024 10:30:00 -0500

Every off-week, listeners who have chosen to support Weird Studies by joining our Patreon at the Listener's Tier get to enjoy a bonus episode. These episodes are different from the flagship show. Less formal and entirely improvised, they offer Phil and JF a different way of exploring the weird in art, philosophy and culture. To tide our listenership over until the next new episode drops on January 24th, here is a recent example of a Weird Studies audio extra, recorded as the holiday season was getting under way. Happy New Year.

Episode 160: The Way of All Flesh: On John Carpenter's 'The Thing'

Phil Ford and J. F. Martel — Wed, 20 Dec 2023 10:30:00 -0500

As a horror movie, John Carpenter's The Thing seems to have it all: amazing practical effects, body horror, psychological drama, Kurt Russell ... Indeed, there is only one element this movie lacks, and that is anything at all corresponding to the titular villain. There is no thing in The Thing! What we have instead is a process, a pattern, a way for which the term "thing" is as good as any other. (What is a thing anyway?) In this episode, Phil and JF, having decided that Carpenter's film qualifies as a Christmas movie because there is snow (and a dog) in it, explore the metaphysical implications of a cult classic.

Support us on Patreon.
Buy the Weird Studies sountrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page.
Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia.
Visit the Weird Studies Bookshop
Find us on Discord
Get the T-shirt design from Cotton Bureau!

REFERENCES

John Carpenter, The Thing
Weird Studies, Episode 100 on Carpenter Films
Weird Studies, Episode 157 on Videodrome
Ridley Scott, Blade Runner
Ridley Scott Alien
Thomas Aquinas, On Being and Essence
Haecceity
Ernest Fenollosa, The Chinese Written Characters as a Medium for Poetry
Weird Studies, Episode 89 on ‘Mumbo Jumbo’
Weird Studies, Episode 127 on ‘The Impossibility of Automating Ambiguity’
Wikipedia, “Quiddity”
Vilhelm Hammershøi, Danish painter
Jez Conolly, The Thing
Arthur Schopenhauer, The World as Will and Representation
Dylan Trigg, The Thing a Phenomenology of Horror
Plato, The Timaeus
Lucretius, “On the Nature of Things”
Clive Barker, The Great and Secret Show

Episode 157: Long Live the New Flesh: On David Cronenberg's 'Videodrome'

Phil Ford and J. F. Martel — Wed, 08 Nov 2023 11:00:00 -0500

"Death to Videodrome! Long live the New Flesh!"

It was perhaps inevitable that the modern Weird, driven as it is to swallow all things, would sooner or later veer into the realm of political sloganeering without losing any of its unknowable essence. David Cronenberg's 1983 film Videodrome is more than a masterwork of body horror: it is a study in technopolitics, a meditation on the complex weave of imagination and perception, and a prophecy of the now on-going coalescence of flesh and technology into a strange new alloy. In this episode, recorded live after a screening of the film at Indiana University Cinema in Bloomington, JF and Phil set out to interpret Cronenberg's vision... and come to dig the New Flesh.

REFERENCES
David Cronenberg, Videodrome
Maurice Merleau-Ponty, The Visible and the Invisible
Paul Virilio, The Information Bomb
Weird Studies, Episode 75 on “2001: A Space Odyssey”
Richard Porton and David Cronenberg, "The Film Director as Philosopher: An Interview with David Cronenberg"
George Hickenlooper and David Cronenberg, "The Primal Energies of the Horror Film: An Interview with David Cronenberg"
Weird Studies, Episode 144 with Connor Habib
William Friedkin (dir.), The Exorcist
Plato, Timaeus
William Gibson, Idoru
CBC, Yorkville: Hippie Haven
Linda Williams, “Film Bodies: Gender, Genre, and Excess”

Episode 144: On Clive Barker's 'Hellraiser' and 'The Hellbound Heart,' with Conner Habib

Phil Ford and J. F. Martel — Wed, 12 Apr 2023 10:30:00 -0400

In the 1980s, Clive Barker burst onto the cultural scene with The Books of Blood, collections of unforgettable tales of horror, depravity, and decadence the likes of which had been seldom seen since the days of Lautréamont's Les Chants de Maldoror and Huysmans' Là-Bas. In the decades that followed, he went on to create an astounding body of work in fantasy and horror as a writer, artist, and film director. In this episode, author, lecturer, and podcaster Conner Habib joins JF and Phil to discuss what is arguably Barker's best-known work, the 1987 horror classic Hellraiser, as well as the novella that inspired it, "The Hellbound Heart."

Preorder Pierre-Yves Martel's album Mer bleue.

Support us on Patreon and gain access to Phil's ongoing podcast on Richard Wagner's Ring Cycle.

Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel
Find us on Discord
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Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.)
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References

Clive Barker, The Hellbound Heart
Clive Barker (dir.), Hellraiser
Tod Browning (dir.), Freaks
Clive Barker, “In the Hills, The Cities” in Books of Blood
Wes Craven, A Nightmare on Elm Street
Angela Carter, English writer
Susan Sontag, “Happenings: An Art of Radical Juxtaposition”
Gilles Deleuze and Felix Guattari, What is Philosophy?
Sturm und Drang, 18th-century artistic movement
Gayle Rubin, American cultural anthropologist
Stephen King, It
Robert Wise (dir.), The Sound of Music
Slavoj Zizek, The Pervert’s Guide to Cinema
Robert Wise (dir.), The Haunting
David Mamet, On Directing Film
Mark Hedsel and David Ovason, The Zealotor
David Lynch (dir.), Mulholland Drive
Stanley Kubrick, The Shining
Coil, Hellraiser Themes
Bela Bartok, Music for Strings, Percussion, and Celesta
Golden Section, mathematical ratio
Kevin Williamson,, American screenwriter
Susan Sontag, Against Interpretation

Special Guest: Conner Habib.

Episode 136: The Things That Were And Shall Be Again: On 'Evil Dead II'

Phil Ford and J. F. Martel — Wed, 30 Nov 2022 10:30:00 -0500

"We are the things that were and shall be again." So a demonic flesh puppet tells Ash and his allies in a memorable scene from the classic splatstick flick Evil Dead II. In addition to being a rollicking piece of entertainment, Evil Dead II is an expertly crafted film whose director used every tool and technique to generate a cinematic experience that is – as the tagline went – "2 terrifying, 2 frightening ... 2 much!" In this episode, JF and Phil court the absurd by turning a fun 80s horror movie into a statement on the dread aspirations of matter and a shining example of the modern baroque.

Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel
Support us on Patreon
Find us on Discord
Get the new T-shirt design from Cotton Bureau!
Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.)
Visit the Weird Studies Bookshop

SHOW NOTES

Sam Raimi (dir.), The Evil Dead II
Weird Studies, Episode 121 on Mandy and the Bandwagon
Joe Bob Briggs, American movie critic
Chalres Ludlam, American actor
Weird Studies, Episode 88 on Mr Punch
Kenneth Gross, Puppet: An Essay on Uncanny Life
Eduardo Viveiros de Castro, Cannibal Metaphysics
Bruno Schulz, The Street of Crocodiles
Victoria Nelson, The Secret Life of Puppets
Joseph Cermatori, Baroque Modernity

Episode 126: The Daemon Speaks, with Matt Cardin

Phil Ford and J. F. Martel — Wed, 22 Jun 2022 11:00:00 -0400

Returning guest Matt Cardin is a writer of fiction and nonfiction whose focus on numinous horror places him in the literary lineage as Arthur Machen and Algernon Blackwood. His new book, What the Daemon Said, collects two decades' worth of meditations on literature, cinema, mysticism, philosophy, and the weird. He joins Phil and JF to talk about a range of topics including dark enlightenment, the idea that fear and trembling are the only sensible reactions to direct exposure to cosmic truth.

Header image: detail of cover design for What the Daemon Said, by Dan Sauer Design.

REFERENCES

Matt Cardin's website
Matt Cardin, What the Daemon Said: Essays on Horror, Fiction, Film and Philosophy
Matt Cardin, Dark Awakenings
Julia Cameron, The Artist’s Way Morning Pages Journal
Natalie Goldberg, Writing Down the Bones
The Gospel of Thomas
Matt Cardin, Dark Awakenings
Robert Frost, “The Figure a Poem Makes”
John Horgen, Rational Mysticism
Weird Studies, Episode 41 with Matt Cardin
Oswald Chambers, My Utmost for his Highest
Weird Studies ep. 124: Dark Night Radio of the Soul, with Duncan Barford
Theodore Roszak, American scholar
M. C. Richards, Centering
Friedrich Nietzsche, Twilight of the Idols
Huston Smith, American religious scholar
Martin Buber, I and Thou
John Lee Hancock (dir.), The Rookie (2002)
Eckart Tolle, German spiritual teacher
Richard Wagner, Parsifal
Peter Berger, The Sacred Canopy: Elements of a Sociological Theory of Religion
Alan Watts, English writer and teacher
Richard Rose, After the Absolute: The Inner Teachings of Richard Rose

Special Guest: Matt Cardin.

Episode 121: Dream Theater: On 'Mandy' and 'The Band Wagon'

Phil Ford and J. F. Martel — Wed, 27 Apr 2022 10:00:00 -0400

In this episode, each of your hosts bullies the other into watching a movie he would normally not touch with a bargepole. Phil has been (unsuccessfully) trying to get JF to watch Vincente Minnelli's 1953 musical comedy The Band Wagon and JF has been (also unsuccessfully) trying to get Phil to watch Panos Cosmatos's 2018 psychedelic horror film Mandy. For this episode, they decided they would compromise and watch both. What started as a goof ended up a fascinating Glass Bead Game from which emerge occulted correspondences between films that, on the surface, could not be more dissimilar. One film is a dream of song and dance, the other a dream of blood and violence. Either way, though, watch out: as Deleuze says, "beware of the dreams of others, because if you are caught in their dream, you are done for."

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SHOW NOTES

Iluminated Brew Works, Chicago
JF's new course, [Groundwork for a Philosophy of Magic](www.nuralearning.com)

Vincente Minnelli (dir.), The Bandwagon
Panos Cosmatos (dir.), Mandy
Weird Studies, Episode 73 on Carl Jung
Norman Jewison (dir.), Moonstruck
David Thompson, The New Biographical Dictionary of Film
Gilles Deleuze, Cinema 1: The Movement Image) and Cinema 2: The Time Image
Henri Bergson, “The Cinematographical Mechanism of Thought and the Mechanistic Illusion”, from Creative Evolution
Terry Gilliam (dir.), The Fisher King
Claudia Gorbman, Unheard Melodies: Narrative Film Music
Raymond Knapp, The American Musical and the Performance of Personal Identity
Richard Dyer, “Entertainment and Utopia” in Only Entertainment
Gilles Deleuze, “What is the Creative Act”

Episode 105: Fire Walk with Tamler Sommers

Phil Ford and J. F. Martel — Wed, 18 Aug 2021 10:30:00 -0400

The Twin Peaks mythos has been with Weird Studies from the very beginning, and it is only fitting that it should have a return. In this episode, Phil and JF are joined by Tamler Sommers, co-host of the podcast Very Bad Wizards to discuss Fire Walk with Me, the prequel film to the original Twin Peaks series. Paradoxically, David Lynch’s work both necessitates and resists interpretation, and the pull of detailed interpretation is unusually strong in this episode. The three discuss how Fire Walk with Me, and the series as a whole, depicts two separate worlds that sometimes begin to intermingle, disrupting the perceived stability of time and space. Often this happens in moments of extreme fear or love. Through their love for Laura Palmer and for the film under consideration, JF, Phil, and Tamler enact their own interpretation, entering a rift where the world of Twin Peaks and the “real” world seem to merge, demonstrating how Twin Peaks just won’t leave this world alone, and can become a way for disenchanted moderns once again to live inside of myth.

Support us on Patreon:
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Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.)
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References

David Lynch, Twin Peaks: Fire Walk With Me
The Sons of Sam: A Descent into Darkness, Netflix documentary
David Hume, A Treatise of Human Nature
Antonin Artaud, The Theater and Its Double
Mark Frost, The Secret History of Twin Peaks
Mark Frost, Twin Peaks: The Final Dossier
Jason Louv, occultist
Duncan Barford, Occult Experiments in the Home podcast
Weird Studies, Episode 67 on “Hellier”
Weird Studies, Episode 78 on “The Mothman Prophesies”
Sound mass, musical technique
Michael Hanake (dir.), Caché
Courtenay Stallings, Laura’s Ghost

Special Guest: Tamler Sommers.

Episode 100: The Price of Beauty is Horror: On the Films of John Carpenter

Phil Ford and J. F. Martel — Wed, 09 Jun 2021 10:30:00 -0400

Central to the tradition of cosmic horror is the suggestion that the ultimate truth about our universe is at once knowable and unthinkable, such that one learns it only at the cost of one's sanity and soul. John Carpenter is one of a handful of horror directors to have successfully ported this idea from literature to cinema. This episode is an attempt to unearth some of the eldritch symbols buried in a selection of Carpenter's apocalyptic works, including Escape from New York, The Thing, They Live,_ In the Mouth of Madness_, and the little known Cigarette Burns.

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REFERENCES

John Carpenter films discussed:
The Thing
Cigarette Burns
In the Mouth of Madness
Prince of Darkness
Halloween
They Live
Escape from New York
Escape from L.A.
Big Trouble in Little China

Other References:

Pascal Laugier (dir.), Martyrs
Srdjan Spasojevic (dir.), A Serbian Film
Weird Studies, Episode 90 on The Owl in Daylight
Roger Corman, American director
Northrup Frye, Words with Power
J. R. R. Tolkien, forward to The Fellowship of the Ring
Gilles Deleuze and Felix Guatarri, “Percept, Affect, and Concept” in What is Philosophy
Weird Studies, Episode 72 on the Castrati
Weird Studies, Episode 46, Thomas Ligotti’s Angel
Gabriel Garcia Marquez, “A Very Old Man with Enormous Wings”
China Mieville, British author
Karlheinz Stockhausen, comments on 9/11
H. P. Lovecraft, Nyarlothotep
H. P. Lovecraft, “The Haunter of the Dark”
Nick Land, Fanged Noumena
Zack Snyder, American director
Haeccaity and Quiddity, philosophical concepts
Samuel Delaney, Dahlgren
Weird Studies, Episode 98 on Exotica
Quentin Meillasoux, After Finitude
Rainer Maria Rilke, Duino Elegies

Episode 85: On 'The Wicker Man'

Phil Ford and J. F. Martel — Wed, 28 Oct 2020 10:30:00 -0400

Since its release in 1973, Robin Hardy's The Wicker Man has exerted a profound influence on the development of horror cinema, a rich vein of folk music, and the modern pagan revival more generally. Anthony Shaffer's ingenious screenplay gives us a thrilling yarn that is also a meditation on the nature of religious belief and practice. Just in time for Halloween, Phil and JF discuss the philosophical ideas that undergird this folk horror classic, focusing on the perennial role of sacrifice in religious thought.

REFERENCES

Robin Hardy (director), The Wicker Man

Stanley Kubrick (director), The Shining
Terence Fisher (director), The Devil Rides Out
Piers Haggard (director), Blood on Satan’s Claw
John Boorman (director), Deliverance
Rob Young, Electric Eden
Gerald Gardner, English wiccan
Margaret Murray, English anthropologist
Cecil Sharp, English ethnomusicologist
Phil Ford, "Taboo: Time and Belief in Exotica"
Friedrich Nietzsche, Untimely Meditations

Episode 41: On Speculative Fiction, with Matt Cardin

Phil Ford and J. F. Martel — Wed, 27 Feb 2019 10:30:00 -0500

Neil Gaiman wrote, "If literature is the world, then fantasy and horror are twin cities, divided by a river of black water." Flame Tree Publishing underwrites this claim with their recent publication, The Astounding Illustrated History of Fantasy and Horror. The book is a veritable gazetteer of these two cities in the heartland of the imaginal world. Writer and scholar Matt Cardin, founding editor of the marvellous [Teeming Brain](www.teemingbrain.com), wrote a chapter for the book focusing on the books and films of the Sixties and Seventies. In this episode, he joins JF and Phil to discuss the kinship of horror and fantasy, the modern ghettoization of mythopoeic art, the prophetic reach of speculative fiction, and the "cauldron of cultural transformation" that was the Sixties and Seventies.

Header Image by Moralist, Wikimedia Commons

REFERENCES

The Astounding Illustrated History of Fantasy and Horror
Matt Cardin's website
The Teeming Brain

American literary critic S. T. Joshi
British writer and scholar Roger Luckhurst
Neil Gaiman, introduction to The Dream Cycle of H. P. Lovecraft: Dreams of Terror and Death
The concept of "folk psychology"
H. P. Lovecraft, "The Dream Quest of Unknown Kadath"
H. P. Lovecraft, "Through the Gates of the Silver Key"
James Curcio, Masks: Bowie and the Artists of Artifice (forthcoming)
American author Thomas Ligotti
British author Arthur Machen
Mary Shelley, Frankenstein
Ian McEwen, Enduring Love
Weird Studies, Episode 36: On Hyperstition
J. R. R. Tolkien, The Silmarillion
Terry Brooks, The Sword of Shannara
Stephen R. Donaldson, The Chronicles of Thomas Covenant, the Unbeliever
Night of the Living Dead (George A. Romero, 1968)
The Lord of the Rings animated film (Ralph Bakshi, 1978)
Lloyd Alexander, The Chronicles of Prydain
Madeleine L'Engle, A Wrinkle in Time
The Call of Cthulhu Role-Playing Game (Chaosium)
Ray Bradbury, Something Wicked This Way Comes
Invasion of the Body Snatchers (Philip Kaufman, 1978)
William Irwin Thompson, At the Edge of History
Interview with Twilight Zone luminary George Clayton Johnson
The Wicker Man (Robin Hardy, 1973)
The Omen (Richard Donner, 1976)
Stephen King, Salem's Lot

Special Guest: Matt Cardin.

Episode 40: On Jonathan Glazer's 'Under the Skin'

Phil Ford and J. F. Martel — Wed, 13 Feb 2019 13:00:00 -0500

In Jonathan Glazer's loose screen adaptation of Michel Faber's novel Under the Skin, a creature of mysterious origin drives around Scotland in a white van, collecting lonely men and spiriting them away to an otherworld where they are turned into food.... or something. Drawing on a deep well of literary, visual, and musical tradition, Glazer (with help from his score composer Mica Levi) create a vivid work of tragedy and horror, masterfully executed for maximal weirdness and unwaveringly true to the auteur's intent to reveal our world from an "alien perspective." In this episode, Phil and JF discuss some themes and ideas they've pried from this exquisite tangle of image and sound. Along the way, they discuss the role that serendipity, coincidence, and fate play in both art-making and scholarship.

REFERENCES

Under the Skin (Jonathan Glazer, 2013)
Other films by Glazer: Sexy Beast (2000), Birth (2004)

Barry Lyndon (Stanley Kubrick, 1975)
Iannis Xenakis, Greek composer
Twin Peaks: The Return (David Lynch, 2017)
Ligeti, Atmosphères
Stranger Things (The Duffer Brothers, 2016)
Screen shot of "Space Invader" Easter egg in Under the Skin
Weird Studies Episode 37: Entities, with Stuart Davis
John August, American screenwriter
Phil Ford, "The Devil's On Your Side: A Meditation on the Perennially Disreputable Business of Hermeneutics" (unpublished)
Room 237 (Rodney Ascher, 2013)
William Irwin Thompson, Imaginary Landscape: Making Worlds of Myth and Science
Interview with Mica Levi, who composed the score for Under the Skin
Atar Arad, American violist
David Caspar Friedrich, Wanderer above the Sea of Fog