Weird Studies - Episodes Tagged with “History”

Episode 187: The Affirmation of Imagination: On John Crowley's 'Little, Big,' with Erik Davis

Phil Ford and J. F. Martel — Wed, 26 Mar 2025 10:30:00 -0400

John Crowley’s Little, Big is, at once, a family saga, a fairy tale, an occult thriller, an idyll, a dystopia, as well as a meditation on myth and history, the real and the fantasy, memory and imagination. Little, Big is also a book that JF and Phil have been planning to discuss for as long as Weird Studies has existed. In this episode, they are joined by writer and scholar Erik Davis to explore the enduring charms and mysteries of one of the greatest—and most underrated—American novels of the late twentieth century.

Order Christian Bunyan's Weird Studies poster here.
Visit Weirdosphere for more details on Erik Davis's ongoing course, The Three Stigmata of Philip K. Dick.

Support us on Patreon.
Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page.
Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia.
Visit the Weird Studies Bookshop
Find us on Discord
Get the T-shirt design from Cotton Bureau!

REFERENCES

John Crowley, Little, Big
Roald Dahl, Charlie and the Chocolate Factory
Thomas Mann, The Magic Mountain
Eric Davis, interview with Neil Gaiman and Rachel Pollack
David Lynch (dir.), Lost Highway
America, “The Last Unicorn”
John Cooper Powys, A Glastonbury Romance
J. R. R. Tolkein, The Lord of the Rings
Patrick Harpur, Daimonic Reality
Lord Dunsany, Irish novelist
Special Guest: Erik Davis.

Episode 162: The Incarnation of Meaning: Greenwich Village After the War

Phil Ford and J. F. Martel — Wed, 07 Feb 2024 10:30:00 -0500

In this second of two episodes on "scenes," Phil and JF set their sights on Greenwich Village in the wake of the Second World War. Focusing on two works on the era – Anatole Broyard's Kafka Was the Rage and John Cassavetes' Shadows – the conversation further develops the mystique of urban scenes and explores the weirdness of cities. The city, long considered the human artifact par excellence, comes to seem like something that comes from outside the ambit of humanity.

Support us on Patreon.
Buy the Weird Studies sountrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page.
Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia.
Visit the Weird Studies Bookshop
Find us on Discord
Get the T-shirt design from Cotton Bureau!

REFERENCES
Anatole Broyard, Kafka Was the Rage
John Cassavetes, Shadows
Kazuo Ishiguro, An Artist of the Floating World
Phil Ford, Dig
Weird Studies, Episode 90 on “Owl in Daylight”
Kult, role-playing game
Tom Delong and Peter Lavenda, Secret Machines: Gods, Men, and War
Chandler Brossard, Who Walk in Darkness
Yukio Mishima, Japanese artist
Anatole Broyard, “Portrait of the Hipster”

Episode 161: Scene of the Crime: On Alan Moore and Eddie Campbell's 'From Hell'

Phil Ford and J. F. Martel — Wed, 24 Jan 2024 10:30:00 -0500

Listener discretion advised: This episode delves into the disturbing details of the Whitechapel murders of 1888, and may not be suitable for all audiences.

Serialized from 1989 to 1996, Alan Moore and Eddie Campbell's graphic novel From Hell was first released in a single volume in 1999, just as the world was groaning into the present century. This is an important detail, because according to the creators of this astounding work, the age then passing away could not be understood without reference to the gruesome murders, never solved, of five women in London's Whitechapel district, in the fall of 1888. In Alan Moore's occult imagination, the Ripper murders were more than another instance of human depravity: they constituted a magical operation intended to alter the course of history. The nature of this operation, and whether or not it was successful, is the focus of this episode, in which JF and Phil also explore the imaginal actuality of Victorian London and the strange nature of history and time.

REFERENCES

Daniel Silver, Terry Nichols Clark, and Clemente Jesus Navarro Yanez, “Scenes: Social Context in an Age of Contingency”
Alan Moore and Eddie Campbell, From Hell
Floating World, Edo Japanese concept
Phil Ford, Dig: Sound and Music in Hip Culture
John Clellon Holmes recordings
Arthur Conan Doyle, Sherlock Holmes Collection
Yacht Rock, web series
Stephen Knight, Jack the Ripper: The Final Solution
Colin Wilson, Jack the Ripper: Summing Up and Verdict
Manly P. Hall, The Secret Teachings of All Ages
Peter Ackroyd, Hawksmoor
Weird Studies, Episode 89 on “Mumbo Jumbo”
Charles Howard Hinton, mathematician
J. G. Ballard, Preface to Crash
William Gibson and Bruce Sterling, The Difference Engine

Episode 104: We'd Love to Turn You On: 'Sgt. Pepper' and the Beatles

Phil Ford and J. F. Martel — Wed, 04 Aug 2021 10:30:00 -0400

It is said that for several days after the release of Sgt. Pepper's Lonely Hearts Club Band in the spring of 1967, you could have driven from one U.S. coast to the other without ever going out of range of a local radio broadcast of the album. Sgt. Pepper was, in a sense, the first global musical event -- comparable to other sixties game-changers such as the Kennedy assassination and the moon landing. What's more, this event is as every bit as strange as the latter two; it is only custom and habit that blind us to the profound weirdness of Sgt. Pepper. In this episode, Phil and JF reimagine the Beatles' masterpiece as an egregore, a magical operation that changes future and past alike, and a spiritual machine for "turning us on" to the invisible background against which we strut and fret our hours on the stage.

Support us on Patreon:
Find us on Discord
Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.)
Visit the Weird Studies Bookshop
Buy the Weird Studies soundtrack

REFERENCES

Weird Studies, Episode 31 on Glenn Gould’s ‘Prospects of Recording’
Nelson Goodman, Languages of Art
Brian Eno, Taking Tiger Mountain (By Strategy)
Weird Studies, Episode 33 On Duchamp’s Fountain
Emmanuel Carrère, La Moustache
Rob Reiner, This is Spinal Tap
Richard Lester, A Hard Day's Night
Gilles Deleuze, Cinema 2
James Carse, Finite and Infinite Games
Felix Guattari and Gilles Deleuze, What is Philosophy?
Arthur Machen, “A Fragment of Life”
David Lynch, Lost Highway
Zhuangzi (Butterfly dream)
Ian MacDonald, Revolution in the Head

Episode 98: Taboo: Time and Belief in Exotica

Phil Ford and J. F. Martel — Wed, 12 May 2021 11:00:00 -0400

Exotica is a kind of music that was popular in the 1950s, when it was simply known as "mood music." Though somewhat obscure today, the sound of exotica remains immediately recognizable to contemporary ears. Its use of "tribal" beats, ethereal voices, flutes and gongs evoke a world that is no more at home in the modern West than it is anywhere else on earth. With its shameless stereotyping of non-Western cultures and its aestheticization of the other, exotica rightly deserves the criticism it has drawn over the years. But as we shall see in this episode, if you stop there, you just might miss the thing that makes exotica so difficult to expunge from Western culture, and also what makes it a prime example of how the "trash stratum" sometimes becomes the site of strange visions that transcend culture altogether.

REFERENCES

Phil Ford, “Taboo: Time and Belief in Exotica”
Future Fossils, Episode 157
Weird Studies, Episode 21: The Trash Stratum
Weird Studies, Episode 79: Love, Death and the Dream Life
Jack Smith, “The Perfect Filmic Appositeness Maria Montez”
Yma Sumac, Peruvian singer
Les Baxter, "The Oasis of Dakhla"
Steely Dan, "I Heard the News"
Stravinsky, Rite of Spring
Les Baxter, “Hong Kong Cable Car”
Jacques Riviere, review of The Rite of Spring
Nenao Sakaki, Japanese poet
Lew Welch, American Beat poet
JF Martel, “Stay with Mystery: Hiroshima Mon Amour, Melancholia, and the truth of extinction”
Jeffrey Kripal, Mutants and Mystics
Captain Beefheart, “Orange Claw Hammer”
Martin Buber, I and Thou

Episode 89: On Ishmael Reed's 'Mumbo Jumbo,' or, Why We Need More Magical Thinking

Phil Ford and J. F. Martel — Wed, 06 Jan 2021 10:00:00 -0500

Ishmael Reed's 1972 novel Mumbo Jumbo is a conspiracy thriller, a postmodern experiment, a revolutionary tract, a celebration, and a magical working. It is a novel that, over and above prophetically describing the world we live in, creates a whole new world and invites us to move in. For Phil and JF, Mumbo Jumbo exemplifies art's creative power to generate new possibilities for life. It is also the perfect occasion for pinpointing the difference between the kind of magical thinking that fuels virulent conspiricism, and the more profound magical thinking which alone can save us from it.

**Image: **Albrecht Dürer, Two Pairs of Hands with Book

REFERENCES

Ishmael Reed, Mumbo Jumbo

Harold Bloom, The Western Canon
For more on Colin Wilson's concept of lunar religion, see The Occult
Weird Studies, episode 36: "On Hyperstition"
William S. Burroughs, Naked Lunch
Carl Van Vechten, American writer
Robert Anton Wilson and Robert Shea, Illuminatus!
MC5, "Kick Out the Jams"
Karl Pfeiffer (dir.), Hellier, webseries
Jasun Horsley, 16 Maps of Hell
Ramsey Dukes (Lionel Snell), SSOTBME
Anonymous, Meditations on the Tarot
Fats Waller, American jazz musician
Owen Barfield, Saving the Appearances: A Study in Idolatry
Weird Studies, episode 57 - "Box of Gods: On Raiders of the Lost Ark"
Hans Jonas, The Gnostic Religion: The Message of the Alien God and the Beginnings of Christianity
Gilles Deleuze and Félix Guattari, Kafka: Toward a Minor Literature

Episode 72: Morning of the Mutants: On the Castrati

Phil Ford and J. F. Martel — Wed, 29 Apr 2020 13:00:00 -0400

For over two centuries in early modern Italy, boys were selected for their singing talent castrated before the onset of puberty. The goal was to preserve the qualities of their voice even as they grew into manhood. The procedure resulted in other physiological changes which, combined with an unnaturally high voice, made the castrati the most prodigious singers on the continent. As Martha Feldman shows in her book The Castrato, a masterpiece of cultural history, the castrated singer was such a singular figure that he invited comparisons with angels, animals, and kings, attracting adoration and ridicule in equal measures. The castrato was a true liminal being, and as JF and Phil discover in this episode of Weird Studies, an unlikely herald of the present age.

REFERENCES

Martha Feldman, The Castrato: Reflections on Natures and Kinds

Stanley Kubrick, American filmmaker
Alessandro Moreschi, the last castrato, singing "Ave Maria"
Baruch Spinoza, Ethics
X-Men
Gabriel Garcia Marquez, "A Very Old Man with Enormous Wings"
Thomas Ligotti, "Mrs Ligotti's Angel", read by horror writer Jon Padgett
Weird Studies, Episode 48: Thomas Ligotti's Angel
Thomas Aquinas, Summa Theologica
Genesis P-Orridge, American musician and occultist

Weird Stories: "On Some Mental Effects of the Earthquake" by William James

Phil Ford and J. F. Martel — Mon, 23 Mar 2020 11:00:00 -0400

In preparation for an upcoming special episode on living in the early days of the Covid-19 Pandemic, here's Phil Ford reading an essay William James wrote on his experience of the 1906 San Francisco Earthquake.

REFERENCES

William James, "On Some Mental Effects of the Earthquake"

Episode 62: It's Like 'The Shining', But With Nuns: On 'Black Narcissus'

Phil Ford and J. F. Martel — Wed, 18 Dec 2019 14:00:00 -0500

The 1947 British film Black Narcissus is many things: an allegory of the end of empire, a chilling ghost story with nary a spook in sight, a psychological romance, and a meditation on the nature of the divine. Its weirdness is as undeniable as it is difficult to locate. On the surface, the story is straightforward: five nuns are tasked with opening a convent in the former seraglio of a dead potentate in the Himalayas. But on a deeper level, there is a lot more going on, as Phil and JF discover in this conversation touching on the presence of the past, the monstrosity of God, the mystery of the singular, and the eroticism of prayer, among other strangenesses.

REFERENCES

Michael Powell and Emeric Pressburged (dirs.), Black Narcissus
Rumer Godden, author of the original novel

Stanley Kubrick, The Shining
Gilles Deleuze, Difference and Repetition
Tim Ingold, British anthropologist -- lecture: "One World Anthropology"
Jonathan Demme (dir.), The Silence of the Lambs
Pierre Bourdieu, French sociologist
Bruno Latour, On the Modern Cult of the Factish Gods
Don Barhelme, American short story writer
Paul Ricoeur, French philosopher
Weird Studies episode 16: On Dogen Zenji's Genjokoan
The King and the Beggar Maid
Gillo Pontecorvo, The Battle of Algiers
“Painting with Light,” featurette on the Criterion Collection DVD of Black Narcissus

Episode 49: Out of Time: Nietzsche on History

Phil Ford and J. F. Martel — Wed, 19 Jun 2019 11:00:00 -0400

In his essay "On the Uses and Disadvantages of History for Life," Nietzsche attacks the notion that humans are totally determined by the historical forces that shape their physical and mental environment. Where other philosophers like Plato saw virtue in remembering eternal truths that earthly existence had wiped from our memories, Nietzsche extolled the virtues of forgetting, of becoming "untimely" and creating a zone where something new could arise. For Nietzsche, history was useful only if it served Life. Because we live in an age which constantly reifies history (through movies, news, social media, etc.) while also tricking us into thinking we somehow exist outside of history, the essay remains as relevant today as it was when Nietzsche wrote it a century and a half ago.

REFERENCES

Nietzsche, "On the Uses and Disadvantages of History for Life" in Untimely Meditations
Epic Rap Battles of History: Eastern Philosophers vs Western Philosophers
Ernest Newman, Life of Wagner
Alexander Nehamas, Nietzsche: Life as Literature
Alfred Korzybski, Manhood of Humanity
Michael Foucault, "What is Englightenment?"
Antinatalism
Friedrich Nietzsche, Thus Spoke Zarathustra
James Carse, Finite and Infinite Games: A Vision of Life as Play and Possibility
P. J. O’Rourke, American writer
Richard Pryor, American comedian