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    <title>Weird Studies - Episodes Tagged with “Henri Bergson”</title>
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    <pubDate>Wed, 24 Jun 2020 10:00:00 -0400</pubDate>
    <description>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality."</description>
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    <itunes:subtitle>Art and philosophy at the limits of the thinkable</itunes:subtitle>
    <itunes:author>Phil Ford and J. F. Martel</itunes:author>
    <itunes:summary>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality."</itunes:summary>
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  <title>Episode 76: Below the Abyss: On Bergson's Metaphysics</title>
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  <author>Phil Ford and J. F. Martel</author>
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  <itunes:episode>76</itunes:episode>
  <itunes:title>Below the Abyss: On Bergson's Metaphysics</itunes:title>
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  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>Phil and JF discuss Henri Bergson's 1903 essay, "Introduction to Metaphysics."</itunes:subtitle>
  <itunes:duration>1:18:31</itunes:duration>
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  <description>&lt;p&gt;According to the French philosopher Henri Bergson, there are two ways of knowing the world: through analysis or through intuition. Analysis is our normal mode of apprehension. It involves knowing what's out there through the accumulation and comparison of concepts. Intuition is a direct engagement with the absolute, with the world as it exists before we starting tinkering with it conceptually. Bergson believed that Western metaphysics erred from the get-go when it gave in to the all-too-human urge to take the concepts by which we know things for the things themselves. His entire oeuvre was an attempt to snap us out of that spell and plug us directly into the flow of pure &lt;em&gt;duration&lt;/em&gt;, that primordial time that is the &lt;em&gt;real&lt;/em&gt; Real. In this episode, JF and Phil discuss the genius -- and possible limitations -- of his metaphysics.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;REFERENCES&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Henri Bergson, &lt;a href="http://www.reasoned.org/dir/lit/int-meta.pdf" rel="nofollow noopener"&gt;"Introduction to Metaphysics"&lt;/a&gt;&lt;br&gt;
Weird Studies &lt;a href="https://www.weirdstudies.com/13" rel="nofollow noopener"&gt;episode 13&lt;/a&gt; -- The Obscure: On the Philosophy of Heraclitus&lt;br&gt;
Weird Studies &lt;a href="https://www.weirdstudies.com/16" rel="nofollow noopener"&gt;episode 16&lt;/a&gt;: On Dogen Zenji's 'Genjokoan'&lt;br&gt;
Bertrand Russel's &lt;a href="https://en.wikisource.org/wiki/The_Philosophy_of_Bergson_(Russell)" rel="nofollow noopener"&gt;critique of Bergson's philosophy&lt;/a&gt;&lt;br&gt;
Dōgen Zenji, &lt;a href="https://www.amazon.com/Shobogenzo-Zen-Essays-Dogen-Eihei/dp/0824814010" rel="nofollow noopener"&gt;Shōbōgenzō&lt;/a&gt;&lt;br&gt;
Wiliam James, &lt;em&gt;&lt;a href="https://psychclassics.yorku.ca/James/Principles/" rel="nofollow noopener"&gt;Principles of Psychology&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Plato, &lt;em&gt;&lt;a href="http://classics.mit.edu/Plato/theatu.html" rel="nofollow noopener"&gt;Theaetetus&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Meillassoux, &lt;em&gt;&lt;a href="https://www.bloomsbury.com/us/after-finitude-9781441173836/" rel="nofollow noopener"&gt;After Finitude: An Essay on the Necessity of Contingency&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Aleister_Crowley" rel="nofollow noopener"&gt;Aleister Crowley&lt;/a&gt;, British occultist&lt;br&gt;
Graham Harman, &lt;a href="https://www.amazon.com/Graham-Harman-Thoughts-Documenta-Gedanken/dp/3775729348" rel="nofollow noopener"&gt;"The Third Table"&lt;/a&gt;&lt;br&gt;
Weird Studies &lt;a href="https://www.weirdstudies.com/8" rel="nofollow noopener"&gt;episode 8&lt;/a&gt; - On Graham Harman's "The Third Table"&lt;br&gt;
Bergson, &lt;em&gt;&lt;a href="http://www.gutenberg.org/ebooks/4352" rel="nofollow noopener"&gt;Laughter: An Essay on the Meaning of the Comic&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Wittgenstein, &lt;em&gt;&lt;a href="https://www.gutenberg.org/files/5740/5740-pdf.pdf" rel="nofollow noopener"&gt;Tractatus Logico-Philosophicus&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;
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  <itunes:keywords>Henri Bergson, introduction to metaphysics, analysis, intuition, duration, durée, reality</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>According to the French philosopher Henri Bergson, there are two ways of knowing the world: through analysis or through intuition. Analysis is our normal mode of apprehension. It involves knowing what's out there through the accumulation and comparison of concepts. Intuition is a direct engagement with the absolute, with the world as it exists before we starting tinkering with it conceptually. Bergson believed that Western metaphysics erred from the get-go when it gave in to the all-too-human urge to take the concepts by which we know things for the things themselves. His entire oeuvre was an attempt to snap us out of that spell and plug us directly into the flow of pure <em>duration</em>, that primordial time that is the <em>real</em> Real. In this episode, JF and Phil discuss the genius -- and possible limitations -- of his metaphysics.</p>

<p><strong>REFERENCES</strong></p>

<p>Henri Bergson, <a href="http://www.reasoned.org/dir/lit/int-meta.pdf" rel="nofollow noopener">"Introduction to Metaphysics"</a><br>
Weird Studies <a href="https://www.weirdstudies.com/13" rel="nofollow noopener">episode 13</a> -- The Obscure: On the Philosophy of Heraclitus<br>
Weird Studies <a href="https://www.weirdstudies.com/16" rel="nofollow noopener">episode 16</a>: On Dogen Zenji's 'Genjokoan'<br>
Bertrand Russel's <a href="https://en.wikisource.org/wiki/The_Philosophy_of_Bergson_(Russell)" rel="nofollow noopener">critique of Bergson's philosophy</a><br>
Dōgen Zenji, <a href="https://www.amazon.com/Shobogenzo-Zen-Essays-Dogen-Eihei/dp/0824814010" rel="nofollow noopener">Shōbōgenzō</a><br>
Wiliam James, <em><a href="https://psychclassics.yorku.ca/James/Principles/" rel="nofollow noopener">Principles of Psychology</a></em><br>
Plato, <em><a href="http://classics.mit.edu/Plato/theatu.html" rel="nofollow noopener">Theaetetus</a></em><br>
Meillassoux, <em><a href="https://www.bloomsbury.com/us/after-finitude-9781441173836/" rel="nofollow noopener">After Finitude: An Essay on the Necessity of Contingency</a></em><br>
<a href="https://en.wikipedia.org/wiki/Aleister_Crowley" rel="nofollow noopener">Aleister Crowley</a>, British occultist<br>
Graham Harman, <a href="https://www.amazon.com/Graham-Harman-Thoughts-Documenta-Gedanken/dp/3775729348" rel="nofollow noopener">"The Third Table"</a><br>
Weird Studies <a href="https://www.weirdstudies.com/8" rel="nofollow noopener">episode 8</a> - On Graham Harman's "The Third Table"<br>
Bergson, <em><a href="http://www.gutenberg.org/ebooks/4352" rel="nofollow noopener">Laughter: An Essay on the Meaning of the Comic</a></em><br>
Wittgenstein, <em><a href="https://www.gutenberg.org/files/5740/5740-pdf.pdf" rel="nofollow noopener">Tractatus Logico-Philosophicus</a></em></p>]]>
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  <itunes:summary>
    <![CDATA[<p>According to the French philosopher Henri Bergson, there are two ways of knowing the world: through analysis or through intuition. Analysis is our normal mode of apprehension. It involves knowing what's out there through the accumulation and comparison of concepts. Intuition is a direct engagement with the absolute, with the world as it exists before we starting tinkering with it conceptually. Bergson believed that Western metaphysics erred from the get-go when it gave in to the all-too-human urge to take the concepts by which we know things for the things themselves. His entire oeuvre was an attempt to snap us out of that spell and plug us directly into the flow of pure <em>duration</em>, that primordial time that is the <em>real</em> Real. In this episode, JF and Phil discuss the genius -- and possible limitations -- of his metaphysics.</p>

<p><strong>REFERENCES</strong></p>

<p>Henri Bergson, <a href="http://www.reasoned.org/dir/lit/int-meta.pdf" rel="nofollow noopener">"Introduction to Metaphysics"</a><br>
Weird Studies <a href="https://www.weirdstudies.com/13" rel="nofollow noopener">episode 13</a> -- The Obscure: On the Philosophy of Heraclitus<br>
Weird Studies <a href="https://www.weirdstudies.com/16" rel="nofollow noopener">episode 16</a>: On Dogen Zenji's 'Genjokoan'<br>
Bertrand Russel's <a href="https://en.wikisource.org/wiki/The_Philosophy_of_Bergson_(Russell)" rel="nofollow noopener">critique of Bergson's philosophy</a><br>
Dōgen Zenji, <a href="https://www.amazon.com/Shobogenzo-Zen-Essays-Dogen-Eihei/dp/0824814010" rel="nofollow noopener">Shōbōgenzō</a><br>
Wiliam James, <em><a href="https://psychclassics.yorku.ca/James/Principles/" rel="nofollow noopener">Principles of Psychology</a></em><br>
Plato, <em><a href="http://classics.mit.edu/Plato/theatu.html" rel="nofollow noopener">Theaetetus</a></em><br>
Meillassoux, <em><a href="https://www.bloomsbury.com/us/after-finitude-9781441173836/" rel="nofollow noopener">After Finitude: An Essay on the Necessity of Contingency</a></em><br>
<a href="https://en.wikipedia.org/wiki/Aleister_Crowley" rel="nofollow noopener">Aleister Crowley</a>, British occultist<br>
Graham Harman, <a href="https://www.amazon.com/Graham-Harman-Thoughts-Documenta-Gedanken/dp/3775729348" rel="nofollow noopener">"The Third Table"</a><br>
Weird Studies <a href="https://www.weirdstudies.com/8" rel="nofollow noopener">episode 8</a> - On Graham Harman's "The Third Table"<br>
Bergson, <em><a href="http://www.gutenberg.org/ebooks/4352" rel="nofollow noopener">Laughter: An Essay on the Meaning of the Comic</a></em><br>
Wittgenstein, <em><a href="https://www.gutenberg.org/files/5740/5740-pdf.pdf" rel="nofollow noopener">Tractatus Logico-Philosophicus</a></em></p>]]>
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