<?xml version="1.0" encoding="UTF-8"?>
<rss version="2.0" encoding="UTF-8" xmlns:dc="http://purl.org/dc/elements/1.1/" xmlns:sy="http://purl.org/rss/1.0/modules/syndication/" xmlns:admin="http://webns.net/mvcb/" xmlns:atom="http://www.w3.org/2005/Atom/" xmlns:rdf="http://www.w3.org/1999/02/22-rdf-syntax-ns#" xmlns:content="http://purl.org/rss/1.0/modules/content/" xmlns:googleplay="http://www.google.com/schemas/play-podcasts/1.0" xmlns:itunes="http://www.itunes.com/dtds/podcast-1.0.dtd" xmlns:fireside="http://fireside.fm/modules/rss/fireside">
  <channel>
    <fireside:hostname>web01.fireside.fm</fireside:hostname>
    <fireside:genDate>Sun, 17 May 2026 02:17:15 -0500</fireside:genDate>
    <generator>Fireside (https://fireside.fm)</generator>
    <title>Weird Studies - Episodes Tagged with “Fiction”</title>
    <link>https://www.weirdstudies.com/tags/fiction</link>
    <pubDate>Wed, 15 Feb 2023 11:30:00 -0500</pubDate>
    <description>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality." 
</description>
    <language>en-us</language>
    <itunes:type>episodic</itunes:type>
    <itunes:subtitle>Art and philosophy at the limits of the thinkable</itunes:subtitle>
    <itunes:author>Phil Ford and J. F. Martel</itunes:author>
    <itunes:summary>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality." 
</itunes:summary>
    <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/e/e38b53e4-e148-4e2d-b301-0b3bb15779ff/cover.jpg?v=1"/>
    <itunes:explicit>yes</itunes:explicit>
    <itunes:keywords>weird, art, philosophy</itunes:keywords>
    <itunes:owner>
      <itunes:name>Phil Ford and J. F. Martel</itunes:name>
      <itunes:email>admin@weirdstudies.com</itunes:email>
    </itunes:owner>
<itunes:category text="Arts"/>
<itunes:category text="Society &amp; Culture">
  <itunes:category text="Philosophy"/>
</itunes:category>
<item>
  <title>Episode 140: That Ain't Plot: On Hayao Miyazaki's 'Spirited Away,' with Meredith Michael</title>
  <link>https://www.weirdstudies.com/140</link>
  <guid isPermaLink="false">8695fc61-ce10-43a9-885d-558542b9451a</guid>
  <pubDate>Wed, 15 Feb 2023 11:30:00 -0500</pubDate>
  <author>Phil Ford and J. F. Martel</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/e38b53e4-e148-4e2d-b301-0b3bb15779ff/8695fc61-ce10-43a9-885d-558542b9451a.mp3" length="77696155" type="audio/mpeg"/>
  <itunes:episode>140</itunes:episode>
  <itunes:title>That Ain't Plot: On Hayao Miyazaki's 'Spirited Away,' with Meredith Michael</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>Meredith joins Phil and JF to discuss the 2001 Studio Ghibli masterpiece.</itunes:subtitle>
  <itunes:duration>1:20:53</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/e/e38b53e4-e148-4e2d-b301-0b3bb15779ff/cover.jpg?v=1"/>
  <description>&lt;p&gt;Hayao Miyazaki's &lt;em&gt;Spirited Away&lt;/em&gt; is one of those rare films that is both super popular and super weird. Rife with cinematic non sequiturs, unforgettable imagery, and moments of horror, it is an outstanding example of a story form that goes all the way back to the myth of Psyche and Eros from Apuleius's &lt;em&gt;Golden Ass&lt;/em&gt;, if not earlier. In this type of story, a girl on the cusp of maturity steps into a magical realm where people and things from waking life reappear, draped in the gossamer of dream and nightmare. Musicologist and WS assistant Meredith Michael joins JF and Phil to discuss a strange jewel of Japanese animated cinema.&lt;/p&gt;

&lt;p&gt;Support us on &lt;a href="https://www.patreon.com/weirdstudies" target="_blank" rel="nofollow noopener"&gt;Patreon&lt;/a&gt; and get early access to Phil Ford's new podcast series on Wagner's &lt;em&gt;Ring Cycle&lt;/em&gt;.&lt;/p&gt;

&lt;p&gt;Sign up for JF's upcoming &lt;a href="https://www.nuralearning.com/weird-macbeth" target="_blank" rel="nofollow noopener"&gt;online course&lt;/a&gt; on Shakespeare's &lt;em&gt;Macbeth&lt;/em&gt; on Nura Learning.&lt;/p&gt;

&lt;p&gt;Listen to &lt;a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1" target="_blank" rel="nofollow noopener"&gt;volume 1&lt;/a&gt; and &lt;a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2" target="_blank" rel="nofollow noopener"&gt;volume 2&lt;/a&gt; of the Weird Studies soundtrack by &lt;a href="https://www.pymartel.com" target="_blank" rel="nofollow noopener"&gt;Pierre-Yves Martel&lt;/a&gt;&lt;br&gt;
Find us on &lt;a href="https://discord.com/invite/Jw22CHfGwp" target="_blank" rel="nofollow noopener"&gt;Discord&lt;/a&gt;&lt;br&gt;
Get the T-shirt design from &lt;a href="https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s" target="_blank" rel="nofollow noopener"&gt;Cotton Bureau&lt;/a&gt;!&lt;br&gt;
Get your Weird Studies &lt;a href="https://www.redbubble.com/people/Weird-Studies/shop?asc=u" target="_blank" rel="nofollow noopener"&gt;merchandise&lt;/a&gt; (t-shirts, coffee mugs, etc.) &lt;br&gt;
Visit the Weird Studies &lt;a href="https://bookshop.org/shop/weirdstudies" target="_blank" rel="nofollow noopener"&gt;Bookshop&lt;/a&gt;&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;REFERENCES&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Hayao Miyazaki, &lt;em&gt;&lt;a href="https://www.imdb.com/title/tt0245429/" target="_blank" rel="nofollow noopener"&gt;Spirited Away&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Kyle Gann, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9780252078873" target="_blank" rel="nofollow noopener"&gt;Robert Ashley&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Robert Ashely, &lt;em&gt;&lt;a href="https://ubu.com/film/ashley_perfect.html" target="_blank" rel="nofollow noopener"&gt;Perfect Lives&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Apuleius, “Psyche and Eros” from &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9780199540556" target="_blank" rel="nofollow noopener"&gt;The Golden Ass&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Henri Bergson, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9780486417677" target="_blank" rel="nofollow noopener"&gt;Time and Free Will&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
&lt;a href="http://kentuckyroutezero.com/" target="_blank" rel="nofollow noopener"&gt;Kentucky Route Zero&lt;/a&gt;, video game &lt;br&gt;
&lt;a href="https://www.zelda.com/breath-of-the-wild/" target="_blank" rel="nofollow noopener"&gt;Legend of Zelda Breath of the Wild&lt;/a&gt;, video game &lt;br&gt;
Jean Sibelius, &lt;a href="https://www.youtube.com/watch?v=EcjvvBbZhn4&amp;amp;ab_channel=hr-Sinfonieorchester%E2%80%93FrankfurtRadioSymphony" target="_blank" rel="nofollow noopener"&gt;5th Symphony&lt;/a&gt; &lt;br&gt;
&lt;a href="https://www.imdb.com/name/nm0000233/" target="_blank" rel="nofollow noopener"&gt;Quentin Tarantino&lt;/a&gt;, film maker &lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Mark_Rothko" target="_blank" rel="nofollow noopener"&gt;Mark Rothko&lt;/a&gt;, American painter &lt;br&gt;
Giles Deleuze, &lt;a href="https://www.kit.ntnu.no/sites/www.kit.ntnu.no/files/what_is_the_creative_act.pdf" target="_blank" rel="nofollow noopener"&gt;“What is the Creative Act?”&lt;/a&gt; &lt;br&gt;
GK Chesterton, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9781952410482" target="_blank" rel="nofollow noopener"&gt;Orthdoxy&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Herman Hesse, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9780553208849" target="_blank" rel="nofollow noopener"&gt;Siddhartha&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Andrew Osmond, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9781838719524" target="_blank" rel="nofollow noopener"&gt;BFI Guide to Spirited Away&lt;/a&gt;&lt;/em&gt; &lt;/p&gt;

&lt;p&gt;Special Guest: Meredith Michael.&lt;/p&gt;
</description>
  <itunes:keywords>spirited away, explanation, meaning, analysis, weird, symbolism</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Hayao Miyazaki&#39;s <em>Spirited Away</em> is one of those rare films that is both super popular and super weird. Rife with cinematic non sequiturs, unforgettable imagery, and moments of horror, it is an outstanding example of a story form that goes all the way back to the myth of Psyche and Eros from Apuleius&#39;s <em>Golden Ass</em>, if not earlier. In this type of story, a girl on the cusp of maturity steps into a magical realm where people and things from waking life reappear, draped in the gossamer of dream and nightmare. Musicologist and WS assistant Meredith Michael joins JF and Phil to discuss a strange jewel of Japanese animated cinema.</p>

<p>Support us on <a href="https://www.patreon.com/weirdstudies" rel="nofollow">Patreon</a> and get early access to Phil Ford&#39;s new podcast series on Wagner&#39;s <em>Ring Cycle</em>.</p>

<p>Sign up for JF&#39;s upcoming <a href="https://www.nuralearning.com/weird-macbeth" rel="nofollow">online course</a> on Shakespeare&#39;s <em>Macbeth</em> on Nura Learning.</p>

<p>Listen to <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1" rel="nofollow">volume 1</a> and <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2" rel="nofollow">volume 2</a> of the Weird Studies soundtrack by <a href="https://www.pymartel.com" rel="nofollow">Pierre-Yves Martel</a><br>
Find us on <a href="https://discord.com/invite/Jw22CHfGwp" rel="nofollow">Discord</a><br>
Get the T-shirt design from <a href="https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s" rel="nofollow">Cotton Bureau</a>!<br>
Get your Weird Studies <a href="https://www.redbubble.com/people/Weird-Studies/shop?asc=u" rel="nofollow">merchandise</a> (t-shirts, coffee mugs, etc.) <br>
Visit the Weird Studies <a href="https://bookshop.org/shop/weirdstudies" rel="nofollow">Bookshop</a></p>

<p><strong>REFERENCES</strong></p>

<p>Hayao Miyazaki, <em><a href="https://www.imdb.com/title/tt0245429/" rel="nofollow">Spirited Away</a></em> <br>
Kyle Gann, <em><a href="https://bookshop.org/a/18799/9780252078873" rel="nofollow">Robert Ashley</a></em><br>
Robert Ashely, <em><a href="https://ubu.com/film/ashley_perfect.html" rel="nofollow">Perfect Lives</a></em> <br>
Apuleius, “Psyche and Eros” from <em><a href="https://bookshop.org/a/18799/9780199540556" rel="nofollow">The Golden Ass</a></em> <br>
Henri Bergson, <em><a href="https://bookshop.org/a/18799/9780486417677" rel="nofollow">Time and Free Will</a></em> <br>
<a href="http://kentuckyroutezero.com/" rel="nofollow">Kentucky Route Zero</a>, video game <br>
<a href="https://www.zelda.com/breath-of-the-wild/" rel="nofollow">Legend of Zelda Breath of the Wild</a>, video game <br>
Jean Sibelius, <a href="https://www.youtube.com/watch?v=EcjvvBbZhn4&ab_channel=hr-Sinfonieorchester%E2%80%93FrankfurtRadioSymphony" rel="nofollow">5th Symphony</a> <br>
<a href="https://www.imdb.com/name/nm0000233/" rel="nofollow">Quentin Tarantino</a>, film maker <br>
<a href="https://en.wikipedia.org/wiki/Mark_Rothko" rel="nofollow">Mark Rothko</a>, American painter <br>
Giles Deleuze, <a href="https://www.kit.ntnu.no/sites/www.kit.ntnu.no/files/what_is_the_creative_act.pdf" rel="nofollow">“What is the Creative Act?”</a> <br>
GK Chesterton, <em><a href="https://bookshop.org/a/18799/9781952410482" rel="nofollow">Orthdoxy</a></em> <br>
Herman Hesse, <em><a href="https://bookshop.org/a/18799/9780553208849" rel="nofollow">Siddhartha</a></em> <br>
Andrew Osmond, <em><a href="https://bookshop.org/a/18799/9781838719524" rel="nofollow">BFI Guide to Spirited Away</a></em> </p><p>Special Guest: Meredith Michael.</p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Hayao Miyazaki&#39;s <em>Spirited Away</em> is one of those rare films that is both super popular and super weird. Rife with cinematic non sequiturs, unforgettable imagery, and moments of horror, it is an outstanding example of a story form that goes all the way back to the myth of Psyche and Eros from Apuleius&#39;s <em>Golden Ass</em>, if not earlier. In this type of story, a girl on the cusp of maturity steps into a magical realm where people and things from waking life reappear, draped in the gossamer of dream and nightmare. Musicologist and WS assistant Meredith Michael joins JF and Phil to discuss a strange jewel of Japanese animated cinema.</p>

<p>Support us on <a href="https://www.patreon.com/weirdstudies" rel="nofollow">Patreon</a> and get early access to Phil Ford&#39;s new podcast series on Wagner&#39;s <em>Ring Cycle</em>.</p>

<p>Sign up for JF&#39;s upcoming <a href="https://www.nuralearning.com/weird-macbeth" rel="nofollow">online course</a> on Shakespeare&#39;s <em>Macbeth</em> on Nura Learning.</p>

<p>Listen to <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1" rel="nofollow">volume 1</a> and <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2" rel="nofollow">volume 2</a> of the Weird Studies soundtrack by <a href="https://www.pymartel.com" rel="nofollow">Pierre-Yves Martel</a><br>
Find us on <a href="https://discord.com/invite/Jw22CHfGwp" rel="nofollow">Discord</a><br>
Get the T-shirt design from <a href="https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s" rel="nofollow">Cotton Bureau</a>!<br>
Get your Weird Studies <a href="https://www.redbubble.com/people/Weird-Studies/shop?asc=u" rel="nofollow">merchandise</a> (t-shirts, coffee mugs, etc.) <br>
Visit the Weird Studies <a href="https://bookshop.org/shop/weirdstudies" rel="nofollow">Bookshop</a></p>

<p><strong>REFERENCES</strong></p>

<p>Hayao Miyazaki, <em><a href="https://www.imdb.com/title/tt0245429/" rel="nofollow">Spirited Away</a></em> <br>
Kyle Gann, <em><a href="https://bookshop.org/a/18799/9780252078873" rel="nofollow">Robert Ashley</a></em><br>
Robert Ashely, <em><a href="https://ubu.com/film/ashley_perfect.html" rel="nofollow">Perfect Lives</a></em> <br>
Apuleius, “Psyche and Eros” from <em><a href="https://bookshop.org/a/18799/9780199540556" rel="nofollow">The Golden Ass</a></em> <br>
Henri Bergson, <em><a href="https://bookshop.org/a/18799/9780486417677" rel="nofollow">Time and Free Will</a></em> <br>
<a href="http://kentuckyroutezero.com/" rel="nofollow">Kentucky Route Zero</a>, video game <br>
<a href="https://www.zelda.com/breath-of-the-wild/" rel="nofollow">Legend of Zelda Breath of the Wild</a>, video game <br>
Jean Sibelius, <a href="https://www.youtube.com/watch?v=EcjvvBbZhn4&ab_channel=hr-Sinfonieorchester%E2%80%93FrankfurtRadioSymphony" rel="nofollow">5th Symphony</a> <br>
<a href="https://www.imdb.com/name/nm0000233/" rel="nofollow">Quentin Tarantino</a>, film maker <br>
<a href="https://en.wikipedia.org/wiki/Mark_Rothko" rel="nofollow">Mark Rothko</a>, American painter <br>
Giles Deleuze, <a href="https://www.kit.ntnu.no/sites/www.kit.ntnu.no/files/what_is_the_creative_act.pdf" rel="nofollow">“What is the Creative Act?”</a> <br>
GK Chesterton, <em><a href="https://bookshop.org/a/18799/9781952410482" rel="nofollow">Orthdoxy</a></em> <br>
Herman Hesse, <em><a href="https://bookshop.org/a/18799/9780553208849" rel="nofollow">Siddhartha</a></em> <br>
Andrew Osmond, <em><a href="https://bookshop.org/a/18799/9781838719524" rel="nofollow">BFI Guide to Spirited Away</a></em> </p><p>Special Guest: Meredith Michael.</p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 86: On E. T. A. Hoffmann's "The Sandman," and Freud's Sequel to It</title>
  <link>https://www.weirdstudies.com/86</link>
  <guid isPermaLink="false">93b0b139-6a6d-47d4-bf00-865bd4a4d19d</guid>
  <pubDate>Wed, 11 Nov 2020 10:30:00 -0500</pubDate>
  <author>Phil Ford and J. F. Martel</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/e38b53e4-e148-4e2d-b301-0b3bb15779ff/93b0b139-6a6d-47d4-bf00-865bd4a4d19d.mp3" length="80202089" type="audio/mpeg"/>
  <itunes:episode>86</itunes:episode>
  <itunes:title>On E. T. A. Hoffmann's "The Sandman," and Freud's Sequel to It</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>Phil and JF discuss E.T.A. Hoffmann's classic tale of weird horror and Sigmund Freud's treatment of it in a famous essay.</itunes:subtitle>
  <itunes:duration>1:23:30</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/e/e38b53e4-e148-4e2d-b301-0b3bb15779ff/cover.jpg?v=1"/>
  <description>&lt;p&gt;The German polymath E. T. A. Hoffmann is one of the founding figures of what we now call weird literature.  In this episode, JF and Phil discuss one of his most memorable tales, "Der Sandmann." Originally published in 1816, it is the story of a young German student whose fate is sealed by a terrifying encounter with the eponymous figure during his youth. The story packs several tropes that would later become staples of the weird: the protean monster, the double, the automaton... Your hosts discuss how Hoffmann uses these tropes without letting any of them coalesce into a stable &lt;em&gt;thing&lt;/em&gt; in the reader's mind, thereby effecting a slowbuild of ambiguity upon ambiguity that culminates in a true paroxysm of dread. The argument is made that Freud does essentially the same thing in his famous essay "The Uncanny," wherein Hoffmann's story plays an important role.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;REFERENCES&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;E. T. A. Hoffmann, &lt;em&gt;&lt;a href="http://art3idea.psu.edu/metalepsis/texts/sandman.pdf" target="_blank" rel="nofollow noopener"&gt;The Sandman&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Horace Walpole, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/The_Castle_of_Otranto" target="_blank" rel="nofollow noopener"&gt;The Castle of Otranto&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Edgar_Allan_Poe" target="_blank" rel="nofollow noopener"&gt;Edgar Allan Poe,&lt;/a&gt; American writer &lt;br&gt;
&lt;a href="https://sunn.southernlord.com/" target="_blank" rel="nofollow noopener"&gt;Sunn o)))&lt;/a&gt;, American metal band&lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/La_Monte_Young" target="_blank" rel="nofollow noopener"&gt;La Monte Young,&lt;/a&gt;, American composer&lt;br&gt;
Stuart Davis, &lt;a href="https://aliensandartists.podbean.com/" target="_blank" rel="nofollow noopener"&gt;Aliens and Artists&lt;/a&gt;&lt;br&gt;
Sigmund Freud, &lt;em&gt;&lt;a href="https://www.amazon.co.uk/Uncanny-Penguin-Modern-Classics/dp/0141182377" target="_blank" rel="nofollow noopener"&gt;The Uncanny&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Neil Gaiman, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/The_Tragical_Comedy_or_Comical_Tragedy_of_Mr._Punch" target="_blank" rel="nofollow noopener"&gt;Mr. Punch&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Jaques Offenbach, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/The_Tales_of_Hoffmann" target="_blank" rel="nofollow noopener"&gt;Tales of Hoffmann&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Frank_Zappa" target="_blank" rel="nofollow noopener"&gt;Frank Zappa&lt;/a&gt;, American musician&lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Ernst_Jentsch" target="_blank" rel="nofollow noopener"&gt;Ernst Jentsch,&lt;/a&gt;, German psychiatrist&lt;br&gt;
E. T. A. Hoffmann, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/The_Life_and_Opinions_of_the_Tomcat_Murr" target="_blank" rel="nofollow noopener"&gt;The Life and Opinions of the Tomcat Murr&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Weird Studies, &lt;a href="https://www.weirdstudies.com/73" target="_blank" rel="nofollow noopener"&gt;episodes 73 and 74 on Carl Jung&lt;/a&gt; &lt;/p&gt;
</description>
  <itunes:keywords>uncanny, automaton, doppelganger, double, analysis, Hoffmann, sandman, Freud</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>The German polymath E. T. A. Hoffmann is one of the founding figures of what we now call weird literature.  In this episode, JF and Phil discuss one of his most memorable tales, &quot;Der Sandmann.&quot; Originally published in 1816, it is the story of a young German student whose fate is sealed by a terrifying encounter with the eponymous figure during his youth. The story packs several tropes that would later become staples of the weird: the protean monster, the double, the automaton... Your hosts discuss how Hoffmann uses these tropes without letting any of them coalesce into a stable <em>thing</em> in the reader&#39;s mind, thereby effecting a slowbuild of ambiguity upon ambiguity that culminates in a true paroxysm of dread. The argument is made that Freud does essentially the same thing in his famous essay &quot;The Uncanny,&quot; wherein Hoffmann&#39;s story plays an important role.</p>

<p><strong>REFERENCES</strong></p>

<p>E. T. A. Hoffmann, <em><a href="http://art3idea.psu.edu/metalepsis/texts/sandman.pdf" rel="nofollow">The Sandman</a></em><br>
Horace Walpole, <em><a href="https://en.wikipedia.org/wiki/The_Castle_of_Otranto" rel="nofollow">The Castle of Otranto</a></em><br>
<a href="https://en.wikipedia.org/wiki/Edgar_Allan_Poe" rel="nofollow">Edgar Allan Poe,</a> American writer <br>
<a href="https://sunn.southernlord.com/" rel="nofollow">Sunn o)))</a>, American metal band<br>
<a href="https://en.wikipedia.org/wiki/La_Monte_Young" rel="nofollow">La Monte Young,</a>, American composer<br>
Stuart Davis, <a href="https://aliensandartists.podbean.com/" rel="nofollow">Aliens and Artists</a><br>
Sigmund Freud, <em><a href="https://www.amazon.co.uk/Uncanny-Penguin-Modern-Classics/dp/0141182377" rel="nofollow">The Uncanny</a></em><br>
Neil Gaiman, <em><a href="https://en.wikipedia.org/wiki/The_Tragical_Comedy_or_Comical_Tragedy_of_Mr._Punch" rel="nofollow">Mr. Punch</a></em><br>
Jaques Offenbach, <em><a href="https://en.wikipedia.org/wiki/The_Tales_of_Hoffmann" rel="nofollow">Tales of Hoffmann</a></em><br>
<a href="https://en.wikipedia.org/wiki/Frank_Zappa" rel="nofollow">Frank Zappa</a>, American musician<br>
<a href="https://en.wikipedia.org/wiki/Ernst_Jentsch" rel="nofollow">Ernst Jentsch,</a>, German psychiatrist<br>
E. T. A. Hoffmann, <em><a href="https://en.wikipedia.org/wiki/The_Life_and_Opinions_of_the_Tomcat_Murr" rel="nofollow">The Life and Opinions of the Tomcat Murr</a></em><br>
Weird Studies, <a href="https://www.weirdstudies.com/73" rel="nofollow">episodes 73 and 74 on Carl Jung</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>The German polymath E. T. A. Hoffmann is one of the founding figures of what we now call weird literature.  In this episode, JF and Phil discuss one of his most memorable tales, &quot;Der Sandmann.&quot; Originally published in 1816, it is the story of a young German student whose fate is sealed by a terrifying encounter with the eponymous figure during his youth. The story packs several tropes that would later become staples of the weird: the protean monster, the double, the automaton... Your hosts discuss how Hoffmann uses these tropes without letting any of them coalesce into a stable <em>thing</em> in the reader&#39;s mind, thereby effecting a slowbuild of ambiguity upon ambiguity that culminates in a true paroxysm of dread. The argument is made that Freud does essentially the same thing in his famous essay &quot;The Uncanny,&quot; wherein Hoffmann&#39;s story plays an important role.</p>

<p><strong>REFERENCES</strong></p>

<p>E. T. A. Hoffmann, <em><a href="http://art3idea.psu.edu/metalepsis/texts/sandman.pdf" rel="nofollow">The Sandman</a></em><br>
Horace Walpole, <em><a href="https://en.wikipedia.org/wiki/The_Castle_of_Otranto" rel="nofollow">The Castle of Otranto</a></em><br>
<a href="https://en.wikipedia.org/wiki/Edgar_Allan_Poe" rel="nofollow">Edgar Allan Poe,</a> American writer <br>
<a href="https://sunn.southernlord.com/" rel="nofollow">Sunn o)))</a>, American metal band<br>
<a href="https://en.wikipedia.org/wiki/La_Monte_Young" rel="nofollow">La Monte Young,</a>, American composer<br>
Stuart Davis, <a href="https://aliensandartists.podbean.com/" rel="nofollow">Aliens and Artists</a><br>
Sigmund Freud, <em><a href="https://www.amazon.co.uk/Uncanny-Penguin-Modern-Classics/dp/0141182377" rel="nofollow">The Uncanny</a></em><br>
Neil Gaiman, <em><a href="https://en.wikipedia.org/wiki/The_Tragical_Comedy_or_Comical_Tragedy_of_Mr._Punch" rel="nofollow">Mr. Punch</a></em><br>
Jaques Offenbach, <em><a href="https://en.wikipedia.org/wiki/The_Tales_of_Hoffmann" rel="nofollow">Tales of Hoffmann</a></em><br>
<a href="https://en.wikipedia.org/wiki/Frank_Zappa" rel="nofollow">Frank Zappa</a>, American musician<br>
<a href="https://en.wikipedia.org/wiki/Ernst_Jentsch" rel="nofollow">Ernst Jentsch,</a>, German psychiatrist<br>
E. T. A. Hoffmann, <em><a href="https://en.wikipedia.org/wiki/The_Life_and_Opinions_of_the_Tomcat_Murr" rel="nofollow">The Life and Opinions of the Tomcat Murr</a></em><br>
Weird Studies, <a href="https://www.weirdstudies.com/73" rel="nofollow">episodes 73 and 74 on Carl Jung</a></p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 81: Gnostic Lit: On M. John Harrison's 'The Course of the Heart'</title>
  <link>https://www.weirdstudies.com/81</link>
  <guid isPermaLink="false">37111d35-e299-4c89-9362-a6e040fc8fa3</guid>
  <pubDate>Wed, 02 Sep 2020 10:30:00 -0400</pubDate>
  <author>Phil Ford and J. F. Martel</author>
  <enclosure url="https://aphid.fireside.fm/d/1437767933/e38b53e4-e148-4e2d-b301-0b3bb15779ff/37111d35-e299-4c89-9362-a6e040fc8fa3.mp3" length="74120817" type="audio/mpeg"/>
  <itunes:episode>81</itunes:episode>
  <itunes:title>Gnostic Lit: On M. John Harrison's 'The Course of the Heart'</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>JF and Phil discuss M. John Harrison's masterpiece of weird fiction.</itunes:subtitle>
  <itunes:duration>1:17:09</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/e/e38b53e4-e148-4e2d-b301-0b3bb15779ff/cover.jpg?v=1"/>
  <description>&lt;p&gt;The British writer M. John Harrison is responsible for some of the most significant incursions of the Weird into the literary imagination of the last several decades. His 1992 novel &lt;em&gt;The Course of the Heart&lt;/em&gt; is a masterful exercise in erasing whatever boundary you care to mention, from the one between reality and mind to the one between love and horror. Recounting the lives of three friends as they play out the fateful aftermath of a magical operation that went horribly wrong, Harrison's novel gives Phil and JF the chance to talk contemporary literature, metaphysics, Gnosticism, zones (see episodes 13 &amp;amp; 14), myth, transcendence, history, and arachnology. Together, they weave a fragile web of ideas centered on that imperceptible &lt;em&gt;something&lt;/em&gt; that forever trembles at the edge of our perception, beckoning us to step into its world, and out of ours.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;REFERENCES&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;M. John Harrison, &lt;em&gt;&lt;a href="https://www.goodreads.com/book/show/17742.The_Course_of_the_Heart" target="_blank" rel="nofollow noopener"&gt;The Course of the Heart&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
M. John Harrison, "The Great God Pan"&lt;br&gt;
Arthur Machen, &lt;em&gt;&lt;a href="http://www.gutenberg.org/ebooks/389" target="_blank" rel="nofollow noopener"&gt;The Great God Pan&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Philip K. Dick, &lt;em&gt;&lt;a href="https://www.amazon.com/Ubik-Philip-K-Dick/dp/0547572298" target="_blank" rel="nofollow noopener"&gt;Ubik&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Philip K. Dick, &lt;em&gt;&lt;a href="https://www.amazon.com/Three-Stigmata-Palmer-Eldritch/dp/0547572557" target="_blank" rel="nofollow noopener"&gt;The Three Stigmata of Palmer Eldritch&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Weird Studies, &lt;em&gt;&lt;a href="https://www.weirdstudies.com/14" target="_blank" rel="nofollow noopener"&gt;Episode 14 on Stalker&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
&lt;a href="https://jonathancarroll.com/" target="_blank" rel="nofollow noopener"&gt;Jonathan Carrol&lt;/a&gt;, American novelist &lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Robert_Aickman" target="_blank" rel="nofollow noopener"&gt;Robert Aickman&lt;/a&gt;, British writer &lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Magic_realism" target="_blank" rel="nofollow noopener"&gt;Magic Realism&lt;/a&gt;, literary genre &lt;br&gt;
Phil Ford, “An Essay on Fortuna, parts 1 and 2,” &lt;a href="https://www.patreon.com/weirdstudies" target="_blank" rel="nofollow noopener"&gt;Weird Studies Patreon&lt;/a&gt;&lt;br&gt;
John Crowley, &lt;em&gt;&lt;a href="http://johncrowleyauthor.com/magic-and-history/" target="_blank" rel="nofollow noopener"&gt;Ægypt&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Jorge Borges," &lt;a href="https://en.wikipedia.org/wiki/The_Approach_to_Al-Mu'tasim" target="_blank" rel="nofollow noopener"&gt;The Approach to Al-Mu'tasim&lt;/a&gt;"&lt;br&gt;
&lt;em&gt;Strange Horizons&lt;/em&gt;, &lt;a href="http://strangehorizons.com/non-fiction/articles/interview-m-john-harrison/" target="_blank" rel="nofollow noopener"&gt;Interview with M. John Harrison&lt;/a&gt;&lt;br&gt;
&lt;a href="http://web.archive.org/web/20080410181840/http://uzwi.wordpress.com/2007/01/27/very-afraid/" target="_blank" rel="nofollow noopener"&gt;M. John Harrison on worldbuilding&lt;/a&gt;&lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Thomas_Ligotti" target="_blank" rel="nofollow noopener"&gt;Thomas Ligotti,&lt;/a&gt;  American horror writer &lt;br&gt;
&lt;em&gt;&lt;a href="https://www.reddit.com/r/WeirdStudies/comments/i8h0yk/weird_studies_synchronicity_engine/" target="_blank" rel="nofollow noopener"&gt;Weird Studies subreddit&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Albert_Camus" target="_blank" rel="nofollow noopener"&gt;Albert Camus&lt;/a&gt;, French philosopher&lt;br&gt;
David Abram, &lt;em&gt;&lt;a href="https://www.penguinrandomhouse.com/books/319/the-spell-of-the-sensuous-by-david-abram/" target="_blank" rel="nofollow noopener"&gt;The Spell of the Sensuous&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
&lt;em&gt;&lt;a href="https://www.quantamagazine.org/the-thoughts-of-a-spiderweb-20170523/" target="_blank" rel="nofollow noopener"&gt;Spiders’ nervous systems&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Valentinus_(Gnostic)" target="_blank" rel="nofollow noopener"&gt;Valentinus&lt;/a&gt;, gnostic theologian&lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Simon_Magus" target="_blank" rel="nofollow noopener"&gt;Simon Magus&lt;/a&gt;, religious figure&lt;br&gt;
&lt;a href="https://wiccaliving.com/wiccan-goddess-god/" target="_blank" rel="nofollow noopener"&gt;Wiccan goddess and god&lt;/a&gt;&lt;br&gt;
Bruno Schulz, &lt;em&gt;&lt;a href="https://www.amazon.com/Street-Crocodiles-Classic-20th-Century-Penguin/dp/0140186255" target="_blank" rel="nofollow noopener"&gt;The Street of Crocodiles&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Weird Studies, &lt;a href="https://www.weirdstudies.com/37" target="_blank" rel="nofollow noopener"&gt;Episode 37 with Stuart Davis&lt;/a&gt; &lt;/p&gt;
</description>
  <itunes:keywords>M. John Harrison, The Course of the Heart, magic realism, Pan, gnosticism, synchronicity, meaning, zone</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>The British writer M. John Harrison is responsible for some of the most significant incursions of the Weird into the literary imagination of the last several decades. His 1992 novel <em>The Course of the Heart</em> is a masterful exercise in erasing whatever boundary you care to mention, from the one between reality and mind to the one between love and horror. Recounting the lives of three friends as they play out the fateful aftermath of a magical operation that went horribly wrong, Harrison&#39;s novel gives Phil and JF the chance to talk contemporary literature, metaphysics, Gnosticism, zones (see episodes 13 &amp; 14), myth, transcendence, history, and arachnology. Together, they weave a fragile web of ideas centered on that imperceptible <em>something</em> that forever trembles at the edge of our perception, beckoning us to step into its world, and out of ours.</p>

<p><strong>REFERENCES</strong></p>

<p>M. John Harrison, <em><a href="https://www.goodreads.com/book/show/17742.The_Course_of_the_Heart" rel="nofollow">The Course of the Heart</a></em><br>
M. John Harrison, &quot;The Great God Pan&quot;<br>
Arthur Machen, <em><a href="http://www.gutenberg.org/ebooks/389" rel="nofollow">The Great God Pan</a></em><br>
Philip K. Dick, <em><a href="https://www.amazon.com/Ubik-Philip-K-Dick/dp/0547572298" rel="nofollow">Ubik</a></em><br>
Philip K. Dick, <em><a href="https://www.amazon.com/Three-Stigmata-Palmer-Eldritch/dp/0547572557" rel="nofollow">The Three Stigmata of Palmer Eldritch</a></em><br>
Weird Studies, <em><a href="https://www.weirdstudies.com/14" rel="nofollow">Episode 14 on Stalker</a></em><br>
<a href="https://jonathancarroll.com/" rel="nofollow">Jonathan Carrol</a>, American novelist <br>
<a href="https://en.wikipedia.org/wiki/Robert_Aickman" rel="nofollow">Robert Aickman</a>, British writer <br>
<a href="https://en.wikipedia.org/wiki/Magic_realism" rel="nofollow">Magic Realism</a>, literary genre <br>
Phil Ford, “An Essay on Fortuna, parts 1 and 2,” <a href="https://www.patreon.com/weirdstudies" rel="nofollow">Weird Studies Patreon</a><br>
John Crowley, <em><a href="http://johncrowleyauthor.com/magic-and-history/" rel="nofollow">Ægypt</a></em><br>
Jorge Borges,&quot; <a href="https://en.wikipedia.org/wiki/The_Approach_to_Al-Mu&#x27;tasim" rel="nofollow">The Approach to Al-Mu&#39;tasim</a>&quot;<br>
<em>Strange Horizons</em>, <a href="http://strangehorizons.com/non-fiction/articles/interview-m-john-harrison/" rel="nofollow">Interview with M. John Harrison</a><br>
<a href="http://web.archive.org/web/20080410181840/http://uzwi.wordpress.com/2007/01/27/very-afraid/" rel="nofollow">M. John Harrison on worldbuilding</a><br>
<a href="https://en.wikipedia.org/wiki/Thomas_Ligotti" rel="nofollow">Thomas Ligotti,</a>  American horror writer <br>
<em><a href="https://www.reddit.com/r/WeirdStudies/comments/i8h0yk/weird_studies_synchronicity_engine/" rel="nofollow">Weird Studies subreddit</a></em><br>
<a href="https://en.wikipedia.org/wiki/Albert_Camus" rel="nofollow">Albert Camus</a>, French philosopher<br>
David Abram, <em><a href="https://www.penguinrandomhouse.com/books/319/the-spell-of-the-sensuous-by-david-abram/" rel="nofollow">The Spell of the Sensuous</a></em><br>
<em><a href="https://www.quantamagazine.org/the-thoughts-of-a-spiderweb-20170523/" rel="nofollow">Spiders’ nervous systems</a></em><br>
<a href="https://en.wikipedia.org/wiki/Valentinus_(Gnostic)" rel="nofollow">Valentinus</a>, gnostic theologian<br>
<a href="https://en.wikipedia.org/wiki/Simon_Magus" rel="nofollow">Simon Magus</a>, religious figure<br>
<a href="https://wiccaliving.com/wiccan-goddess-god/" rel="nofollow">Wiccan goddess and god</a><br>
Bruno Schulz, <em><a href="https://www.amazon.com/Street-Crocodiles-Classic-20th-Century-Penguin/dp/0140186255" rel="nofollow">The Street of Crocodiles</a></em><br>
Weird Studies, <a href="https://www.weirdstudies.com/37" rel="nofollow">Episode 37 with Stuart Davis</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>The British writer M. John Harrison is responsible for some of the most significant incursions of the Weird into the literary imagination of the last several decades. His 1992 novel <em>The Course of the Heart</em> is a masterful exercise in erasing whatever boundary you care to mention, from the one between reality and mind to the one between love and horror. Recounting the lives of three friends as they play out the fateful aftermath of a magical operation that went horribly wrong, Harrison&#39;s novel gives Phil and JF the chance to talk contemporary literature, metaphysics, Gnosticism, zones (see episodes 13 &amp; 14), myth, transcendence, history, and arachnology. Together, they weave a fragile web of ideas centered on that imperceptible <em>something</em> that forever trembles at the edge of our perception, beckoning us to step into its world, and out of ours.</p>

<p><strong>REFERENCES</strong></p>

<p>M. John Harrison, <em><a href="https://www.goodreads.com/book/show/17742.The_Course_of_the_Heart" rel="nofollow">The Course of the Heart</a></em><br>
M. John Harrison, &quot;The Great God Pan&quot;<br>
Arthur Machen, <em><a href="http://www.gutenberg.org/ebooks/389" rel="nofollow">The Great God Pan</a></em><br>
Philip K. Dick, <em><a href="https://www.amazon.com/Ubik-Philip-K-Dick/dp/0547572298" rel="nofollow">Ubik</a></em><br>
Philip K. Dick, <em><a href="https://www.amazon.com/Three-Stigmata-Palmer-Eldritch/dp/0547572557" rel="nofollow">The Three Stigmata of Palmer Eldritch</a></em><br>
Weird Studies, <em><a href="https://www.weirdstudies.com/14" rel="nofollow">Episode 14 on Stalker</a></em><br>
<a href="https://jonathancarroll.com/" rel="nofollow">Jonathan Carrol</a>, American novelist <br>
<a href="https://en.wikipedia.org/wiki/Robert_Aickman" rel="nofollow">Robert Aickman</a>, British writer <br>
<a href="https://en.wikipedia.org/wiki/Magic_realism" rel="nofollow">Magic Realism</a>, literary genre <br>
Phil Ford, “An Essay on Fortuna, parts 1 and 2,” <a href="https://www.patreon.com/weirdstudies" rel="nofollow">Weird Studies Patreon</a><br>
John Crowley, <em><a href="http://johncrowleyauthor.com/magic-and-history/" rel="nofollow">Ægypt</a></em><br>
Jorge Borges,&quot; <a href="https://en.wikipedia.org/wiki/The_Approach_to_Al-Mu&#x27;tasim" rel="nofollow">The Approach to Al-Mu&#39;tasim</a>&quot;<br>
<em>Strange Horizons</em>, <a href="http://strangehorizons.com/non-fiction/articles/interview-m-john-harrison/" rel="nofollow">Interview with M. John Harrison</a><br>
<a href="http://web.archive.org/web/20080410181840/http://uzwi.wordpress.com/2007/01/27/very-afraid/" rel="nofollow">M. John Harrison on worldbuilding</a><br>
<a href="https://en.wikipedia.org/wiki/Thomas_Ligotti" rel="nofollow">Thomas Ligotti,</a>  American horror writer <br>
<em><a href="https://www.reddit.com/r/WeirdStudies/comments/i8h0yk/weird_studies_synchronicity_engine/" rel="nofollow">Weird Studies subreddit</a></em><br>
<a href="https://en.wikipedia.org/wiki/Albert_Camus" rel="nofollow">Albert Camus</a>, French philosopher<br>
David Abram, <em><a href="https://www.penguinrandomhouse.com/books/319/the-spell-of-the-sensuous-by-david-abram/" rel="nofollow">The Spell of the Sensuous</a></em><br>
<em><a href="https://www.quantamagazine.org/the-thoughts-of-a-spiderweb-20170523/" rel="nofollow">Spiders’ nervous systems</a></em><br>
<a href="https://en.wikipedia.org/wiki/Valentinus_(Gnostic)" rel="nofollow">Valentinus</a>, gnostic theologian<br>
<a href="https://en.wikipedia.org/wiki/Simon_Magus" rel="nofollow">Simon Magus</a>, religious figure<br>
<a href="https://wiccaliving.com/wiccan-goddess-god/" rel="nofollow">Wiccan goddess and god</a><br>
Bruno Schulz, <em><a href="https://www.amazon.com/Street-Crocodiles-Classic-20th-Century-Penguin/dp/0140186255" rel="nofollow">The Street of Crocodiles</a></em><br>
Weird Studies, <a href="https://www.weirdstudies.com/37" rel="nofollow">Episode 37 with Stuart Davis</a></p>]]>
  </itunes:summary>
</item>
  </channel>
</rss>
