Weird Studies - Episodes Tagged with “Dreams”

Episode 121: Dream Theater: On 'Mandy' and 'The Band Wagon'

Phil Ford and J. F. Martel — Wed, 27 Apr 2022 10:00:00 -0400

In this episode, each of your hosts bullies the other into watching a movie he would normally not touch with a bargepole. Phil has been (unsuccessfully) trying to get JF to watch Vincente Minnelli's 1953 musical comedy The Band Wagon and JF has been (also unsuccessfully) trying to get Phil to watch Panos Cosmatos's 2018 psychedelic horror film Mandy. For this episode, they decided they would compromise and watch both. What started as a goof ended up a fascinating Glass Bead Game from which emerge occulted correspondences between films that, on the surface, could not be more dissimilar. One film is a dream of song and dance, the other a dream of blood and violence. Either way, though, watch out: as Deleuze says, "beware of the dreams of others, because if you are caught in their dream, you are done for."

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SHOW NOTES

Iluminated Brew Works, Chicago
JF's new course, [Groundwork for a Philosophy of Magic](www.nuralearning.com)

Vincente Minnelli (dir.), The Bandwagon
Panos Cosmatos (dir.), Mandy
Weird Studies, Episode 73 on Carl Jung
Norman Jewison (dir.), Moonstruck
David Thompson, The New Biographical Dictionary of Film
Gilles Deleuze, Cinema 1: The Movement Image) and Cinema 2: The Time Image
Henri Bergson, “The Cinematographical Mechanism of Thought and the Mechanistic Illusion”, from Creative Evolution
Terry Gilliam (dir.), The Fisher King
Claudia Gorbman, Unheard Melodies: Narrative Film Music
Raymond Knapp, The American Musical and the Performance of Personal Identity
Richard Dyer, “Entertainment and Utopia” in Only Entertainment
Gilles Deleuze, “What is the Creative Act”

Episode 68: On James Hillman's 'The Dream and the Underworld'

Phil Ford and J. F. Martel — Wed, 18 Mar 2020 16:00:00 -0400

In 1979, the American psychologist James Hillman published The Dream and the Underworld, a polemical meditation on the nature of dreams. Rejecting the orthodoxies of both Freud and Jung, Hillman argued that the the "nightworld" of dream should not play second fiddle to the "dayworld" of waking life, because in the soul as on earth, day and night are equally essential, and equally real. To reduce a dream to a message or interpretation is to fail the dream. In order for dreams to do their work on us, says Hillman, we must cease to regard them as hallucinations, mere metaphors, epiphenomena, or illusions, and instead see them as the imaginal other life we all must live. Every night, for Hillman, each of us descends into the underworld to encounter those forces that shape us and our surroundings. The way down is the way up.

REFERENCES

James Hillman, The Dream and the Underworld
T. S. Eliot, "The Hollow Men"
Walter Pater, The Renaissance: Studies in Art and Poetry
George Steiner, Real Presences
Hakim Bey, Orgies of the Hemp Eaters: Cuisine, Slang, Literature and Ritual of Cannabis Culture
Erik Davis, High Strangeness: Drugs, Esoterica, and Visionary Experience in the Seventies
Brad Warner on drugs and Buddhism
Aldous Huxley, The Doors of Perception
Jonathan Crary, 24/7: Late Capitalism and the Ends of Sleep
Christopher Nolan (dir.), Inception
Jorge Luis Borges, "Nightmares" in Seven Nights
Henri Bergson, Dreams

Episode 34: The Weird Realism of Robert Aickman

Phil Ford and J. F. Martel — Wed, 21 Nov 2018 10:00:00 -0500

Although he is one of the luminaries of the weird tale, Robert Aickman referred to his irreal, macabre short works as strange stories. Born in London in 1914, Aickman wrote less than fifty such stories before his death in 1981. JF and Phil focus on one of his most chilling, "The Hospice," from the collection Cold Hand in Mine, published in 1975. In it, Aickman uses a staple ingredient of the classic ghost story -- a man is stranded on a country road at night, lost and out of petrol -- to concoct an unforgettable blend of fantasy and nightmare, reality and dream. Indeed, Phil and JF argue that Aickman deserves a place alongside David Lynch and a few others as one of those rare fabulists who can adeptly disclose how reality is more dreamlike, and dreams more real, than most of us would care to admit.

Header Image: Detail from photo by Ivars Indāns (Wikimedia Commons)

REFERENCES

Robert Aickman, "The Hospice" from Cold Hand in Mine
Dante Aligheri, The Divine Comedy: The Inferno
David Lynch, Twin Peaks: The Return
David Hume, An Enquiry Concerning Human Understanding
Weird Studies, Episode 22: Divining the World with Joshua Ramey
Norman Mailer, An American Dream

Episode 30: On Stanley Kubrick's 'Eyes Wide Shut'

Phil Ford and J. F. Martel — Sun, 14 Oct 2018 11:00:00 -0400

No dream is ever just a dream. Or so Tom Cruises tells Nicole Kidman at the end of Eyes Wide Shut. In this episode, Phil and JF expound some of the key themes of Kubrick's film, a masterpiece of cinematic chamber music that demonstrates, with painstaking attention to detail, Zen Master Dōgen's utterance that when one side of the world is illuminated, the other side is dark. Treading a winding path between wakefulness and dream, love and sex, life and art, your paranoid hosts make boldly for that secret spot where the rainbow ends, and the masks come off.

REFERENCES

Arthur Schnitzler, Dream Story (Traumnovelle) -- Source of the EWS screenplay, sadly overlooked in the episode but well worth a read.
Frederic Raphael, Eyes Wide Open: A Memoir of Stanley Kubrick
Bathysphere
Frank L. Baum, The Wonderful Wizard of Oz
David Icke's "reptilian" theory of the British Royal Family
Thomas A. Nelson, Kubrick: Inside a Film Artist's Maze
Screenshot of newspaper article from Eyes Wide Shut
Rodney Ascher, Room 237
James Hillman, Pan and the Nightmare
Gustave Moreau, L'Apparition
Mario Praz, The Romantic Agony
William S. Burroughs, “On Coincidence,” in The Adding Machine
J.F. Martel, "The Kubrick Gaze"

Episode 13: The Obscure: On the Philosophy of Heraclitus

Phil Ford and J. F. Martel — Wed, 09 May 2018 10:00:00 -0400

Heraclitus of Ephesus was one of the great pre-Socratic thinkers. Called the Obscure and the Weeping Philosopher, he left behind a collection of fragments so mysterious and pregnant with meaning that they continue to puzzle scholars to this day. In this episode, Phil and JF use a random number generator to select a number of fragments and speculate about their content. By the end, they will also have disclosed the bizarre contents of JF's tenth-grade "hippie bag," outed Oscar Wilde as a Zen Buddhist, and taken a walking tour of a city that exists only in Phil's dreams.

REFERENCES

Pierre Hadot, What is Ancient Philosophy?
Northrop Frye, The Great Code
Northrop Frye, Words with Power
I Ching: The Book of Changes
Oxford World Classics, The First Philosophers: The Presocratics and Sophists
Wikisource page for Heraclitus
James Hillman, The Dream and the Underworld
Dogen Zenji, Genjokoan
Mark Johnson, The Meaning of the Body
Gilles Deleuze on Spinoza
Benedict de Spinoza, Ethics
Oscar Wilde, The Picture of Dorian Grey
Friedrich Nietzsche, Twilight of the Idols
Neil Gaiman, Seasons of Mist (the fourth arc of the Sandman series)
Deleuze on Dreams