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    <title>Weird Studies - Episodes Tagged with “David Lynch”</title>
    <link>https://www.weirdstudies.com/tags/david%20lynch</link>
    <pubDate>Wed, 30 Sep 2020 10:15:00 -0400</pubDate>
    <description>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality."</description>
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    <itunes:subtitle>Art and philosophy at the limits of the thinkable</itunes:subtitle>
    <itunes:author>Phil Ford and J. F. Martel</itunes:author>
    <itunes:summary>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality."</itunes:summary>
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  <title>Episode 83: On David Lynch's  'Lost Highway'</title>
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  <pubDate>Wed, 30 Sep 2020 10:15:00 -0400</pubDate>
  <author>Phil Ford and J. F. Martel</author>
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  <itunes:episode>83</itunes:episode>
  <itunes:title>On David Lynch's  'Lost Highway'</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>JF and Phil take a joy ride into the dark heart David Lynch's surreal 1997 film.</itunes:subtitle>
  <itunes:duration>1:18:27</itunes:duration>
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  <description>&lt;p&gt;David Lynch's &lt;em&gt;Lost Highway&lt;/em&gt; was released in 1997, five years after &lt;em&gt;Twin Peaks: Fire Walk With Me&lt;/em&gt; elicited a fusillade of boos and hisses at Cannes. The &lt;em&gt;Twin Peaks&lt;/em&gt; prequel's poor reception allegedly sent its American auteur spiralling into something of an existential crisis, and &lt;em&gt;Lost Highway&lt;/em&gt; has often been interpreted as a response to -- or result of -- that crisis. Certainly, the film is among Lynch's darkest, boldest, and most enigmatic. But of course, we do the film an injustice by reducing it to the psychological state of its director. Indeed, one of the contentions of this episode is that &lt;em&gt;all&lt;/em&gt; artistic interpretation constitutes a kind of injustice. But as you will hear, that doesn't stop Phil and JF from interpreting the hell out of the film. Just or unjust, fair or unfair, interpretation may well be necessary in aesthetic matters. It may be the means by which we grow through the experience of art, the way by which art makes us something new, strange, and other. Perhaps the trick is to remember that no mode of interpretation is, to borrow Freud's phrase, the one and only &lt;em&gt;via regia&lt;/em&gt;, but that every one is just another highway at night...&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;REFERENCES&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;David Lynch (dir.), &lt;em&gt;&lt;a href="https://www.imdb.com/title/tt0116922/" rel="nofollow noopener"&gt;Lost Highway&lt;/a&gt;&lt;/em&gt;&lt;/p&gt;

&lt;p&gt;Alfred Hitchcock (dir.), &lt;em&gt;&lt;a href="https://www.imdb.com/title/tt0052357/" rel="nofollow noopener"&gt;Vertigo&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Arnold Schoenberg, &lt;a href="https://www.youtube.com/watch?v=VeTFxbsVGrI" rel="nofollow noopener"&gt;Three Keyboard Pieces, op. 11&lt;/a&gt;&lt;br&gt;
James Joyce, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/Finnegans_Wake" rel="nofollow noopener"&gt;Finnegan’s Wake&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Weird Studies, &lt;a href="https://www.weirdstudies.com/81" rel="nofollow noopener"&gt;Episode 81 on The Course of the Heart&lt;/a&gt;&lt;br&gt;
&lt;a href="https://plato.stanford.edu/entries/lacan/" rel="nofollow noopener"&gt;Jacques Lacan,&lt;/a&gt; French psychoanalyst&lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Slavoj_%C5%BDi%C5%BEek" rel="nofollow noopener"&gt;Slavoj Žižek,&lt;/a&gt; Slovenian philosopher&lt;br&gt;
Arnold Schoenberg, &lt;em&gt;&lt;a href="https://www.youtube.com/watch?v=vQVkbKULKpI" rel="nofollow noopener"&gt;Pierrot Lunaire&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
&lt;em&gt;&lt;a href="https://www.imdb.com/title/tt0010323/" rel="nofollow noopener"&gt;Cabinet of Dr. Caligari&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
David Foster Wallace, "David Lynch Keeps his Head" in &lt;em&gt;&lt;a href="https://www.amazon.com/Supposedly-Fun-Thing-Never-Again/dp/0316925284" rel="nofollow noopener"&gt;A Supposedly Fun Thing I'll Never do Again&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Leonard Bernstein, &lt;em&gt;&lt;a href="https://www.westsidestory.com/" rel="nofollow noopener"&gt;West Side Story&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Patreon audio extra on Penderecki's &lt;a href="https://www.patreon.com/posts/threnody-36382598" rel="nofollow noopener"&gt;"Threnody"&lt;/a&gt; &lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Trent_Reznor" rel="nofollow noopener"&gt;Trent Reznor,&lt;/a&gt; American musician &lt;br&gt;
David Bowie, &lt;a href="https://www.youtube.com/watch?v=aepBpZ3kXek" rel="nofollow noopener"&gt;"Deranged"&lt;/a&gt;&lt;br&gt;
Brian Eno and Peter Schmidt, &lt;a href="https://en.wikipedia.org/wiki/Oblique_Strategies" rel="nofollow noopener"&gt;"Oblique Strategies"&lt;/a&gt;&lt;br&gt;
Tim Powers, &lt;em&gt;&lt;a href="https://www.amazon.com/Last-Call-Novel-Fault-Lines/dp/0062233270" rel="nofollow noopener"&gt;Last Call&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Manuel_DeLanda" rel="nofollow noopener"&gt;Manuel DeLanda,&lt;/a&gt; Mexican-American philosopher  &lt;/p&gt;
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  <itunes:keywords>psychology, identity, form, art, significance</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>David Lynch's <em>Lost Highway</em> was released in 1997, five years after <em>Twin Peaks: Fire Walk With Me</em> elicited a fusillade of boos and hisses at Cannes. The <em>Twin Peaks</em> prequel's poor reception allegedly sent its American auteur spiralling into something of an existential crisis, and <em>Lost Highway</em> has often been interpreted as a response to -- or result of -- that crisis. Certainly, the film is among Lynch's darkest, boldest, and most enigmatic. But of course, we do the film an injustice by reducing it to the psychological state of its director. Indeed, one of the contentions of this episode is that <em>all</em> artistic interpretation constitutes a kind of injustice. But as you will hear, that doesn't stop Phil and JF from interpreting the hell out of the film. Just or unjust, fair or unfair, interpretation may well be necessary in aesthetic matters. It may be the means by which we grow through the experience of art, the way by which art makes us something new, strange, and other. Perhaps the trick is to remember that no mode of interpretation is, to borrow Freud's phrase, the one and only <em>via regia</em>, but that every one is just another highway at night...</p>

<p><strong>REFERENCES</strong></p>

<p>David Lynch (dir.), <em><a href="https://www.imdb.com/title/tt0116922/" rel="nofollow noopener">Lost Highway</a></em></p>

<p>Alfred Hitchcock (dir.), <em><a href="https://www.imdb.com/title/tt0052357/" rel="nofollow noopener">Vertigo</a></em><br>
Arnold Schoenberg, <a href="https://www.youtube.com/watch?v=VeTFxbsVGrI" rel="nofollow noopener">Three Keyboard Pieces, op. 11</a><br>
James Joyce, <em><a href="https://en.wikipedia.org/wiki/Finnegans_Wake" rel="nofollow noopener">Finnegan’s Wake</a></em><br>
Weird Studies, <a href="https://www.weirdstudies.com/81" rel="nofollow noopener">Episode 81 on The Course of the Heart</a><br>
<a href="https://plato.stanford.edu/entries/lacan/" rel="nofollow noopener">Jacques Lacan,</a> French psychoanalyst<br>
<a href="https://en.wikipedia.org/wiki/Slavoj_%C5%BDi%C5%BEek" rel="nofollow noopener">Slavoj Žižek,</a> Slovenian philosopher<br>
Arnold Schoenberg, <em><a href="https://www.youtube.com/watch?v=vQVkbKULKpI" rel="nofollow noopener">Pierrot Lunaire</a></em><br>
<em><a href="https://www.imdb.com/title/tt0010323/" rel="nofollow noopener">Cabinet of Dr. Caligari</a></em><br>
David Foster Wallace, "David Lynch Keeps his Head" in <em><a href="https://www.amazon.com/Supposedly-Fun-Thing-Never-Again/dp/0316925284" rel="nofollow noopener">A Supposedly Fun Thing I'll Never do Again</a></em><br>
Leonard Bernstein, <em><a href="https://www.westsidestory.com/" rel="nofollow noopener">West Side Story</a></em><br>
Patreon audio extra on Penderecki's <a href="https://www.patreon.com/posts/threnody-36382598" rel="nofollow noopener">"Threnody"</a> <br>
<a href="https://en.wikipedia.org/wiki/Trent_Reznor" rel="nofollow noopener">Trent Reznor,</a> American musician <br>
David Bowie, <a href="https://www.youtube.com/watch?v=aepBpZ3kXek" rel="nofollow noopener">"Deranged"</a><br>
Brian Eno and Peter Schmidt, <a href="https://en.wikipedia.org/wiki/Oblique_Strategies" rel="nofollow noopener">"Oblique Strategies"</a><br>
Tim Powers, <em><a href="https://www.amazon.com/Last-Call-Novel-Fault-Lines/dp/0062233270" rel="nofollow noopener">Last Call</a></em><br>
<a href="https://en.wikipedia.org/wiki/Manuel_DeLanda" rel="nofollow noopener">Manuel DeLanda,</a> Mexican-American philosopher </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>David Lynch's <em>Lost Highway</em> was released in 1997, five years after <em>Twin Peaks: Fire Walk With Me</em> elicited a fusillade of boos and hisses at Cannes. The <em>Twin Peaks</em> prequel's poor reception allegedly sent its American auteur spiralling into something of an existential crisis, and <em>Lost Highway</em> has often been interpreted as a response to -- or result of -- that crisis. Certainly, the film is among Lynch's darkest, boldest, and most enigmatic. But of course, we do the film an injustice by reducing it to the psychological state of its director. Indeed, one of the contentions of this episode is that <em>all</em> artistic interpretation constitutes a kind of injustice. But as you will hear, that doesn't stop Phil and JF from interpreting the hell out of the film. Just or unjust, fair or unfair, interpretation may well be necessary in aesthetic matters. It may be the means by which we grow through the experience of art, the way by which art makes us something new, strange, and other. Perhaps the trick is to remember that no mode of interpretation is, to borrow Freud's phrase, the one and only <em>via regia</em>, but that every one is just another highway at night...</p>

<p><strong>REFERENCES</strong></p>

<p>David Lynch (dir.), <em><a href="https://www.imdb.com/title/tt0116922/" rel="nofollow noopener">Lost Highway</a></em></p>

<p>Alfred Hitchcock (dir.), <em><a href="https://www.imdb.com/title/tt0052357/" rel="nofollow noopener">Vertigo</a></em><br>
Arnold Schoenberg, <a href="https://www.youtube.com/watch?v=VeTFxbsVGrI" rel="nofollow noopener">Three Keyboard Pieces, op. 11</a><br>
James Joyce, <em><a href="https://en.wikipedia.org/wiki/Finnegans_Wake" rel="nofollow noopener">Finnegan’s Wake</a></em><br>
Weird Studies, <a href="https://www.weirdstudies.com/81" rel="nofollow noopener">Episode 81 on The Course of the Heart</a><br>
<a href="https://plato.stanford.edu/entries/lacan/" rel="nofollow noopener">Jacques Lacan,</a> French psychoanalyst<br>
<a href="https://en.wikipedia.org/wiki/Slavoj_%C5%BDi%C5%BEek" rel="nofollow noopener">Slavoj Žižek,</a> Slovenian philosopher<br>
Arnold Schoenberg, <em><a href="https://www.youtube.com/watch?v=vQVkbKULKpI" rel="nofollow noopener">Pierrot Lunaire</a></em><br>
<em><a href="https://www.imdb.com/title/tt0010323/" rel="nofollow noopener">Cabinet of Dr. Caligari</a></em><br>
David Foster Wallace, "David Lynch Keeps his Head" in <em><a href="https://www.amazon.com/Supposedly-Fun-Thing-Never-Again/dp/0316925284" rel="nofollow noopener">A Supposedly Fun Thing I'll Never do Again</a></em><br>
Leonard Bernstein, <em><a href="https://www.westsidestory.com/" rel="nofollow noopener">West Side Story</a></em><br>
Patreon audio extra on Penderecki's <a href="https://www.patreon.com/posts/threnody-36382598" rel="nofollow noopener">"Threnody"</a> <br>
<a href="https://en.wikipedia.org/wiki/Trent_Reznor" rel="nofollow noopener">Trent Reznor,</a> American musician <br>
David Bowie, <a href="https://www.youtube.com/watch?v=aepBpZ3kXek" rel="nofollow noopener">"Deranged"</a><br>
Brian Eno and Peter Schmidt, <a href="https://en.wikipedia.org/wiki/Oblique_Strategies" rel="nofollow noopener">"Oblique Strategies"</a><br>
Tim Powers, <em><a href="https://www.amazon.com/Last-Call-Novel-Fault-Lines/dp/0062233270" rel="nofollow noopener">Last Call</a></em><br>
<a href="https://en.wikipedia.org/wiki/Manuel_DeLanda" rel="nofollow noopener">Manuel DeLanda,</a> Mexican-American philosopher </p>]]>
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