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    <title>Weird Studies - Episodes Tagged with “David Cronenberg”</title>
    <link>https://www.weirdstudies.com/tags/david%20cronenberg</link>
    <pubDate>Wed, 12 Sep 2018 10:00:00 -0400</pubDate>
    <description>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality." 
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    <itunes:subtitle>Art and philosophy at the limits of the thinkable</itunes:subtitle>
    <itunes:author>Phil Ford and J. F. Martel</itunes:author>
    <itunes:summary>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality." 
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      <itunes:name>Phil Ford and J. F. Martel</itunes:name>
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  <title>Episode 25: David Cronenberg's 'Naked Lunch'</title>
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  <pubDate>Wed, 12 Sep 2018 10:00:00 -0400</pubDate>
  <author>Phil Ford and J. F. Martel</author>
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  <itunes:episode>25</itunes:episode>
  <itunes:title>David Cronenberg's 'Naked Lunch'</itunes:title>
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  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>Phil and JF discuss David Cronenberg's 1991 film, "Naked Lunch," an adaptation of William S. Burroughs' hallucinatory classic.</itunes:subtitle>
  <itunes:duration>1:20:06</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
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  <description>&lt;p&gt;JF and Phil head for Interzone in an attempt to solve the enigma of &lt;em&gt;Naked Lunch&lt;/em&gt;, David Cronenberg's 1991 screen adaptation of William S. Burroughs' infamous 1959 novel. A treatise on addiction, a diagnosis of modern ills, a lucid portrait of the artist as cosmic transgressor, and like the book, "a frozen moment when everyone sees what is on the end of every fork," &lt;em&gt;Naked Lunch&lt;/em&gt; is here framed in the light Cronenberg's recent speech making the case for the &lt;em&gt;crime&lt;/em&gt; of art.&lt;/p&gt;

&lt;p&gt;Image by Melancholie, &lt;a href="https://commons.wikimedia.org/wiki/File:Gabel.jpg" target="_blank" rel="nofollow noopener"&gt;Wikimedia Commons&lt;/a&gt;.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;REFERENCES&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;David Foster Wallace, &lt;a href="https://en.wikipedia.org/wiki/Girl_with_Curious_Hair" target="_blank" rel="nofollow noopener"&gt;"Westward the Course of Empire Takes Its Way,"&lt;/a&gt; from &lt;em&gt;Girl With Curious Hair&lt;/em&gt; &lt;br&gt;
Gilles Deleuze and Félix Guattari, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/Anti-Oedipus" target="_blank" rel="nofollow noopener"&gt;Anti-Oedipus&lt;/a&gt;&lt;/em&gt;, and "How Do You Make Yourself a Body Without Organs?" in &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/A_Thousand_Plateaus" target="_blank" rel="nofollow noopener"&gt;A Thousand Plateaus&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
David Cronenberg (writer-director), &lt;em&gt;&lt;a href="https://www.imdb.com/title/tt0102511/" target="_blank" rel="nofollow noopener"&gt;Naked Lunch&lt;/a&gt;&lt;/em&gt; (the film)&lt;br&gt;
William Burroughs, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/Naked_Lunch" target="_blank" rel="nofollow noopener"&gt;Naked Lunch&lt;/a&gt;&lt;/em&gt; (the novel)&lt;br&gt;
Thomas De Quincey, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/Confessions_of_an_English_Opium-Eater" target="_blank" rel="nofollow noopener"&gt;Confessions of an Opium-Eater&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Dale Pendell, &lt;em&gt;&lt;a href="https://www.amazon.com/Pharmako-Poeia-Revised-Updated-Herbcraft/dp/1556438052" target="_blank" rel="nofollow noopener"&gt;Pharmako/Poeia: Power Plants, Poisons and Herbcraft&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
&lt;a href="https://www.theglobeandmail.com/opinion/article-the-crime-of-art/" target="_blank" rel="nofollow noopener"&gt;"David Cronenberg: I would like to make the case for the crime of art,"&lt;/a&gt; Globe and Mail June 22 2018 &lt;br&gt;
JF Martel, &lt;em&gt;&lt;a href="https://www.amazon.com/Reclaiming-Art-Age-Artifice-Manifesto/dp/1583945784/ref=sr_1_1?s=books&amp;amp;ie=UTF8&amp;amp;qid=1536764053&amp;amp;sr=1-1&amp;amp;keywords=reclaiming+art+in+the+age+of+artifice" target="_blank" rel="nofollow noopener"&gt;Reclaiming Art in the Age of Artifice&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Phil Ford, &lt;em&gt;&lt;a href="https://www.amazon.com/Dig-Sound-Music-Hip-Culture/dp/0199939918" target="_blank" rel="nofollow noopener"&gt;Dig: Sound and Music in Hip Culture&lt;/a&gt;&lt;/em&gt;&lt;br&gt;
Derek Bailey (director), &lt;em&gt;&lt;a href="https://www.youtube.com/watch?v=edy2QlP_jaU" target="_blank" rel="nofollow noopener"&gt;On the Edge: Improvisation in Music&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Phil Ford, &lt;a href="https://dialmformusicology.com/2017/08/10/good-prose-is-written-by-people-who-are-not-frightened/" target="_blank" rel="nofollow noopener"&gt;"Good Prose is Written By People Who Are Not Frightened"&lt;/a&gt;&lt;br&gt;
Geroge Orwell, &lt;a href="https://en.wikipedia.org/wiki/Inside_the_Whale" target="_blank" rel="nofollow noopener"&gt;"Inside the Whale"&lt;/a&gt; &lt;/p&gt;
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  <itunes:keywords>burroughs, naked lunch, cronenberg</itunes:keywords>
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    <![CDATA[<p>JF and Phil head for Interzone in an attempt to solve the enigma of <em>Naked Lunch</em>, David Cronenberg&#39;s 1991 screen adaptation of William S. Burroughs&#39; infamous 1959 novel. A treatise on addiction, a diagnosis of modern ills, a lucid portrait of the artist as cosmic transgressor, and like the book, &quot;a frozen moment when everyone sees what is on the end of every fork,&quot; <em>Naked Lunch</em> is here framed in the light Cronenberg&#39;s recent speech making the case for the <em>crime</em> of art.</p>

<p>Image by Melancholie, <a href="https://commons.wikimedia.org/wiki/File:Gabel.jpg" rel="nofollow">Wikimedia Commons</a>.</p>

<p><strong>REFERENCES</strong></p>

<p>David Foster Wallace, <a href="https://en.wikipedia.org/wiki/Girl_with_Curious_Hair" rel="nofollow">&quot;Westward the Course of Empire Takes Its Way,&quot;</a> from <em>Girl With Curious Hair</em> <br>
Gilles Deleuze and Félix Guattari, <em><a href="https://en.wikipedia.org/wiki/Anti-Oedipus" rel="nofollow">Anti-Oedipus</a></em>, and &quot;How Do You Make Yourself a Body Without Organs?&quot; in <em><a href="https://en.wikipedia.org/wiki/A_Thousand_Plateaus" rel="nofollow">A Thousand Plateaus</a></em><br>
David Cronenberg (writer-director), <em><a href="https://www.imdb.com/title/tt0102511/" rel="nofollow">Naked Lunch</a></em> (the film)<br>
William Burroughs, <em><a href="https://en.wikipedia.org/wiki/Naked_Lunch" rel="nofollow">Naked Lunch</a></em> (the novel)<br>
Thomas De Quincey, <em><a href="https://en.wikipedia.org/wiki/Confessions_of_an_English_Opium-Eater" rel="nofollow">Confessions of an Opium-Eater</a></em><br>
Dale Pendell, <em><a href="https://www.amazon.com/Pharmako-Poeia-Revised-Updated-Herbcraft/dp/1556438052" rel="nofollow">Pharmako/Poeia: Power Plants, Poisons and Herbcraft</a></em><br>
<a href="https://www.theglobeandmail.com/opinion/article-the-crime-of-art/" rel="nofollow">&quot;David Cronenberg: I would like to make the case for the crime of art,&quot;</a> Globe and Mail June 22 2018 <br>
JF Martel, <em><a href="https://www.amazon.com/Reclaiming-Art-Age-Artifice-Manifesto/dp/1583945784/ref=sr_1_1?s=books&ie=UTF8&qid=1536764053&sr=1-1&keywords=reclaiming+art+in+the+age+of+artifice" rel="nofollow">Reclaiming Art in the Age of Artifice</a></em><br>
Phil Ford, <em><a href="https://www.amazon.com/Dig-Sound-Music-Hip-Culture/dp/0199939918" rel="nofollow">Dig: Sound and Music in Hip Culture</a></em><br>
Derek Bailey (director), <em><a href="https://www.youtube.com/watch?v=edy2QlP_jaU" rel="nofollow">On the Edge: Improvisation in Music</a></em> <br>
Phil Ford, <a href="https://dialmformusicology.com/2017/08/10/good-prose-is-written-by-people-who-are-not-frightened/" rel="nofollow">&quot;Good Prose is Written By People Who Are Not Frightened&quot;</a><br>
Geroge Orwell, <a href="https://en.wikipedia.org/wiki/Inside_the_Whale" rel="nofollow">&quot;Inside the Whale&quot;</a></p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>JF and Phil head for Interzone in an attempt to solve the enigma of <em>Naked Lunch</em>, David Cronenberg&#39;s 1991 screen adaptation of William S. Burroughs&#39; infamous 1959 novel. A treatise on addiction, a diagnosis of modern ills, a lucid portrait of the artist as cosmic transgressor, and like the book, &quot;a frozen moment when everyone sees what is on the end of every fork,&quot; <em>Naked Lunch</em> is here framed in the light Cronenberg&#39;s recent speech making the case for the <em>crime</em> of art.</p>

<p>Image by Melancholie, <a href="https://commons.wikimedia.org/wiki/File:Gabel.jpg" rel="nofollow">Wikimedia Commons</a>.</p>

<p><strong>REFERENCES</strong></p>

<p>David Foster Wallace, <a href="https://en.wikipedia.org/wiki/Girl_with_Curious_Hair" rel="nofollow">&quot;Westward the Course of Empire Takes Its Way,&quot;</a> from <em>Girl With Curious Hair</em> <br>
Gilles Deleuze and Félix Guattari, <em><a href="https://en.wikipedia.org/wiki/Anti-Oedipus" rel="nofollow">Anti-Oedipus</a></em>, and &quot;How Do You Make Yourself a Body Without Organs?&quot; in <em><a href="https://en.wikipedia.org/wiki/A_Thousand_Plateaus" rel="nofollow">A Thousand Plateaus</a></em><br>
David Cronenberg (writer-director), <em><a href="https://www.imdb.com/title/tt0102511/" rel="nofollow">Naked Lunch</a></em> (the film)<br>
William Burroughs, <em><a href="https://en.wikipedia.org/wiki/Naked_Lunch" rel="nofollow">Naked Lunch</a></em> (the novel)<br>
Thomas De Quincey, <em><a href="https://en.wikipedia.org/wiki/Confessions_of_an_English_Opium-Eater" rel="nofollow">Confessions of an Opium-Eater</a></em><br>
Dale Pendell, <em><a href="https://www.amazon.com/Pharmako-Poeia-Revised-Updated-Herbcraft/dp/1556438052" rel="nofollow">Pharmako/Poeia: Power Plants, Poisons and Herbcraft</a></em><br>
<a href="https://www.theglobeandmail.com/opinion/article-the-crime-of-art/" rel="nofollow">&quot;David Cronenberg: I would like to make the case for the crime of art,&quot;</a> Globe and Mail June 22 2018 <br>
JF Martel, <em><a href="https://www.amazon.com/Reclaiming-Art-Age-Artifice-Manifesto/dp/1583945784/ref=sr_1_1?s=books&ie=UTF8&qid=1536764053&sr=1-1&keywords=reclaiming+art+in+the+age+of+artifice" rel="nofollow">Reclaiming Art in the Age of Artifice</a></em><br>
Phil Ford, <em><a href="https://www.amazon.com/Dig-Sound-Music-Hip-Culture/dp/0199939918" rel="nofollow">Dig: Sound and Music in Hip Culture</a></em><br>
Derek Bailey (director), <em><a href="https://www.youtube.com/watch?v=edy2QlP_jaU" rel="nofollow">On the Edge: Improvisation in Music</a></em> <br>
Phil Ford, <a href="https://dialmformusicology.com/2017/08/10/good-prose-is-written-by-people-who-are-not-frightened/" rel="nofollow">&quot;Good Prose is Written By People Who Are Not Frightened&quot;</a><br>
Geroge Orwell, <a href="https://en.wikipedia.org/wiki/Inside_the_Whale" rel="nofollow">&quot;Inside the Whale&quot;</a></p>]]>
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