Weird Studies - Episodes Tagged with “Criticism”

Episode 166: Make Believe: On the Power of Pretentiousness

Phil Ford and J. F. Martel — Wed, 03 Apr 2024 10:00:00 -0400

In culture and the arts, labeling something you don't like (or don't understand) "pretentious" is the easy way out. It's a conversation killer, implying that any dialogue is pointless, and those who disagree are merely duped by what you've cleverly discerned as a charade. It's akin to cynically revealing that a magic show is all smoke and mirrors—as if creative vision doesn't necessitate a leap of faith. In this episode, Phil and JF explore the nuances of pretentiousness, distinguishing between its fruitful and hollow forms. They argue that the real gamble, and inherent value, of daring to pretend lies in recognizing that imagination is an active contributor to, rather than a detractor from, reality.

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REFERENCES

Brian Eno, A Year with Swollen Appendices
Dan Fox, Pretentiousness: Why it Matters
Ramsay Dukes, How to See Fairies
Johan Huizinga, Homo Ludens
Gilles Deleuze, Difference and Repetition
Weird Studies, Episode 49 on Nietzsche’s idea of “untimely”
Sokal Affair, scholarly hoax
Weird Studies, Episode 75 on ‘2001: A Space Odyssey’
Stanley Kubrick, “Notes on Film”
Friedrich Nietzsche, On the Uses and Abuses of History
Vladimir Nabokov, Think, Write, Speak
Mary Shelley, “Introduction to Frankenstein”
Matt Cardin, A Course in Demonic Creativity
Playboy interview with Stanley Kubrick

Episode 97: Art in the Age of Artifice

Phil Ford and J. F. Martel — Wed, 28 Apr 2021 10:00:00 -0400

The question of art has been of central concern for JF and Phil since Weird Studies began in 2018. What is art? What can it do that other things can't do? How is it connected to religion, psyche, and our current historical moment? Is the endless torrent of advertisements, entertainment, memes, and porn in which seem hopelessly immersed a manifestation of art or of something else entirely? In this exploration of the main ideas in JF's book Reclaiming Art in the Age of Artifice, your hosts focus on these burning questions in hopes that the answers might shed light on our collective predicament and the paths that lead out of it.

Photo by Petar Milošević via Wikimedia Commons

REFERENCES

JF's upcoming course on the nature and power of art, starting May 10th, 2021

JF Martel, Reclaiming Art in the Age of Artifice

Weird Studies, Episode 84 on the Empress card
Walter Benjamin, The Work of Art in the Age of Mechanical Reproduction
Werner Herzog, Cave of Forgotten Dreams
Stanley Kubrick, 2001: A Space Odyssey
Adam Savage, Special effects designer
Deleuze and Guattari, A Thousand Plateaus
Kabbalistic emanationist cosmology
Henry Corbin’s concept of the “imaginal”
William Shakespeare, The Tempest
Tibetan book of the Dead
James Joyce, A Portrait of the Artist as a Young Man
James Hillman, The Thought of the Heart and The Soul of the World
Phil Ford, “Battlefield medicine”
Jaques Ellul, idea of “technique”
Alain de Botton, Religion for Atheists
Paul Tillich, Dynamics of Faith

Episode 58: What Do Critics Do?

Phil Ford and J. F. Martel — Wed, 23 Oct 2019 13:00:00 -0400

What is the role of the critic in the world of art? For some, including lots of critics, the figure exudes an aura of authority: her task is to tell us what this or that work of art means, why it matters, and what we are supposed to think and feel in its presence. Cast in in this mold, the critic is an arbiter, not just of taste, but also of sense and meaning. The American art critic Dave Hickey categorically rejects this interpretation, which he says gives off a mild stench of fascism. For Hickey, the critic plays a weak role, and it's this weakness that makes it essential. In his essay "Air Guitar," published in 1997, Hickey argues that criticism can never really penetrate the mystery of any artwork. Criticism is rather a way to capture the "enigmatic whoosh" of art as one instance of the more pervasive "whoosh" of ordinary experience. So, no act of criticism can ever exhaust an artwork. The critic interprets a singular experience of art into words so that others might be encouraged to have their own, equally singular experiences. In this episode, Phil and JF discuss what criticism has to do with art, life, politics, and ordinary experience.

Header image: Caravaggio, The Calling of Saint Matthew (1599-1600)

REFERENCES

Dave Hickey, Air Guitar: Essays on Art and Democracy
Plato, Republic
Oscar Wilde, "The Decay of Lying"
Phil Ford, Dig: Sound and Music in Hip Culture
Gilles Deleuze and Félix Guattari, Kafka: Toward a Minor Literature
Deleuze and Félix Guattari, What is Philosophy?
Dave Hickey, "Buying the World"
Clinton e-mails exhibition at the Venice Biennale
Oscar Wilde, The Portrait of Dorian Gray

Episode 50: Demogorgon: On 'Stranger Things'

Phil Ford and J. F. Martel — Wed, 03 Jul 2019 10:30:00 -0400

The Duffer Brothers' hit series Stranger Things is many things: an exemplary piece of entertainment in the summer blockbuster mold, a fresh take on the "kids on bikes" subgenre of science fiction, a loving pastiche of 1980s Hollywood cinema. And as Phil and JF attempt to show in this episode, Stranger Things is also a deep investigation into the metaphysical assumptions of our times, and a bold statement on the ontology of the analog real. This, at least, was the thesis of JF's three-part essay "Reality is Analog: Philosophizing with Stranger Things," which appeared on Metapsychosis after the first season dropped in 2016. Here, Phil and JF revisit that essay in order to expand on its arguments and discuss how it hoilds up in light of the series continued unfolding. The conversation touches on Apple's famous 1984 ad for the first Macintosh, the 2016 election of Donald Trump, the otherworldliness of airports, the ensorcelments of consumerism, and much more.

REFERENCES

Stranger Things
"Reality is Analog: Philosophizing with Stranger Things" available at Metapsychosis or in ebook format
Samuel Delaney, Dhalgren
1984 Apple commercial for Macintosh
Wild Wild Country, Netflix documentary series
Tom Frank, “Why Johnny Can’t Dissent”
Phil Ford, Dig: Sound and Music in Hip Culture
Arcade Fire, “We Used to Wait”
William S. Burroughs, Naked Lunch
Jack Kerouac, Visions of Cody
William James, A Pluralistic Universe
Marc Augé, Non-Places: An Introduction to Supermodernity
Weird Studies, episode 2: Garmonbozia
Homer, Odyssey
Matt Cardin, Dark Awakenings
The Wachowskis, The Matrix
Jonathan Haight and Greg Lukianoff, The Coddling of the American Mind