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    <title>Weird Studies - Episodes Tagged with “Civilization”</title>
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    <description>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality." 
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    <itunes:subtitle>Art and philosophy at the limits of the thinkable</itunes:subtitle>
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    <itunes:summary>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality." 
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  <title>Episode 168: Visions of the Wasteland: On George Miller's 'Mad Max' Films</title>
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  <author>Phil Ford and J. F. Martel</author>
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  <itunes:episode>168</itunes:episode>
  <itunes:title>Visions of the Wasteland: On George Miller's 'Mad Max' Films</itunes:title>
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  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>JF and Phil find glimmers of the Weird in George Miller's post-apocalyptic outback.</itunes:subtitle>
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  <description>There are artists who express the vision of a place, person, or thing so vividly and originally that it sets the bar for all future imaginings. With his four Mad Max films, this is what George Miller did with the image of the Wasteland. No one has been able to capture the stark, raw energy and chaotic beauty of a post-apocalyptic desert quite like Miller. His portrayal not only defines the aesthetic of a cinematic world but also prompts us to think about the meaning of civilization, technology, humanity, and how they intertwine. In this episode, Phil and JF discuss how  Mad Max challenges our perception of civilization, and our conception of the human.
Support us on Patreon (https://www.patreon.com/weirdstudies).
Buy the Weird Studies soundtrack, volumes 1 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1) and 2 (https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2), on Pierre-Yves Martel's Bandcamp (https://pierre-yvesmartel.bandcamp.com) page.
Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia (https://cosmophonia.podbean.com/).
Visit the Weird Studies Bookshop (https://bookshop.org/shop/weirdstudies)
Find us on Discord (https://discord.com/invite/Jw22CHfGwp)
Get the T-shirt design from Cotton Bureau (https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s)!
REFERENCES
George Miller (dir.), Mad Max (https://imdb.com/title/tt0079501/) 
George Miller (dir.), Mad Max: The Road Warrior (https://www.imdb.com/title/tt0082694//) 
George Miller (dir.), Mad Max: Beyond Thunderdrome (https://www.imdb.com/title/tt0089530/) 
George Miller (dir.), Mad Max: Fury Road (https://www.imdb.com/title/tt1392190/) 
Jaroslav Hašek, The Good Soldier Švejk (https://bookshop.org/a/18799/9780062835444) 
Stanley Kubrick (dir.), A Clockwork Orange (https://www.imdb.com/title/tt0066921) 
Sam Raimi (dir), The Quick and the Dead (https://www.imdb.com/title/tt0114214/) 
Joe Bob Briggs (https://tvtropes.org/pmwiki/pmwiki.php/AnyoneCanDie/Film), movie critic 
Phil Ford, “The Wanderer” (https://www.tandfonline.com/doi/full/10.1080/01411896.2023.2287422) 
Felix Guattari and Gilles Deleuze, Nomadology (https://bookshop.org/a/18799/9780936756097) 
Our Known Friend, Meditations on the Tarot (https://bookshop.org/a/18799/9781585421619)  
</description>
  <itunes:keywords>mad max, analysis, symbolism, themes, weird studies, fury road, road warrior, Thunderdome</itunes:keywords>
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    <![CDATA[<p>There are artists who express the vision of a place, person, or thing so vividly and originally that it sets the bar for all future imaginings. With his four <em>Mad Max</em> films, this is what George Miller did with the image of the Wasteland. No one has been able to capture the stark, raw energy and chaotic beauty of a post-apocalyptic desert quite like Miller. His portrayal not only defines the aesthetic of a cinematic world but also prompts us to think about the meaning of civilization, technology, humanity, and how they intertwine. In this episode, Phil and JF discuss how  <em>Mad Max</em> challenges our perception of civilization, and our conception of the human.</p>

<p>Support us on <a href="https://www.patreon.com/weirdstudies" rel="nofollow">Patreon</a>.<br>
Buy the Weird Studies soundtrack, volumes <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1" rel="nofollow">1</a> and <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2" rel="nofollow">2</a>, on Pierre-Yves Martel&#39;s <a href="https://pierre-yvesmartel.bandcamp.com" rel="nofollow">Bandcamp</a> page.<br>
Listen to Meredith Michael and Gabriel Lubell&#39;s podcast, <em><a href="https://cosmophonia.podbean.com/" rel="nofollow">Cosmophonia</a></em>.<br>
Visit the Weird Studies <a href="https://bookshop.org/shop/weirdstudies" rel="nofollow">Bookshop</a><br>
Find us on <a href="https://discord.com/invite/Jw22CHfGwp" rel="nofollow">Discord</a><br>
Get the T-shirt design from <a href="https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s" rel="nofollow">Cotton Bureau</a>!</p>

<p><strong>REFERENCES</strong></p>

<p>George Miller (dir.), <em><a href="https://imdb.com/title/tt0079501/" rel="nofollow">Mad Max</a></em> <br>
George Miller (dir.), <em><a href="https://www.imdb.com/title/tt0082694//" rel="nofollow">Mad Max: The Road Warrior</a></em> <br>
George Miller (dir.), <em><a href="https://www.imdb.com/title/tt0089530/" rel="nofollow">Mad Max: Beyond Thunderdrome</a></em> <br>
George Miller (dir.), <em><a href="https://www.imdb.com/title/tt1392190/" rel="nofollow">Mad Max: Fury Road</a></em> <br>
Jaroslav Hašek, <em><a href="https://bookshop.org/a/18799/9780062835444" rel="nofollow">The Good Soldier Švejk</a></em> <br>
Stanley Kubrick (dir.), <em><a href="https://www.imdb.com/title/tt0066921" rel="nofollow">A Clockwork Orange</a></em> <br>
Sam Raimi (dir), <em><a href="https://www.imdb.com/title/tt0114214/" rel="nofollow">The Quick and the Dead</a></em> <br>
<a href="https://tvtropes.org/pmwiki/pmwiki.php/AnyoneCanDie/Film" rel="nofollow">Joe Bob Briggs</a>, movie critic <br>
Phil Ford, <a href="https://www.tandfonline.com/doi/full/10.1080/01411896.2023.2287422" rel="nofollow">“The Wanderer”</a> <br>
Felix Guattari and Gilles Deleuze, <a href="https://bookshop.org/a/18799/9780936756097" rel="nofollow">Nomadology</a> <br>
Our Known Friend, <em><a href="https://bookshop.org/a/18799/9781585421619" rel="nofollow">Meditations on the Tarot</a></em> </p>]]>
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  <itunes:summary>
    <![CDATA[<p>There are artists who express the vision of a place, person, or thing so vividly and originally that it sets the bar for all future imaginings. With his four <em>Mad Max</em> films, this is what George Miller did with the image of the Wasteland. No one has been able to capture the stark, raw energy and chaotic beauty of a post-apocalyptic desert quite like Miller. His portrayal not only defines the aesthetic of a cinematic world but also prompts us to think about the meaning of civilization, technology, humanity, and how they intertwine. In this episode, Phil and JF discuss how  <em>Mad Max</em> challenges our perception of civilization, and our conception of the human.</p>

<p>Support us on <a href="https://www.patreon.com/weirdstudies" rel="nofollow">Patreon</a>.<br>
Buy the Weird Studies soundtrack, volumes <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1" rel="nofollow">1</a> and <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2" rel="nofollow">2</a>, on Pierre-Yves Martel&#39;s <a href="https://pierre-yvesmartel.bandcamp.com" rel="nofollow">Bandcamp</a> page.<br>
Listen to Meredith Michael and Gabriel Lubell&#39;s podcast, <em><a href="https://cosmophonia.podbean.com/" rel="nofollow">Cosmophonia</a></em>.<br>
Visit the Weird Studies <a href="https://bookshop.org/shop/weirdstudies" rel="nofollow">Bookshop</a><br>
Find us on <a href="https://discord.com/invite/Jw22CHfGwp" rel="nofollow">Discord</a><br>
Get the T-shirt design from <a href="https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s" rel="nofollow">Cotton Bureau</a>!</p>

<p><strong>REFERENCES</strong></p>

<p>George Miller (dir.), <em><a href="https://imdb.com/title/tt0079501/" rel="nofollow">Mad Max</a></em> <br>
George Miller (dir.), <em><a href="https://www.imdb.com/title/tt0082694//" rel="nofollow">Mad Max: The Road Warrior</a></em> <br>
George Miller (dir.), <em><a href="https://www.imdb.com/title/tt0089530/" rel="nofollow">Mad Max: Beyond Thunderdrome</a></em> <br>
George Miller (dir.), <em><a href="https://www.imdb.com/title/tt1392190/" rel="nofollow">Mad Max: Fury Road</a></em> <br>
Jaroslav Hašek, <em><a href="https://bookshop.org/a/18799/9780062835444" rel="nofollow">The Good Soldier Švejk</a></em> <br>
Stanley Kubrick (dir.), <em><a href="https://www.imdb.com/title/tt0066921" rel="nofollow">A Clockwork Orange</a></em> <br>
Sam Raimi (dir), <em><a href="https://www.imdb.com/title/tt0114214/" rel="nofollow">The Quick and the Dead</a></em> <br>
<a href="https://tvtropes.org/pmwiki/pmwiki.php/AnyoneCanDie/Film" rel="nofollow">Joe Bob Briggs</a>, movie critic <br>
Phil Ford, <a href="https://www.tandfonline.com/doi/full/10.1080/01411896.2023.2287422" rel="nofollow">“The Wanderer”</a> <br>
Felix Guattari and Gilles Deleuze, <a href="https://bookshop.org/a/18799/9780936756097" rel="nofollow">Nomadology</a> <br>
Our Known Friend, <em><a href="https://bookshop.org/a/18799/9781585421619" rel="nofollow">Meditations on the Tarot</a></em> </p>]]>
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