Weird Studies - Episodes Tagged with “Cinema”

Episode 184: On David Lynch

Phil Ford and J. F. Martel — Wed, 05 Feb 2025 10:30:00 -0500

David Lynch passed away on January 15th, 2025, leaving behind a body of work that reshaped the landscape of cinema and television. Few artists have delved as deeply into the strange, the beautiful, and the terrifying as Lynch, and few have had as profound an influence on Weird Studies. His films have long been a touchstone for JF and Phil's discussions on art, philosophy, and the nature of the weird. To honor his memory, they decided to devote an episode to Lynch's work as a whole, with special attention paid to Eraserhead—the nightmarish debut that announced his singular vision to the world. A study in dread, desire, and the uncanny, Eraserhead remains one of the most disturbing and mysterious works of American cinema. In this episode, we explore what makes it so powerful and how it connects to Lynch’s larger artistic project.

To enroll in JF's new Weirdosphere course, It's All Real: An Inquiry Into the Reality of the Supernatural, please visit www.weirdosphere.org. The course starts on Thursday, Feb 6, at 8 pm Eastern.

A video for the piece For David Lynch is available on Pierre-Yves Martel's YouTube channel.

REFERENCES

David Lynch, Eraserhead
David Lynch: The Art Life
Victorian Nelson, The Secret Life of Puppets
Norman Mailer, An American Dream
Laura Adams, "Existential Aesthetics: An Interview with Norman Mailer”
George P. Hansen, The Trickster and the Paranormal
Carl Jung, The Red Book
Jack Arnold (dir.), The Creature from the Black Lagoon
Noel Caroll, The Philosophy of Horror
Gilles Deleuze, The Logic of Sense
Jack Smith, “The Perfect Filmic Appositeness of Maria Montez”
David Foster Wallace, “David Lynch Keeps his Head” in A Supposedly Fun Thing I’ll Never do Again
Arthur Machen, The White People
William Shakespeare, Macbeth

Episode 182: Providence of Evil: On Robert Eggers' 'Nosferatu'

Phil Ford and J. F. Martel — Wed, 08 Jan 2025 10:30:00 -0500

In this episode, JF and Phil examine the myth of the vampire through the lens of Robert Eggers' latest film, Nosferatu, a reimagining of F. W. Murnau's German Expressionist masterpiece. Topics covered include the nature of vampires, the symbolism of evil, the implicit theology of Eggers' film (compared with that of Coppola's Bram Stoker's Dracula), the need for shadow work, as well as the power of real introspection and self-sacrifice.

Support us on Patreon.
Buy the Weird Studies soundtrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page.
Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia.
Visit the Weird Studies Bookshop
Find us on Discord
Get the T-shirt design from Cotton Bureau!

REFERENCES

Robert Eggers (dir.), Nosferatu
F. W. Murnau (dir.), Nosferatu
Mel Brooks (dir.), Dracula: Dead and Loving It
Francis Ford Coppola (dir.), Bram Stoker’s Dracula
Bram Stoker, Dracula
Richard Wagner, Tristan und Isolde
David James Smith, “The Archaeologist Couple who Unearthed a Field Full of Vampires”
Robert Eggers, The Witch
Richard Strauss, Salome
Weird Studies, Episode 156 on “The Secret History”
Rudolf Steiner, “Lucifer and Ahriman”
Richard Wagner, Ring Cycle

Episode 181: On 'The X Files,' with Meredith Michael

Phil Ford and J. F. Martel — Wed, 04 Dec 2024 11:30:00 -0500

Chris Carter's The X-Files is weird on its face: a dramatic series that, from the start, presented itself as more than drama, an exploration of the reality of the paranormal using the tools of fiction, a fantasy posing as reality (or is it the other way around?). Strangely prescient, undeniably zany, and truly "hyperstitious," the series is likely to strike contemporary viewers as equal parts naive and prophetic. In this episode, music scholar and Weird Studies assistant Meredith Michael joins Phil and JF for a deep dive into the archival sublime of the filing cabinet marked "X."

To purchase tickets to JF and Phil's December 19th solstice event on Weirdosphere, with live music by Pierre-Yves Martel, to to weirdosphere.org.

REFERENCES

Cut-up technique
Phil Ford, “The View from the Cheap Seats at the UFO Show”
Richard Dawkins, Unweaving the Rainbow

Special Guest: Meredith Michael.

Episode 178: Edge of Reality: On John Carpenter's 'In the Mouth of Madness'

Phil Ford and J. F. Martel — Wed, 23 Oct 2024 10:30:00 -0400

Earlier this month, Phil and JF recorded a live episode at Indiana University Cinema in Bloomington following a screening of John Carpenter's film In the Mouth of Madness. Carpenter’s cult classic obliterates the boundary between reality and fiction, madness and revelation—an ideal subject for a Weird Studies conversation. In this episode, recorded before a live audience, the hosts explore the film’s Lovecraftian themes, the porous nature of storytelling, and how art can function as a conduit to unsettling truths.

Special thanks to Dr. Alicia Kozma and the IU Cinema team for hosting and recording the event.

REFERENCES
John Carpenter, In the Mouth of Madness
John Carpenter, Prince of Darkness*
John Carpenter, The Thing
Joshua Clover, BFI Film Classics: The Matrix
Philip K. Dick, Time Out of Joint
David Cronenberg, Videodrome
Louis Althusser, "Ideology and Ideological State Apparatuses (Notes towards an Investigation)"
Giorgio Agamben, Homo Sacer
Nick Land, English philosopher
H. P. Lovecraft, "The Call of Cthulhu"
Jonathan Carroll, The Land of Laughs

Mid-Break Bonus: The Quiet Earth

Phil Ford and J. F. Martel — Wed, 21 Aug 2024 10:30:00 -0400

Every off-week, listeners who have chosen to support Weird Studies by joining our Patreon at the Listener's Tier get to enjoy a bonus episode. These episodes are different from the flagship show. Less formal and entirely improvised, they offer Phil and JF a different way of exploring the weird in art, philosophy and culture. To tide our listenership over until the next new episode drops on September 25th, 2024, here is a recent example of a Weird Studies audio extra, recorded as your hosts were finishing up their first Weirdosphere course, "The Beauty and the Horror." The conversation ended up centering on cultural works we experienced in childhood, and that are all the more magical for being only vaguely remembered.

To enroll in JF's upcoming Weirdosphere course, "Whirl Without End: Fairy Tales and the Weird," please visit www.weirdosphere.org.

Episode 171: The Beauty and the Horror

Phil Ford and J. F. Martel — Thu, 13 Jun 2024 21:00:00 -0400

This week on Weird Studies, Phil and JF explore the intersections of the beautiful and the terrible in art and literature. There is a conventional beauty that calms and placates, and there is a radical beauty which, taking horror’s pale-gloved hand, gives up all pretense to permanence and fixity and joins the danse macabre of our endless becoming. This episode is a preamble to a five-week course of lectures and discussions starting June 20th on Weirdosphere, JF and Phil’s new online learning platform. For more information and to enroll in The Beauty and the Horror, visit www.weirdosphere.org.

REFERENCES

JF Martel, Reclaiming Art in the Age of Artifice, the audiobook, with a new introduction written and read by Donna Tartt.
Denis Villeneuve, Dune: Part Two
William Blake, “The Tyger”
Junichiro Tanizaki, In Praise of Shadows
Steven Spielberg, Raiders of the Lost Ark
Walter Pater, The Renaissance
David Lynch, Twin Peaks: The Return
Anna Aikin, “On the Pleasure Derived from Objects of Terror
Donna Tartt, The Secret History
Keiji Nishitani, Religion and Nothingness
Charles Baudelaire, “Le Voyage”
Franz Schubert, “Death and the Maiden” Quartet
Franz Schubert, Piano Sonata in C major, D. 840
J.R.R. Tolkein, The Hobbit

Episode 170: Art is Another Word for Truth: On Orson Welles's 'F for Fake'

Phil Ford and J. F. Martel — Wed, 29 May 2024 10:30:00 -0400

Orson Welles made F for Fake in the early seventies, while still bobbing in the wake of a Pauline Kael essay accusing him of being cinema's greatest fraud. Ostensibly a documentary on the famous art forger Elmyr de Hory and his biographer Clifford Irving (a talented faker in his own right), the film blurs the line between fact and fiction in an effort to explore art's weird entanglement with illusion, magic, and ultimately, the search for truth. This is a film unlike any other, and it is arguably Welles's most important contribution to the evolution and theory of film aesthetics.

Join the Weirdosphere online learning community by enrolling in Phil and J.F.'s inaugural course, [THE BEAUTY AND THE HORROR](www.weirdosphere.org), starting June 20th.

RERERENCES

Orson Welles, F for Fake
Gilles Deleuze Cinema 2
Elmyr de Hory, art forger
Clifford Irving, American writer
Howard Hughes, American aerospace engineer
David Thomson, Biographical Dictionary of Film
David Thomson, Rosebud: The Story of Orson Welles
Pauline Kael, Raising Kane
“War of the Worlds” radio drama
The Farm Podcast, “Horror Hosts, Films & Other Strange Realities w/ David Metcalfe, Conspirinormal & Recluse”
Orson Welles - Interview with Michael Parkinson (BBC 1974)
Geoffrey Cornelius, Cornelius
Victoria Nelson, Secret Life of Puppets
Lionel Snell, My Years of Magical Thinking
Sokal affair, hoax
Werner Herzog, “Minnesota Declaration”

Episode 168: Visions of the Wasteland: On George Miller's 'Mad Max' Films

Phil Ford and J. F. Martel — Wed, 01 May 2024 10:30:00 -0400

There are artists who express the vision of a place, person, or thing so vividly and originally that it sets the bar for all future imaginings. With his four Mad Max films, this is what George Miller did with the image of the Wasteland. No one has been able to capture the stark, raw energy and chaotic beauty of a post-apocalyptic desert quite like Miller. His portrayal not only defines the aesthetic of a cinematic world but also prompts us to think about the meaning of civilization, technology, humanity, and how they intertwine. In this episode, Phil and JF discuss how Mad Max challenges our perception of civilization, and our conception of the human.

REFERENCES

George Miller (dir.), Mad Max
George Miller (dir.), Mad Max: The Road Warrior
George Miller (dir.), Mad Max: Beyond Thunderdrome
George Miller (dir.), Mad Max: Fury Road
Jaroslav Hašek, The Good Soldier Švejk
Stanley Kubrick (dir.), A Clockwork Orange
Sam Raimi (dir), The Quick and the Dead
Joe Bob Briggs, movie critic
Phil Ford, “The Wanderer”
Felix Guattari and Gilles Deleuze, Nomadology
Our Known Friend, Meditations on the Tarot

Episode 164: Towards a Weird Materialism: On Expressionism in Cinema

Phil Ford and J. F. Martel — Wed, 06 Mar 2024 10:30:00 -0500

What is expressionism? A school? A movement? A philosophy? At the end of this episode, Phil and JF agree that it is, above all, a sensibility, one that surfaces periodically in history, punctuating it with occasional bursts of frenetic colour and eruptions of light and shadow. Whenever it appears, expressionism challenges our tendency to divide the world up into neat quadrants: mind and matter, subject and object lose their legitimacy as they start to bleed into one another. Prior to recording, your hosts agreed to focus on two pieces of writing: Victoria Nelson's The Secret Life of Puppets and a recent Internet post on eighties and nineties American films entitled "Neo-Expressionism: The Forgotten Studio Style." Though focused on a number of films, the conversation includes forays into the world of the visual arts, literature, and music.

REFERENCES

comrade_yui, “neo-expressionism: the forgotten studio style”
Victoria Nelson, The Secret Life of Puppets
Francis Ford Coppola, Bram Stoker’s Dracula
Weird Studies, Episode 161 on ‘From Hell’
Bram Stoker, Dracula
E. H. Gombrich, The Story of Art
Jean-Francois Millet, “Gleaners”
Kathe Kollwitz, “Need”
Robert Weine, The Cabinet of Dr. Caligari
Arnold Schoneberg, Pierrot Lunaire
Gilles Deleuze, Cinema 1
Peter Yates (dir.), Krull
Wilhelm Worringer, German art historian
Weird Studies, Episode 136 on ‘The Evil Dead’
In Camera The Naive Visual Effects of Dracula
Kenneth Gross, Puppet: An Essay on Uncanny Life
Weird Studies, Episode 121 ‘Mandwagon’

Episode 160: The Way of All Flesh: On John Carpenter's 'The Thing'

Phil Ford and J. F. Martel — Wed, 20 Dec 2023 10:30:00 -0500

As a horror movie, John Carpenter's The Thing seems to have it all: amazing practical effects, body horror, psychological drama, Kurt Russell ... Indeed, there is only one element this movie lacks, and that is anything at all corresponding to the titular villain. There is no thing in The Thing! What we have instead is a process, a pattern, a way for which the term "thing" is as good as any other. (What is a thing anyway?) In this episode, Phil and JF, having decided that Carpenter's film qualifies as a Christmas movie because there is snow (and a dog) in it, explore the metaphysical implications of a cult classic.

Support us on Patreon.
Buy the Weird Studies sountrack, volumes 1 and 2, on Pierre-Yves Martel's Bandcamp page.
Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia.
Visit the Weird Studies Bookshop
Find us on Discord
Get the T-shirt design from Cotton Bureau!

REFERENCES

John Carpenter, The Thing
Weird Studies, Episode 100 on Carpenter Films
Weird Studies, Episode 157 on Videodrome
Ridley Scott, Blade Runner
Ridley Scott Alien
Thomas Aquinas, On Being and Essence
Haecceity
Ernest Fenollosa, The Chinese Written Characters as a Medium for Poetry
Weird Studies, Episode 89 on ‘Mumbo Jumbo’
Weird Studies, Episode 127 on ‘The Impossibility of Automating Ambiguity’
Wikipedia, “Quiddity”
Vilhelm Hammershøi, Danish painter
Jez Conolly, The Thing
Arthur Schopenhauer, The World as Will and Representation
Dylan Trigg, The Thing a Phenomenology of Horror
Plato, The Timaeus
Lucretius, “On the Nature of Things”
Clive Barker, The Great and Secret Show

Episode 157: Long Live the New Flesh: On David Cronenberg's 'Videodrome'

Phil Ford and J. F. Martel — Wed, 08 Nov 2023 11:00:00 -0500

"Death to Videodrome! Long live the New Flesh!"

It was perhaps inevitable that the modern Weird, driven as it is to swallow all things, would sooner or later veer into the realm of political sloganeering without losing any of its unknowable essence. David Cronenberg's 1983 film Videodrome is more than a masterwork of body horror: it is a study in technopolitics, a meditation on the complex weave of imagination and perception, and a prophecy of the now on-going coalescence of flesh and technology into a strange new alloy. In this episode, recorded live after a screening of the film at Indiana University Cinema in Bloomington, JF and Phil set out to interpret Cronenberg's vision... and come to dig the New Flesh.

REFERENCES
David Cronenberg, Videodrome
Maurice Merleau-Ponty, The Visible and the Invisible
Paul Virilio, The Information Bomb
Weird Studies, Episode 75 on “2001: A Space Odyssey”
Richard Porton and David Cronenberg, "The Film Director as Philosopher: An Interview with David Cronenberg"
George Hickenlooper and David Cronenberg, "The Primal Energies of the Horror Film: An Interview with David Cronenberg"
Weird Studies, Episode 144 with Connor Habib
William Friedkin (dir.), The Exorcist
Plato, Timaeus
William Gibson, Idoru
CBC, Yorkville: Hippie Haven
Linda Williams, “Film Bodies: Gender, Genre, and Excess”

Episode 155: Dispatches From the Inside: On Planet Weird's 'The Unbinding'

Phil Ford and J. F. Martel — Wed, 11 Oct 2023 11:00:00 -0400

One of the most surprising aspects of paranormal experience is how often it takes on a storylike form, unfolding exactly as you would expect it to in, say, a Hollywood horror film. Viewers of Karl Pfeiffer's film The Unbinding will get a sense of this in the early sequences of Greg and Dana Newkirk's latest occult adventure. The haunting comes on strong and takes rather familiar forms. But the almost too-good-to-be-true frights -- effective as they are in an almost fairy-tale way -- soon give way to a procedural that invites us to ponder the ethics and methodologies of paranormal investigation in the age of Global Weirding. What do we owe the Others we encounter? What do they owe us? In this episode, JF and Phil discuss some of the questions haunting this brilliant documentary from the creators of Hellier.

REFERENCES

Planet Weird, The Unbinding
Weird Studies, Episode 67 on “Hellier”
Alexander Wendt and Raymond Duvall, “Sovereignty and the UFO”
Duncan Barford, “Magick Versus Content”
Gilles Deleuze, Masochism: Coldness and Cruelty

Episode 148: Mythos of the Moment: On 'Twin Peaks,' Season 3

Phil Ford and J. F. Martel — Wed, 07 Jun 2023 10:30:00 -0400

David Lynch and Mark Frost's Twin Peaks has been a touchstone of Weird Studies since the podcast's inception. Back in 2018, Phil and JF recorded Episode 1: Garmonbozia while still reeling from the series' third season, which aired on Showtime the year before. Now, in preparation for their upcoming course on Twin Peaks, they watched the third season again and recorded this episode. Their conversation touched on the virtues of late style in the arts, the divergence of knowing and understanding, the fate of Agent Dale Cooper, and the dream logic of the _Twin Peaks _universe.

Last change to sign up for The Twin Peaks Mythos, a 4-week Weird Studies view-along starting June 8th, 2023.
Listen to Meredith Michael and Gabriel Lubell's podcast, Cosmophonia.
Support us on Patreon and gain access to Phil's podcast on Wagner's Ring Cycle.
Download Pierre-Yves Martel's new album, Mer Bleue.
Visit the Weird Studies Bookshop
Find us on Discord
Get the T-shirt design from Cotton Bureau!

REFERENCES

Symposium at Lily Dale, July 27-29, 2023
David Lynch and Mark Frost (creators), Twin Peaks
David Lynch (dir.), Twin Peaks: Fire Walk With Me
Gilles Deleuze and Félix Guattari, What is Philosophy?
Chris Carter (creator), The X-Files
Erik Davis, American scholar, lecturer, and journalist
Thomas Ligotti, American writer
Stephen King, American writer
Joshua Brand and John Falsey (creators), Northern Exposure
James Elkins, Pictures and Tears: A History of People Who Have Cried in Front of Paintings
David Lynch (dir.), Mulholland Drive
Robert Aickman, English writer of "strange stories"
Manuel DeLanda on signification vs significance
Weird Studies, episode 105: Fire Walk With Tamler Sommers
Kyle McLachlan interview in Vanity Fair

Episode 144: On Clive Barker's 'Hellraiser' and 'The Hellbound Heart,' with Conner Habib

Phil Ford and J. F. Martel — Wed, 12 Apr 2023 10:30:00 -0400

In the 1980s, Clive Barker burst onto the cultural scene with The Books of Blood, collections of unforgettable tales of horror, depravity, and decadence the likes of which had been seldom seen since the days of Lautréamont's Les Chants de Maldoror and Huysmans' Là-Bas. In the decades that followed, he went on to create an astounding body of work in fantasy and horror as a writer, artist, and film director. In this episode, author, lecturer, and podcaster Conner Habib joins JF and Phil to discuss what is arguably Barker's best-known work, the 1987 horror classic Hellraiser, as well as the novella that inspired it, "The Hellbound Heart."

Preorder Pierre-Yves Martel's album Mer bleue.

Support us on Patreon and gain access to Phil's ongoing podcast on Richard Wagner's Ring Cycle.

Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel
Find us on Discord
Get the T-shirt design from Cotton Bureau!
Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.)
Visit the Weird Studies Bookshop

References

Clive Barker, The Hellbound Heart
Clive Barker (dir.), Hellraiser
Tod Browning (dir.), Freaks
Clive Barker, “In the Hills, The Cities” in Books of Blood
Wes Craven, A Nightmare on Elm Street
Angela Carter, English writer
Susan Sontag, “Happenings: An Art of Radical Juxtaposition”
Gilles Deleuze and Felix Guattari, What is Philosophy?
Sturm und Drang, 18th-century artistic movement
Gayle Rubin, American cultural anthropologist
Stephen King, It
Robert Wise (dir.), The Sound of Music
Slavoj Zizek, The Pervert’s Guide to Cinema
Robert Wise (dir.), The Haunting
David Mamet, On Directing Film
Mark Hedsel and David Ovason, The Zealotor
David Lynch (dir.), Mulholland Drive
Stanley Kubrick, The Shining
Coil, Hellraiser Themes
Bela Bartok, Music for Strings, Percussion, and Celesta
Golden Section, mathematical ratio
Kevin Williamson,, American screenwriter
Susan Sontag, Against Interpretation
Special Guest: Conner Habib.

Episode 142: The Music of the Spheres: On Jóhann Jóhannsson's "Last and First Men"

Phil Ford and J. F. Martel — Wed, 15 Mar 2023 10:30:00 -0400

Jóhann Jóhannsson was one of contemporary cinema's greatest score composers when he passed away in 2018 at the young age of 48. Last and First Men, his enigmatic directorial debut, was released shortly after in 2020. Based on a novel by the same name by the British science fiction writer Olaf Stapleton, the film offers a sustained meditation on the prospect of extinction, the eventuality of humanity's disappearance from the comos. In this episode, JF and Phil discuss the images and sounds of the film as they flicker and swell against the backdrop of nonbeing that envelops us all. The conversation touches on the idea of beauty, Brutalist architecture, modernism, and futurity.

Preorder Pierre-Yves Martel's album Mer bleue.

Support us on Patreon and gain access to Phil's ongoing podcast on Richard Wagner's Ring Cycle.

REFERENCES

Jóhann Jóhannsson, Last and First Men
Unfrozen Caveman Lawyer, SNL character
Spomeniks, Yugoslavian monuments
Olaf Stapleton, The Last and First Men
Woody Allen, Hannah and Her Sisters
The Last of Us, television show
Ray Brassier, Nihil Unbound: Enlightenment and Extinction
Weird Studies, Episode 2 on Garmonbozia
Alexander Solzhenitsyn, Nobel Prize Speech
Weird Studies Episode 139 on Art Power
Numenius, Platonist philosopher
Gilles Deleuze and Félix Guattari, What is Philosophy?
Jia Tolentino, “The Overwhelming Emotion of Hearing Toto’s “Africa”
Weird Studies, Episode 110 on “The Glass Bead Game”
D. H. Lawrence, Lady Chatterley’s Lover

Episode 140: That Ain't Plot: On Hayao Miyazaki's 'Spirited Away,' with Meredith Michael

Phil Ford and J. F. Martel — Wed, 15 Feb 2023 11:30:00 -0500

Hayao Miyazaki's Spirited Away is one of those rare films that is both super popular and super weird. Rife with cinematic non sequiturs, unforgettable imagery, and moments of horror, it is an outstanding example of a story form that goes all the way back to the myth of Psyche and Eros from Apuleius's Golden Ass, if not earlier. In this type of story, a girl on the cusp of maturity steps into a magical realm where people and things from waking life reappear, draped in the gossamer of dream and nightmare. Musicologist and WS assistant Meredith Michael joins JF and Phil to discuss a strange jewel of Japanese animated cinema.

Support us on Patreon and get early access to Phil Ford's new podcast series on Wagner's Ring Cycle.

REFERENCES

Hayao Miyazaki, Spirited Away
Kyle Gann, Robert Ashley
Robert Ashely, Perfect Lives
Apuleius, “Psyche and Eros” from The Golden Ass
Henri Bergson, Time and Free Will
Kentucky Route Zero, video game
Legend of Zelda Breath of the Wild, video game
Jean Sibelius, 5th Symphony
Quentin Tarantino, film maker
Mark Rothko, American painter
Giles Deleuze, “What is the Creative Act?”
GK Chesterton, Orthdoxy
Herman Hesse, Siddhartha
Andrew Osmond, BFI Guide to Spirited Away

Special Guest: Meredith Michael.

Episode 136: The Things That Were And Shall Be Again: On 'Evil Dead II'

Phil Ford and J. F. Martel — Wed, 30 Nov 2022 10:30:00 -0500

"We are the things that were and shall be again." So a demonic flesh puppet tells Ash and his allies in a memorable scene from the classic splatstick flick Evil Dead II. In addition to being a rollicking piece of entertainment, Evil Dead II is an expertly crafted film whose director used every tool and technique to generate a cinematic experience that is – as the tagline went – "2 terrifying, 2 frightening ... 2 much!" In this episode, JF and Phil court the absurd by turning a fun 80s horror movie into a statement on the dread aspirations of matter and a shining example of the modern baroque.

Listen to volume 1 and volume 2 of the Weird Studies soundtrack by Pierre-Yves Martel
Support us on Patreon
Find us on Discord
Get the new T-shirt design from Cotton Bureau!
Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.)
Visit the Weird Studies Bookshop

SHOW NOTES

Sam Raimi (dir.), The Evil Dead II
Weird Studies, Episode 121 on Mandy and the Bandwagon
Joe Bob Briggs, American movie critic
Chalres Ludlam, American actor
Weird Studies, Episode 88 on Mr Punch
Kenneth Gross, Puppet: An Essay on Uncanny Life
Eduardo Viveiros de Castro, Cannibal Metaphysics
Bruno Schulz, The Street of Crocodiles
Victoria Nelson, The Secret Life of Puppets
Joseph Cermatori, Baroque Modernity

Episode 132: Art Is an Alien Technology: Live at the Supernormal Festival

Phil Ford and J. F. Martel — Wed, 05 Oct 2022 10:30:00 -0400

With his 2010 film Cave of Forgotten Dreams, the German filmmaker Werner Herzog peeled away the veneer of familiarity on the Chauvet cave paintings, restoring them to their original eldritch sparkle. In this conversation, Phil and JF discuss a cinematic jewel that was wrought under tremendous pressure – and is all the more dazzling for it. The episode was recorded live at the Supernormal Festival in Oxfordshire, England, where your hosts were also subjected to unexpected pressure as the band Plastics started their set at the same time as the talk! Though we feel the musical accompaniment adds depth to the dialogue, listeners who find it distracting can skip to the end of the Plastics' set around 41:30. All listeners are urged to visit the band's Bandcamp page to sample some choice hardcore.

Weird Studies thanks Strange Attractor Press, the Supernormal Festival , and Plastics. JF Martel gratefully acknowledges the support of the Canada Council for the Arts in making this live recording possible.

Header image via Wikimedia Commons.

SHOW NOTES

Werner Herzog, “The Minnesota Declaration”
Tom Waits, “Step Right Up”
Herman Melville, Moby Dick
Weird Studies, Episode 76 on “Hellier”
Stanley Kubrick (dir.), 2001: A Space Odyssey
Paul Bahn, Images of the Ice Age
Weird Studies, Episode 101 on “In Praise of Shadows
Weird Studies, Episode 129 on “The Fall of the House of Usher”
Matthew Barney, The Cremaster Films
Stanley Kubrick, The Shining

Episode 121: Dream Theater: On 'Mandy' and 'The Band Wagon'

Phil Ford and J. F. Martel — Wed, 27 Apr 2022 10:00:00 -0400

In this episode, each of your hosts bullies the other into watching a movie he would normally not touch with a bargepole. Phil has been (unsuccessfully) trying to get JF to watch Vincente Minnelli's 1953 musical comedy The Band Wagon and JF has been (also unsuccessfully) trying to get Phil to watch Panos Cosmatos's 2018 psychedelic horror film Mandy. For this episode, they decided they would compromise and watch both. What started as a goof ended up a fascinating Glass Bead Game from which emerge occulted correspondences between films that, on the surface, could not be more dissimilar. One film is a dream of song and dance, the other a dream of blood and violence. Either way, though, watch out: as Deleuze says, "beware of the dreams of others, because if you are caught in their dream, you are done for."

Support us on Patreon
Find us on Discord
Get the new T-shirt design from Cotton Bureau!
Get your Weird Studies merchandise (t-shirts, coffee mugs, etc.)
Visit the Weird Studies Bookshop
Buy the Weird Studies soundtrack

SHOW NOTES

Iluminated Brew Works, Chicago
JF's new course, [Groundwork for a Philosophy of Magic](www.nuralearning.com)

Vincente Minnelli (dir.), The Bandwagon
Panos Cosmatos (dir.), Mandy
Weird Studies, Episode 73 on Carl Jung
Norman Jewison (dir.), Moonstruck
David Thompson, The New Biographical Dictionary of Film
Gilles Deleuze, Cinema 1: The Movement Image) and Cinema 2: The Time Image
Henri Bergson, “The Cinematographical Mechanism of Thought and the Mechanistic Illusion”, from Creative Evolution
Terry Gilliam (dir.), The Fisher King
Claudia Gorbman, Unheard Melodies: Narrative Film Music
Raymond Knapp, The American Musical and the Performance of Personal Identity
Richard Dyer, “Entertainment and Utopia” in Only Entertainment
Gilles Deleuze, “What is the Creative Act”

Episode 116: On 'Blade Runner'

Phil Ford and J. F. Martel — Wed, 16 Feb 2022 10:00:00 -0500

In his 1978 bestseller The Selfish Gene, Richard Dawkins described humans as "survival machines" whose sole purpose is the replication of genes. All of culture needed to be understood as a side-effect, if not an epiphenomenon, of that defining function. Four years after Dawkins' book was published, Warner Brothers released Blade Runner, an adaptation of Philip K. Dick's dystopian novel Do Androis Dream of Electric Sheep?. Ridley Scott's film presents us with a different kind of survival machine: the replicant, a technology whose sole function is the replication of human beings. In this episode, Phil and JF discuss the ethical, metaphysical, and aesthetic dimensions of one of the greatest and most prophetic science fiction films of all time.

REFERENCES

Ridley Scott (dir.), Blade Runner

Philip K. Dick, Do Androids Dream of Electric Sheep?
Philip K. Dick, “The Android and the Human”
Philip K. Dick, “Man, Android, and Machine”
Dennis Villeneuve (dir.), Blade Runner 2049
Weird Studies, Episode 114 on the Wheel of Fortune
Scott Bukatman, Blade Runner: BFI Film Classics
Alan Nourse, The Bladerunner
Weird Studies, Episode 115 on Brian Eno
Richard Dawkins, The Selfish Gene
Todd Gitlin, The Sixties: Years of Hope, Days of Rage
Fredric Jameson, Postmodernism or the Cultural Logic of Late Capitalism
Weird Studies, Episode 5 on “When Nothing is Cool”
JF Martel, “Reality is Analog: Philosophizing with Stranger Things”
John Carpenter (dir,), The Thing
Beyond Yacht Rock podcast
Sigmund Freud, “The Uncanny”
Weird Studies, Episode 86 on “The Sandman”
Orson Welles (dir.), Touch of Evil
George Orwell, 1984

Episode 111: What Is Best in Life: On "Conan the Barbarian"

Phil Ford and J. F. Martel — Wed, 24 Nov 2021 11:15:00 -0500

A wish-fulfilment fantasy for pubescent boys of all ages, or a subtle disquisition on the ethics of a sorcerous world? John Milius' Conan the Barbarian (1982) manages to be both, although one may be easy to overlook. In this episode, JF and Phil leave the heights of Hesse's The Glass Bead Game with a headlong dive to the trash stratum. Their wager: that Conan the Barbarian, a film without a hint of irony, is a spiritual statement that is equal parts empowering and disquieting, and a prime of example of how fantasy is sometimes the straightest way to the heart of reality.

REFERENCES

John Milus (dir.), Conan the Barbarian (1982)
Richard Fleischer (dir.), Conan the Destroyer (1984)
Robert E. Howard, American writer, author of the Conan stories
Jack Smith, "On the Perfect Filmic Appositeness of Maria Montez"
Weird Studies #3: Ecstasy, Sin, and "The White People"
H. P. Lovecraft, "Supernatural Horror in Literature"
Fritz Leiber, American writer
Weird Studies #95: Demon Seed: On Doris Lessing's The Fifth Child
Dungeons & Dragons
Weird Studies #20: The Trash Stratum (part 1, part 2)
Masaki Kobayashi (dir.), Kwaidan
Jerry Zucker (dir.), Ghost (1990)
Roget's Thesarus of English Words and Phrases
Maria Montez, Dominican-American actress

Episode 100: The Price of Beauty is Horror: On the Films of John Carpenter

Phil Ford and J. F. Martel — Wed, 09 Jun 2021 10:30:00 -0400

Central to the tradition of cosmic horror is the suggestion that the ultimate truth about our universe is at once knowable and unthinkable, such that one learns it only at the cost of one's sanity and soul. John Carpenter is one of a handful of horror directors to have successfully ported this idea from literature to cinema. This episode is an attempt to unearth some of the eldritch symbols buried in a selection of Carpenter's apocalyptic works, including Escape from New York, The Thing, They Live,_ In the Mouth of Madness_, and the little known Cigarette Burns.

Support us on Patreon: https://www.patreon.com/weirdstudies
Find us on Discord: https://discord.com/invite/Jw22CHfGwp
Visit the Weird Studies Bookshop: https://bookshop.org/shop/weirdstudies

REFERENCES

John Carpenter films discussed:
The Thing
Cigarette Burns
In the Mouth of Madness
Prince of Darkness
Halloween
They Live
Escape from New York
Escape from L.A.
Big Trouble in Little China

Other References:

Pascal Laugier (dir.), Martyrs
Srdjan Spasojevic (dir.), A Serbian Film
Weird Studies, Episode 90 on The Owl in Daylight
Roger Corman, American director
Northrup Frye, Words with Power
J. R. R. Tolkien, forward to The Fellowship of the Ring
Gilles Deleuze and Felix Guatarri, “Percept, Affect, and Concept” in What is Philosophy
Weird Studies, Episode 72 on the Castrati
Weird Studies, Episode 46, Thomas Ligotti’s Angel
Gabriel Garcia Marquez, “A Very Old Man with Enormous Wings”
China Mieville, British author
Karlheinz Stockhausen, comments on 9/11
H. P. Lovecraft, Nyarlothotep
H. P. Lovecraft, “The Haunter of the Dark”
Nick Land, Fanged Noumena
Zack Snyder, American director
Haeccaity and Quiddity, philosophical concepts
Samuel Delaney, Dahlgren
Weird Studies, Episode 98 on Exotica
Quentin Meillasoux, After Finitude
Rainer Maria Rilke, Duino Elegies

Episode 96: Beautiful Beast: On Jean Cocteau's 'La Belle et la Bête'

Phil Ford and J. F. Martel — Wed, 14 Apr 2021 10:00:00 -0400

Jean Cocteau's visionary rendition of Madame de Beaumont's fairy tale "Beauty and the Beast," itself the retelling of a story that may be several millennia old, is the topic of this Weird Studies episode, which proposes a journey down lunar paths to the crossroads where love and death intersect. Drawing on Surrealism, myth, and the occult, Cocteau's 1946 film transcends the limitations of media to become a living poem, a thing that is also a place, a place that is also a mind. This conversation touches on the genius of the child, the mysteries of Eros, the monstrosity of consciousness, and the sorcery of cinema.

Photo by Ivan Jevtic on Unsplash

Click here to register for JF's upcoming course on art.

REFERENCES

Jean Cocteau (dir.), La Belle et la Bête

Jaques Maritain, Creative Intuition in Art and Poetry
Sergei Diaghilev, Russian impresario
Gary Trousdale and Kirk Wise (dir.), Beauty and the Beast
David Thomson, Have You Seen?
Bram Stoker, Dracula
Johannes Vermeer, Dutch painter
Philip Glass, La Belle et la Bête (opera)
Game of Thrones, Television series
Weird Studies, Episode 84 on the Empress Card
Weird Studies, Episode 94 on the Moon Card

Episode 92: Glitch in the Matrix: A Conversation with Rodney Ascher

Phil Ford and J. F. Martel — Wed, 17 Feb 2021 10:45:00 -0500

With his latest film, a meditation on what it means to believe we live in a computer simulation, Rodney Ascher has once again placed himself among the most innovative and visionary filmmakers working in the documentary form today. While the "Simulation Hypothesis" has been a hot topic ever since The Matrix came out in 1997, it is Ascher's ability to suspend judgement, training his camera on the experience of believers rather than the value of their beliefs, that makes A Glitch in the Matrix such a unique and significant exploration, a strange work of "phantom phenomenology."

Weird Studies listeners will recall that Phil and JF devoted an episode to Ascher's films -- most notably Room 237 and The Nightmare -- back in the early days of the podcast. In this episode, Rodney Ascher joins them to discuss his cinematic vision, his take on the weird, and his thoughts on what is real and why it matters.

REFERENCES

[Rodney Ascher](www.rodneyascher.com), American filmmaker
-- [A Glitch in the Matrix](www.aglitchinthematrixfilm.com)

Jay Weidner's theories on Kubrick
Buddhist idea of the the Arising and Passing Away
[Dungeons & Dragons](https://en.wikipedia.org/wiki/Dungeons%26_Dragons), tabletop roleplaying game
James Machin, _Weird Fiction in Britain 1880-1939
Magic Eye pictures
Parmenides, Greek philosopher
Wachowskis, The Matrix
Alan Moore, "Superman: For the Man Who Has Everything"
Conway's Game of Life
Joshua Clover, The Matrix (BFI Film Classics)
Jonathan Snipes, American composer
Clipping, experimental hip hop band
"Shining" romantic comedy recut
Michael Curtiz (dir.), Casblanca
John Boorman (dir.), [Point Blank](https://www.imdb.com/title/tt0062138/?ref=fn_al_tt_2)_
Louis Sass, Madness and Modernism: Insanity in the Light of Modern Art, Literature, and Thought
Special Guest: Rodney Ascher.

Holiday Bonus: Magic, Madness, and Sadness

Phil Ford and J. F. Martel — Mon, 21 Dec 2020 10:00:00 -0500

Weird Studies will launch its fourth season on January 6th, 2021. But to celebtrate the end of very strange year, we thought we'd release a conversation which until now was available only to our top-tier Patreon backers. Therein we discuss the philosophical underpinnings of "Puhoy," memorable episode of the brilliant animated series Adventure Time. This was JF's introduction to a show that Phil has often recommended for its novel treatment of complex ideas and downright weirdness.

Watch "Puhoy" on YouTube:
Part 1
Part 2

Episode 62: It's Like 'The Shining', But With Nuns: On 'Black Narcissus'

Phil Ford and J. F. Martel — Wed, 18 Dec 2019 14:00:00 -0500

The 1947 British film Black Narcissus is many things: an allegory of the end of empire, a chilling ghost story with nary a spook in sight, a psychological romance, and a meditation on the nature of the divine. Its weirdness is as undeniable as it is difficult to locate. On the surface, the story is straightforward: five nuns are tasked with opening a convent in the former seraglio of a dead potentate in the Himalayas. But on a deeper level, there is a lot more going on, as Phil and JF discover in this conversation touching on the presence of the past, the monstrosity of God, the mystery of the singular, and the eroticism of prayer, among other strangenesses.

REFERENCES

Michael Powell and Emeric Pressburged (dirs.), Black Narcissus
Rumer Godden, author of the original novel

Stanley Kubrick, The Shining
Gilles Deleuze, Difference and Repetition
Tim Ingold, British anthropologist -- lecture: "One World Anthropology"
Jonathan Demme (dir.), The Silence of the Lambs
Pierre Bourdieu, French sociologist
Bruno Latour, On the Modern Cult of the Factish Gods
Don Barhelme, American short story writer
Paul Ricoeur, French philosopher
Weird Studies episode 16: On Dogen Zenji's Genjokoan
The King and the Beggar Maid
Gillo Pontecorvo, The Battle of Algiers
“Painting with Light,” featurette on the Criterion Collection DVD of Black Narcissus

Episode 61: Evil and Ecstasy: On 'The Silence of the Lambs'

Phil Ford and J. F. Martel — Wed, 04 Dec 2019 12:15:00 -0500

The Welsh writer Arthur Machen defined good and evil as "ecstasies." Each one is a "withdrawal from the common life." On this view, any artistic investigation into the nature of good and evil can't remain safely ensconced our modern, common-life construal of thinigs. It must become fantastic and incorporate aspects of "nature" that feel "supernatural" from a modern standpoint. Jonathan Demme's screen adaptation of The Silence of the Lambs is a powerful example. The film oscillates undecidably between a straightforward crime story and a work of supernatural horror. In this episode, JF and Phil cast Hannibal Lecter and Clarice Starling as figures in a myth that pits the individual against the institution, the singular against the type, and the forces of light against the forces of darkness.

REFERENCES

Jonathan Demme (dir.), The Silence of the Lambs
Thomas Harris, The Silence of the Lambs (original novel)
Carl Jung on the doctrine of Privatio Boni
Johann Sebastian Bach, The Goldberg Variations
William Gibson, Pattern Recognition
Rolling Stones, "Sympathy for the Devil"
Howard Shore, Canadian composer
Arthur Machen, The White People
Weird Studies, episode 3: Ecstasy, Sin, and "The White People"
Machen, The White People
Machen, Hieroglyphics: A Note Upon Ecstasy in Literature

Episode 57: Box of God(s): On 'Raiders of the Lost Ark'

Phil Ford and J. F. Martel — Wed, 09 Oct 2019 10:00:00 -0400

Raiders of the Lost Ark is more than a Hollywood movie made in the summer blockbuster mold. As Phil says in his intro to this popping Weird Studies episode, the film is "a Trojan horse of the Weird, easy to let in but once inside, apt to take over." This conversation sees him and JF discuss a movie we dismiss at our own risk, a cinematic masterpiece replete with enigmas that reach back to the foundations of Western civilization. What does the Ark of the Covenant signify? What does it contain? What happens if you open that box of god(s)? And whose god is this, anyway? These are questions that have puzzled theologians and mystics for centuries, and Steven Spielberg's great work asks them anew for an age gone nuclear.

Image by arsheffield

REFERENCES

Steven Spielberg, Raiders of the Lost Ark
Steven Soderbergh’s version of Raiders with sound and color removed
Weird Studies Patreon extra, “Weird Genius”
Weird Studies episode 28, “Weird Music Part 2”
Camille Saint-Saëns, Danse Macabre
M. Night Shyamalan, Signs
Buck Rogers, Flash Gordon
Neil Jordan (dir.), The End of the Affair
Weird Studies episode 29, “On Lovecraft”
Nicholas Goodrick-Clarke, The Occult Roots of Nazism
Howard Carter, British archaeologist
Jorge Luis Borges, “The Library of Babel”
Claude Levi Strauss, French anthropologist
Clement Greenberg's concept of medium specificity
D. W. Griffith, Birth of a Nation
David Mamet, On Directing Film
Dumbo (1941 film)
H. P. Lovecraft, “The Strange High House in the Mist”
Jan Fries, Helrunar: A Manual of Rune Magick
Neil Gaiman, American Gods
GIF of the soldier moving funny at the end of Raiders
Weird Studies episode 2, “Garmonbozia”
Aaron Leitch, occultist
Austin Osman Spare, The Book of Pleasure
Gene Wolfe, [Soldier of the Mist](https://en.wikipedia.org/wiki/SoldieroftheMist)_

Episode 40: On Jonathan Glazer's 'Under the Skin'

Phil Ford and J. F. Martel — Wed, 13 Feb 2019 13:00:00 -0500

In Jonathan Glazer's loose screen adaptation of Michel Faber's novel Under the Skin, a creature of mysterious origin drives around Scotland in a white van, collecting lonely men and spiriting them away to an otherworld where they are turned into food.... or something. Drawing on a deep well of literary, visual, and musical tradition, Glazer (with help from his score composer Mica Levi) create a vivid work of tragedy and horror, masterfully executed for maximal weirdness and unwaveringly true to the auteur's intent to reveal our world from an "alien perspective." In this episode, Phil and JF discuss some themes and ideas they've pried from this exquisite tangle of image and sound. Along the way, they discuss the role that serendipity, coincidence, and fate play in both art-making and scholarship.

REFERENCES

Under the Skin (Jonathan Glazer, 2013)
Other films by Glazer: Sexy Beast (2000), Birth (2004)

Barry Lyndon (Stanley Kubrick, 1975)
Iannis Xenakis, Greek composer
Twin Peaks: The Return (David Lynch, 2017)
Ligeti, Atmosphères
Stranger Things (The Duffer Brothers, 2016)
Screen shot of "Space Invader" Easter egg in Under the Skin
Weird Studies Episode 37: Entities, with Stuart Davis
John August, American screenwriter
Phil Ford, "The Devil's On Your Side: A Meditation on the Perennially Disreputable Business of Hermeneutics" (unpublished)
Room 237 (Rodney Ascher, 2013)
William Irwin Thompson, Imaginary Landscape: Making Worlds of Myth and Science
Interview with Mica Levi, who composed the score for Under the Skin
Atar Arad, American violist
David Caspar Friedrich, Wanderer above the Sea of Fog

Episode 27: Weird Music, Part One

Phil Ford and J. F. Martel — Wed, 26 Sep 2018 13:00:00 -0400

In this first of two episodes devoted to the music of the weird, Phil and JF discuss two works that have bowled them over: the second movement of Ligeti's Musica Ricercata, used to powerful effect in Stanley Kubrick's Eyes Wide Shut, and the opening music to Cronenberg's film Naked Lunch, composed by Howard Shore and featuring the inimitable stylings of Ornette Coleman. After teasing out the intrinsic weirdness of music in general, the dialogue soars over a strange country rife with shadows, mad geniuses, and skittering insects. And to top it all off, Phil breaks out the grand piano.

Header image by Bandan, Wikimedia Commons

REFERENCES

Ligeti, Musica Ricercata, 2nd movement
Howard Shore and Ornette Coleman, opening music for David Cronenberg's Naked Lunch

Schopenhauer, The World as Will and Representation
Suzanne Langer, Philosophy in a New Key
Henri Bergson, Creative Evolution
Stanley Kubrick, 2001: A Space Odyssey
Viktor Shklovsky, "Art as Technique"
Stanley Kubrick, Eyes Wide Shut
Hitchcock, Psycho
Vulture, "The Evolution of the Movie Trailer" by Granger Willson
Official Trailer for The Shining_vs teaser for _2012
Jan Harlan (director), Stanley Kubrick: A Life in Pictures
David Cronenberg, Crash
William S. Burroughs, Naked Lunch
Gilles Deleuze & Félix Guattari, A Thousand Plateaus
Gunther Schuller's interview with Ethan Iverson
Weird Studies, Episode 25: David Cronenberg's Naked Lunch
Deleuze & Guattari, Anti-Oedipus

Episode 21: The Trash Stratum - Part 2

Phil Ford and J. F. Martel — Fri, 13 Jul 2018 10:00:00 -0400

The writings of underground filmmaker Jack Smith serve as a starting point for Phil and JF's second tour of the trash stratum. In their wanderings, they will uncover such moldy jewels as the 1944 film Cobra Woman, the exploitation flick She-Devils on Wheels, and (wonder of wonders) Hitchcock's Vertigo. The emergent focus of the conversation is the dichotomy of passionate commitment and ironic perspective, attitudes that largely determine whether a given object will turn out to appear as a negligible piece of garbage... or the Holy Grail. By the end, our hosts realize that even their own personal trash strata may give off shimmers of the divine.

Jack Smith, Flaming Creatures
Robert Siodmak (director), Cobra Woman (1944)
Jack Smith, "The Perfect Filmic Appositeness of Maria Montez"
Roger Scruton, English philosopher
Mystery Science Theater 3000 (TV series)
Kenneth Burke, American literary theorist
Alfred Hitchcock (director), Vertigo (1958)
Fyodor Dostoevsky, Notes from Underground
Charles Ludlam's Theater of the Ridiculous
Mel Brooks (director), High Anxiety (1977)
"Ironic Porn Purchase Leads to Unironic Ejaculation", The Onion (1999)
James Carse, Finite and Infinite Games
Jorge Luis Borges, "The Approach to Al-Mu'tasim"
Herschell Gordon Louis (director), She-Devils on Wheels
André Bazin, What is Cinema?
Erik Davis, "The Alchemy of Trash"
David Lynch, Mulholland Drive
William James, The Varieties of Religious Experience
Phil Ford, "Birth of the Weird"

Episode 14: On Tarkovsky's 'Stalker' - Part One

Phil Ford and J. F. Martel — Tue, 15 May 2018 23:00:00 -0400

Journey into the Zone to uncover some of the strange artifacts buried in Tarkovsky's cinematic masterpiece, Stalker (1979). In this first of a two-part conversation, Phil and JF discuss a poem by Tarkovsky's dad, compare the film with the sci-fi novel that inspired it, explore the ideological underpinnings of formulaic genre, delve into the meaning and affordances of the concept of zone, and affirm that in a sufficiently weird mindset, even a casual stroll in your hometown can become an excursion into a Zone of your own.

REFERENCES

Andrei Tarkovsky (dir.), Stalker
Arkady and Boris Strugatsky, Roadside Picnic
The Wachowskis (dir.), The Matrix
James Cameron (dir.), Avatar
Second City Television (SCTV), vintage Canadian comedy show
Alex Garland (dir.), Annihilation (based on the novel by Jeff Vandermeer; here's an article on how Garland's film differs from Vandermeer's arguably weirder text)
SCTV, Monster Chiller Horror Theatre: Whispers of the Wolf