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    <title>Weird Studies - Episodes Tagged with “Body Horror”</title>
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    <pubDate>Wed, 25 Sep 2024 10:30:00 -0400</pubDate>
    <description>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality." 
</description>
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    <itunes:subtitle>Art and philosophy at the limits of the thinkable</itunes:subtitle>
    <itunes:author>Phil Ford and J. F. Martel</itunes:author>
    <itunes:summary>Professor Phil Ford and writer J. F. Martel host a series of conversations on art and philosophy, dwelling on ideas that are hard to think and art that opens up rifts in what we are pleased to call "reality." 
</itunes:summary>
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<item>
  <title>Episode 176: On Charles Burns' 'Black Hole' and the Medium of Comics</title>
  <link>https://www.weirdstudies.com/176</link>
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  <pubDate>Wed, 25 Sep 2024 10:30:00 -0400</pubDate>
  <author>Phil Ford and J. F. Martel</author>
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  <itunes:episode>176</itunes:episode>
  <itunes:title>On Charles Burns' 'Black Hole' and the Medium of Comics</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>JF and Phil discuss Charles Burns' masterful graphic novel "Black Hole."</itunes:subtitle>
  <itunes:duration>1:21:13</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
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  <description>&lt;p&gt;Comics, like cinema, is an eminently modern medium. And as with cinema, looking closely at it can swiftly acquaint us with the profound weirdness of modernity. Do that in the context of a discussion on Charles Burns' comic masterpiece &lt;em&gt;Black Hole&lt;/em&gt;, and you're guaranteed a memorable &lt;em&gt;Weird Studies&lt;/em&gt; episode. &lt;em&gt;Black Hole&lt;/em&gt; was serialized over ten years beginning in 1995, and first released as a single volume by Pantheon Books in 2005. Like all masterpieces, it shines both inside and out: it tells a captivating story, a "weirding" of the teenage romance genre, while also revealing something of the inner workings of comics as such. In this episode, Phil and JF explore the singular wonders of a medium that, thanks to artists like Burns, has rightfully ascended from the &lt;a href="https://www.weirdstudies.com/20" target="_blank" rel="nofollow noopener"&gt;trash stratum&lt;/a&gt; to the coveted empyrean of artistic respectability—without losing its edge.&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;BIG NEWS:&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;• If you're planning to be in Bloomington, Indiana on October 9th, 2024, &lt;a href="https://cinema.indiana.edu/upcoming-films/screening/2024-fall-wednesday-october-9-700pm" target="_blank" rel="nofollow noopener"&gt;click here&lt;/a&gt; to purchase tickets to IU Cinema's screening of John Carpenter's &lt;strong&gt;&lt;em&gt;In the Mouth of Madness&lt;/em&gt;&lt;/strong&gt;, featuring a live &lt;em&gt;Weird Studies&lt;/em&gt; recording with JF and Phil.&lt;/p&gt;

&lt;p&gt;• Go to &lt;a href="http://www.weirdosphere.org" target="_blank" rel="nofollow noopener"&gt;Weirdosphere&lt;/a&gt; to sign up for Matt Cardin's upcoming course, &lt;strong&gt;MC101: Writing at the Wellspring&lt;/strong&gt;, starting on 22 October 2024.&lt;/p&gt;

&lt;p&gt;• Visit &lt;a href="https://www.shannontaggart.com/events" target="_blank" rel="nofollow noopener"&gt;https://www.shannontaggart.com/events&lt;/a&gt; and follow the links to learn more about Shannon's (online) &lt;strong&gt;Fall Symposium&lt;/strong&gt; at the Last Tuesday Society. Featured speakers include Steven Intermill &amp;amp; Toni Rotonda, Shannon Taggart, JF Martel, Charles and Penelope Emmons, Doug Skinner, Michael W. Homer, Maria Molteni, and Emily Hauver. &lt;/p&gt;

&lt;p&gt;Support us on &lt;a href="https://www.patreon.com/weirdstudies" target="_blank" rel="nofollow noopener"&gt;Patreon&lt;/a&gt;.&lt;br&gt;
Buy the Weird Studies soundtrack, volumes &lt;a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1" target="_blank" rel="nofollow noopener"&gt;1&lt;/a&gt; and &lt;a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2" target="_blank" rel="nofollow noopener"&gt;2&lt;/a&gt;, on Pierre-Yves Martel's &lt;a href="https://pierre-yvesmartel.bandcamp.com" target="_blank" rel="nofollow noopener"&gt;Bandcamp&lt;/a&gt; page.&lt;br&gt;
Listen to Meredith Michael and Gabriel Lubell's podcast, &lt;em&gt;&lt;a href="https://cosmophonia.podbean.com/" target="_blank" rel="nofollow noopener"&gt;Cosmophonia&lt;/a&gt;&lt;/em&gt;.&lt;br&gt;
Visit the Weird Studies &lt;a href="https://bookshop.org/shop/weirdstudies" target="_blank" rel="nofollow noopener"&gt;Bookshop&lt;/a&gt;&lt;br&gt;
Find us on &lt;a href="https://discord.com/invite/Jw22CHfGwp" target="_blank" rel="nofollow noopener"&gt;Discord&lt;/a&gt;&lt;br&gt;
Get the T-shirt design from &lt;a href="https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s" target="_blank" rel="nofollow noopener"&gt;Cotton Bureau&lt;/a&gt;!&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;REFERENCES&lt;/strong&gt;&lt;/p&gt;

&lt;p&gt;Charles Burns, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9780375714726" target="_blank" rel="nofollow noopener"&gt;Black Hole&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Medium_specificity#cite_note-2" target="_blank" rel="nofollow noopener"&gt;Clement Greenberg’s concept of “medium specificity”&lt;/a&gt; &lt;br&gt;
Terry Gilliam (dir.), &lt;em&gt;&lt;a href="https://www.imdb.com/title/tt0101889/" target="_blank" rel="nofollow noopener"&gt;The Fisher King&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
&lt;a href="https://drawnandquarterly.com/author/seth/" target="_blank" rel="nofollow noopener"&gt;Seth&lt;/a&gt;, comic artist &lt;br&gt;
Chris Ware, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9780375424335" target="_blank" rel="nofollow noopener"&gt;Building Stories&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
&lt;a href="https://www.jstor.org/stable/10.1086/677339" target="_blank" rel="nofollow noopener"&gt;“Graphic Novel Forms Today”&lt;/a&gt; in &lt;em&gt;Critical Inquiry&lt;/em&gt; &lt;br&gt;
Raymond Knapp, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9780691141053" target="_blank" rel="nofollow noopener"&gt;The American Musical and the Performance of Personal Identity&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Vilhelm_Hammersh%C3%B8i" target="_blank" rel="nofollow noopener"&gt;Vilhelm Hammershoi&lt;/a&gt;, Danish painter &lt;br&gt;
Ramsey Dukes, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9780904311112" target="_blank" rel="nofollow noopener"&gt;Words Made Flesh&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
G. Spencer-Brown, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/Laws_of_Form" target="_blank" rel="nofollow noopener"&gt;Laws of Form&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Dave Hickey, &lt;a href="https://approachestopainting.wordpress.com/wp-content/uploads/2013/01/19135319-hickey-7-formalism-036.pdf" target="_blank" rel="nofollow noopener"&gt;“Formalism”&lt;/a&gt; &lt;br&gt;
Nelson Goodman, &lt;em&gt;&lt;a href="https://en.wikipedia.org/wiki/Languages_of_Art" target="_blank" rel="nofollow noopener"&gt;Languages of Art&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Chrysippus" target="_blank" rel="nofollow noopener"&gt;Chrysippus&lt;/a&gt;, Stoic philosopher &lt;br&gt;
Scott McCloud, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9780060976255" target="_blank" rel="nofollow noopener"&gt;Understanding Comics&lt;/a&gt;&lt;/em&gt;  &lt;/p&gt;
</description>
  <itunes:keywords>comics, weird studies, charles burns, black hole, analysis, meaning, symbolism, grotesque</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>Comics, like cinema, is an eminently modern medium. And as with cinema, looking closely at it can swiftly acquaint us with the profound weirdness of modernity. Do that in the context of a discussion on Charles Burns&#39; comic masterpiece <em>Black Hole</em>, and you&#39;re guaranteed a memorable <em>Weird Studies</em> episode. <em>Black Hole</em> was serialized over ten years beginning in 1995, and first released as a single volume by Pantheon Books in 2005. Like all masterpieces, it shines both inside and out: it tells a captivating story, a &quot;weirding&quot; of the teenage romance genre, while also revealing something of the inner workings of comics as such. In this episode, Phil and JF explore the singular wonders of a medium that, thanks to artists like Burns, has rightfully ascended from the <a href="https://www.weirdstudies.com/20" rel="nofollow">trash stratum</a> to the coveted empyrean of artistic respectability—without losing its edge.</p>

<p><strong>BIG NEWS:</strong></p>

<p>• If you&#39;re planning to be in Bloomington, Indiana on October 9th, 2024, <a href="https://cinema.indiana.edu/upcoming-films/screening/2024-fall-wednesday-october-9-700pm" rel="nofollow">click here</a> to purchase tickets to IU Cinema&#39;s screening of John Carpenter&#39;s <strong><em>In the Mouth of Madness</em></strong>, featuring a live <em>Weird Studies</em> recording with JF and Phil.</p>

<p>• Go to <a href="http://www.weirdosphere.org" rel="nofollow">Weirdosphere</a> to sign up for Matt Cardin&#39;s upcoming course, <strong>MC101: Writing at the Wellspring</strong>, starting on 22 October 2024.</p>

<p>• Visit <a href="https://www.shannontaggart.com/events" rel="nofollow">https://www.shannontaggart.com/events</a> and follow the links to learn more about Shannon&#39;s (online) <strong>Fall Symposium</strong> at the Last Tuesday Society. Featured speakers include Steven Intermill &amp; Toni Rotonda, Shannon Taggart, JF Martel, Charles and Penelope Emmons, Doug Skinner, Michael W. Homer, Maria Molteni, and Emily Hauver. </p>

<p>Support us on <a href="https://www.patreon.com/weirdstudies" rel="nofollow">Patreon</a>.<br>
Buy the Weird Studies soundtrack, volumes <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1" rel="nofollow">1</a> and <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2" rel="nofollow">2</a>, on Pierre-Yves Martel&#39;s <a href="https://pierre-yvesmartel.bandcamp.com" rel="nofollow">Bandcamp</a> page.<br>
Listen to Meredith Michael and Gabriel Lubell&#39;s podcast, <em><a href="https://cosmophonia.podbean.com/" rel="nofollow">Cosmophonia</a></em>.<br>
Visit the Weird Studies <a href="https://bookshop.org/shop/weirdstudies" rel="nofollow">Bookshop</a><br>
Find us on <a href="https://discord.com/invite/Jw22CHfGwp" rel="nofollow">Discord</a><br>
Get the T-shirt design from <a href="https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s" rel="nofollow">Cotton Bureau</a>!</p>

<p><strong>REFERENCES</strong></p>

<p>Charles Burns, <em><a href="https://bookshop.org/a/18799/9780375714726" rel="nofollow">Black Hole</a></em> <br>
<a href="https://en.wikipedia.org/wiki/Medium_specificity#cite_note-2" rel="nofollow">Clement Greenberg’s concept of “medium specificity”</a> <br>
Terry Gilliam (dir.), <em><a href="https://www.imdb.com/title/tt0101889/" rel="nofollow">The Fisher King</a></em> <br>
<a href="https://drawnandquarterly.com/author/seth/" rel="nofollow">Seth</a>, comic artist <br>
Chris Ware, <em><a href="https://bookshop.org/a/18799/9780375424335" rel="nofollow">Building Stories</a></em> <br>
<a href="https://www.jstor.org/stable/10.1086/677339" rel="nofollow">“Graphic Novel Forms Today”</a> in <em>Critical Inquiry</em> <br>
Raymond Knapp, <em><a href="https://bookshop.org/a/18799/9780691141053" rel="nofollow">The American Musical and the Performance of Personal Identity</a></em> <br>
<a href="https://en.wikipedia.org/wiki/Vilhelm_Hammersh%C3%B8i" rel="nofollow">Vilhelm Hammershoi</a>, Danish painter <br>
Ramsey Dukes, <em><a href="https://bookshop.org/a/18799/9780904311112" rel="nofollow">Words Made Flesh</a></em> <br>
G. Spencer-Brown, <em><a href="https://en.wikipedia.org/wiki/Laws_of_Form" rel="nofollow">Laws of Form</a></em> <br>
Dave Hickey, <a href="https://approachestopainting.wordpress.com/wp-content/uploads/2013/01/19135319-hickey-7-formalism-036.pdf" rel="nofollow">“Formalism”</a> <br>
Nelson Goodman, <em><a href="https://en.wikipedia.org/wiki/Languages_of_Art" rel="nofollow">Languages of Art</a></em> <br>
<a href="https://en.wikipedia.org/wiki/Chrysippus" rel="nofollow">Chrysippus</a>, Stoic philosopher <br>
Scott McCloud, <em><a href="https://bookshop.org/a/18799/9780060976255" rel="nofollow">Understanding Comics</a></em> </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>Comics, like cinema, is an eminently modern medium. And as with cinema, looking closely at it can swiftly acquaint us with the profound weirdness of modernity. Do that in the context of a discussion on Charles Burns&#39; comic masterpiece <em>Black Hole</em>, and you&#39;re guaranteed a memorable <em>Weird Studies</em> episode. <em>Black Hole</em> was serialized over ten years beginning in 1995, and first released as a single volume by Pantheon Books in 2005. Like all masterpieces, it shines both inside and out: it tells a captivating story, a &quot;weirding&quot; of the teenage romance genre, while also revealing something of the inner workings of comics as such. In this episode, Phil and JF explore the singular wonders of a medium that, thanks to artists like Burns, has rightfully ascended from the <a href="https://www.weirdstudies.com/20" rel="nofollow">trash stratum</a> to the coveted empyrean of artistic respectability—without losing its edge.</p>

<p><strong>BIG NEWS:</strong></p>

<p>• If you&#39;re planning to be in Bloomington, Indiana on October 9th, 2024, <a href="https://cinema.indiana.edu/upcoming-films/screening/2024-fall-wednesday-october-9-700pm" rel="nofollow">click here</a> to purchase tickets to IU Cinema&#39;s screening of John Carpenter&#39;s <strong><em>In the Mouth of Madness</em></strong>, featuring a live <em>Weird Studies</em> recording with JF and Phil.</p>

<p>• Go to <a href="http://www.weirdosphere.org" rel="nofollow">Weirdosphere</a> to sign up for Matt Cardin&#39;s upcoming course, <strong>MC101: Writing at the Wellspring</strong>, starting on 22 October 2024.</p>

<p>• Visit <a href="https://www.shannontaggart.com/events" rel="nofollow">https://www.shannontaggart.com/events</a> and follow the links to learn more about Shannon&#39;s (online) <strong>Fall Symposium</strong> at the Last Tuesday Society. Featured speakers include Steven Intermill &amp; Toni Rotonda, Shannon Taggart, JF Martel, Charles and Penelope Emmons, Doug Skinner, Michael W. Homer, Maria Molteni, and Emily Hauver. </p>

<p>Support us on <a href="https://www.patreon.com/weirdstudies" rel="nofollow">Patreon</a>.<br>
Buy the Weird Studies soundtrack, volumes <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1" rel="nofollow">1</a> and <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2" rel="nofollow">2</a>, on Pierre-Yves Martel&#39;s <a href="https://pierre-yvesmartel.bandcamp.com" rel="nofollow">Bandcamp</a> page.<br>
Listen to Meredith Michael and Gabriel Lubell&#39;s podcast, <em><a href="https://cosmophonia.podbean.com/" rel="nofollow">Cosmophonia</a></em>.<br>
Visit the Weird Studies <a href="https://bookshop.org/shop/weirdstudies" rel="nofollow">Bookshop</a><br>
Find us on <a href="https://discord.com/invite/Jw22CHfGwp" rel="nofollow">Discord</a><br>
Get the T-shirt design from <a href="https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s" rel="nofollow">Cotton Bureau</a>!</p>

<p><strong>REFERENCES</strong></p>

<p>Charles Burns, <em><a href="https://bookshop.org/a/18799/9780375714726" rel="nofollow">Black Hole</a></em> <br>
<a href="https://en.wikipedia.org/wiki/Medium_specificity#cite_note-2" rel="nofollow">Clement Greenberg’s concept of “medium specificity”</a> <br>
Terry Gilliam (dir.), <em><a href="https://www.imdb.com/title/tt0101889/" rel="nofollow">The Fisher King</a></em> <br>
<a href="https://drawnandquarterly.com/author/seth/" rel="nofollow">Seth</a>, comic artist <br>
Chris Ware, <em><a href="https://bookshop.org/a/18799/9780375424335" rel="nofollow">Building Stories</a></em> <br>
<a href="https://www.jstor.org/stable/10.1086/677339" rel="nofollow">“Graphic Novel Forms Today”</a> in <em>Critical Inquiry</em> <br>
Raymond Knapp, <em><a href="https://bookshop.org/a/18799/9780691141053" rel="nofollow">The American Musical and the Performance of Personal Identity</a></em> <br>
<a href="https://en.wikipedia.org/wiki/Vilhelm_Hammersh%C3%B8i" rel="nofollow">Vilhelm Hammershoi</a>, Danish painter <br>
Ramsey Dukes, <em><a href="https://bookshop.org/a/18799/9780904311112" rel="nofollow">Words Made Flesh</a></em> <br>
G. Spencer-Brown, <em><a href="https://en.wikipedia.org/wiki/Laws_of_Form" rel="nofollow">Laws of Form</a></em> <br>
Dave Hickey, <a href="https://approachestopainting.wordpress.com/wp-content/uploads/2013/01/19135319-hickey-7-formalism-036.pdf" rel="nofollow">“Formalism”</a> <br>
Nelson Goodman, <em><a href="https://en.wikipedia.org/wiki/Languages_of_Art" rel="nofollow">Languages of Art</a></em> <br>
<a href="https://en.wikipedia.org/wiki/Chrysippus" rel="nofollow">Chrysippus</a>, Stoic philosopher <br>
Scott McCloud, <em><a href="https://bookshop.org/a/18799/9780060976255" rel="nofollow">Understanding Comics</a></em> </p>]]>
  </itunes:summary>
</item>
<item>
  <title>Episode 160: The Way of All Flesh: On John Carpenter's 'The Thing'</title>
  <link>https://www.weirdstudies.com/160</link>
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  <pubDate>Wed, 20 Dec 2023 10:30:00 -0500</pubDate>
  <author>Phil Ford and J. F. Martel</author>
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  <itunes:episode>160</itunes:episode>
  <itunes:title>The Way of All Flesh: On John Carpenter's 'The Thing'</itunes:title>
  <itunes:episodeType>full</itunes:episodeType>
  <itunes:author>Phil Ford and J. F. Martel</itunes:author>
  <itunes:subtitle>JF and Phil discuss the great 1982 horror film starring Kurt Russell.</itunes:subtitle>
  <itunes:duration>1:15:42</itunes:duration>
  <itunes:explicit>yes</itunes:explicit>
  <itunes:image href="https://media24.fireside.fm/file/fireside-images-2024/podcasts/images/e/e38b53e4-e148-4e2d-b301-0b3bb15779ff/cover.jpg?v=1"/>
  <description>&lt;p&gt;As a horror movie, John Carpenter's &lt;em&gt;The Thing&lt;/em&gt; seems to have it all: amazing practical effects, body horror, psychological drama, Kurt Russell ... Indeed, there is only one element this movie lacks, and that is anything at all corresponding to the titular villain. There is no &lt;em&gt;thing&lt;/em&gt; in &lt;em&gt;The Thing&lt;/em&gt;! What we have instead is a process, a pattern, a &lt;em&gt;way&lt;/em&gt; for which the term "thing" is as good as any other. (What is a thing anyway?) In this episode, Phil and JF, having decided that Carpenter's film qualifies as a Christmas movie because there is snow (and a dog) in it, explore the metaphysical implications of a cult classic.&lt;/p&gt;

&lt;p&gt;Support us on &lt;a href="https://www.patreon.com/weirdstudies" target="_blank" rel="nofollow noopener"&gt;Patreon&lt;/a&gt;.&lt;br&gt;
Buy the Weird Studies sountrack, volumes &lt;a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1" target="_blank" rel="nofollow noopener"&gt;1&lt;/a&gt; and &lt;a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2" target="_blank" rel="nofollow noopener"&gt;2&lt;/a&gt;, on Pierre-Yves Martel's &lt;a href="https://pierre-yvesmartel.bandcamp.com" target="_blank" rel="nofollow noopener"&gt;Bandcamp&lt;/a&gt; page.&lt;br&gt;
Listen to Meredith Michael and Gabriel Lubell's podcast, &lt;em&gt;&lt;a href="https://cosmophonia.podbean.com/" target="_blank" rel="nofollow noopener"&gt;Cosmophonia&lt;/a&gt;&lt;/em&gt;.&lt;br&gt;
Visit the Weird Studies &lt;a href="https://bookshop.org/shop/weirdstudies" target="_blank" rel="nofollow noopener"&gt;Bookshop&lt;/a&gt;&lt;br&gt;
Find us on &lt;a href="https://discord.com/invite/Jw22CHfGwp" target="_blank" rel="nofollow noopener"&gt;Discord&lt;/a&gt;&lt;br&gt;
Get the T-shirt design from &lt;a href="https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s" target="_blank" rel="nofollow noopener"&gt;Cotton Bureau&lt;/a&gt;!&lt;/p&gt;

&lt;p&gt;&lt;strong&gt;REFERENCES&lt;/strong&gt; &lt;/p&gt;

&lt;p&gt;John Carpenter, &lt;em&gt;&lt;a href="https://www.imdb.com/title/tt0084787/" target="_blank" rel="nofollow noopener"&gt;The Thing&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Weird Studies, &lt;a href="https://www.weirdstudies.com/100" target="_blank" rel="nofollow noopener"&gt;Episode 100 on Carpenter Films&lt;/a&gt; &lt;br&gt;
Weird Studies, &lt;a href="https://www.weirdstudies.com/157" target="_blank" rel="nofollow noopener"&gt;Episode 157 on Videodrome&lt;/a&gt; &lt;br&gt;
Ridley Scott, &lt;em&gt;&lt;a href="https://www.imdb.com/title/tt0083658/" target="_blank" rel="nofollow noopener"&gt;Blade Runner&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Ridley Scott &lt;em&gt;&lt;a href="https://www.imdb.com/title/tt0083658/" target="_blank" rel="nofollow noopener"&gt;Alien&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Thomas Aquinas, &lt;em&gt;&lt;a href="https://sourcebooks.fordham.edu/basis/aquinas-esse.asp" target="_blank" rel="nofollow noopener"&gt;On Being and Essence&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
&lt;a href="https://plato.stanford.edu/entries/medieval-haecceity/#HaecDunsScot" target="_blank" rel="nofollow noopener"&gt;Haecceity&lt;/a&gt; &lt;br&gt;
Ernest Fenollosa, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9781014296146" target="_blank" rel="nofollow noopener"&gt;The Chinese Written Characters as a Medium for Poetry&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Weird Studies, &lt;a href="https://www.weirdstudies.com/89" target="_blank" rel="nofollow noopener"&gt;Episode 89 on ‘Mumbo Jumbo’&lt;/a&gt; &lt;br&gt;
Weird Studies, &lt;a href="https://www.weirdstudies.com/127" target="_blank" rel="nofollow noopener"&gt;Episode 127 on ‘The Impossibility of Automating Ambiguity’&lt;/a&gt; &lt;br&gt;
Wikipedia, &lt;a href="https://en.wikipedia.org/wiki/Quiddity" target="_blank" rel="nofollow noopener"&gt;“Quiddity”&lt;/a&gt; &lt;br&gt;
&lt;a href="https://en.wikipedia.org/wiki/Vilhelm_Hammersh%C3%B8i" target="_blank" rel="nofollow noopener"&gt;Vilhelm Hammershøi,&lt;/a&gt; Danish painter &lt;br&gt;
Jez Conolly, &lt;em&gt;&lt;a href="https://www.amazon.com/Thing-Devils-Advocates-Jez-Conolly/dp/1906733775" target="_blank" rel="nofollow noopener"&gt;The Thing&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Arthur Schopenhauer, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9780460875059" target="_blank" rel="nofollow noopener"&gt;The World as Will and Representation&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Dylan Trigg, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9781782790778" target="_blank" rel="nofollow noopener"&gt;The Thing a Phenomenology of Horror&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Plato, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9781500405182" target="_blank" rel="nofollow noopener"&gt;The Timaeus&lt;/a&gt;&lt;/em&gt; &lt;br&gt;
Lucretius, &lt;a href="https://classics.mit.edu/Carus/nature_things.1.i.html" target="_blank" rel="nofollow noopener"&gt;“On the Nature of Things”&lt;/a&gt; &lt;br&gt;
Clive Barker, &lt;em&gt;&lt;a href="https://bookshop.org/a/18799/9780060933166" target="_blank" rel="nofollow noopener"&gt;The Great and Secret Show&lt;/a&gt;&lt;/em&gt;  &lt;/p&gt;
</description>
  <itunes:keywords>horror, cinema, John carpenter, the thing, analysis, meaning, symbolism, weird studies</itunes:keywords>
  <content:encoded>
    <![CDATA[<p>As a horror movie, John Carpenter&#39;s <em>The Thing</em> seems to have it all: amazing practical effects, body horror, psychological drama, Kurt Russell ... Indeed, there is only one element this movie lacks, and that is anything at all corresponding to the titular villain. There is no <em>thing</em> in <em>The Thing</em>! What we have instead is a process, a pattern, a <em>way</em> for which the term &quot;thing&quot; is as good as any other. (What is a thing anyway?) In this episode, Phil and JF, having decided that Carpenter&#39;s film qualifies as a Christmas movie because there is snow (and a dog) in it, explore the metaphysical implications of a cult classic.</p>

<p>Support us on <a href="https://www.patreon.com/weirdstudies" rel="nofollow">Patreon</a>.<br>
Buy the Weird Studies sountrack, volumes <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1" rel="nofollow">1</a> and <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2" rel="nofollow">2</a>, on Pierre-Yves Martel&#39;s <a href="https://pierre-yvesmartel.bandcamp.com" rel="nofollow">Bandcamp</a> page.<br>
Listen to Meredith Michael and Gabriel Lubell&#39;s podcast, <em><a href="https://cosmophonia.podbean.com/" rel="nofollow">Cosmophonia</a></em>.<br>
Visit the Weird Studies <a href="https://bookshop.org/shop/weirdstudies" rel="nofollow">Bookshop</a><br>
Find us on <a href="https://discord.com/invite/Jw22CHfGwp" rel="nofollow">Discord</a><br>
Get the T-shirt design from <a href="https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s" rel="nofollow">Cotton Bureau</a>!</p>

<p><strong>REFERENCES</strong> </p>

<p>John Carpenter, <em><a href="https://www.imdb.com/title/tt0084787/" rel="nofollow">The Thing</a></em> <br>
Weird Studies, <a href="https://www.weirdstudies.com/100" rel="nofollow">Episode 100 on Carpenter Films</a> <br>
Weird Studies, <a href="https://www.weirdstudies.com/157" rel="nofollow">Episode 157 on Videodrome</a> <br>
Ridley Scott, <em><a href="https://www.imdb.com/title/tt0083658/" rel="nofollow">Blade Runner</a></em> <br>
Ridley Scott <em><a href="https://www.imdb.com/title/tt0083658/" rel="nofollow">Alien</a></em> <br>
Thomas Aquinas, <em><a href="https://sourcebooks.fordham.edu/basis/aquinas-esse.asp" rel="nofollow">On Being and Essence</a></em> <br>
<a href="https://plato.stanford.edu/entries/medieval-haecceity/#HaecDunsScot" rel="nofollow">Haecceity</a> <br>
Ernest Fenollosa, <em><a href="https://bookshop.org/a/18799/9781014296146" rel="nofollow">The Chinese Written Characters as a Medium for Poetry</a></em> <br>
Weird Studies, <a href="https://www.weirdstudies.com/89" rel="nofollow">Episode 89 on ‘Mumbo Jumbo’</a> <br>
Weird Studies, <a href="https://www.weirdstudies.com/127" rel="nofollow">Episode 127 on ‘The Impossibility of Automating Ambiguity’</a> <br>
Wikipedia, <a href="https://en.wikipedia.org/wiki/Quiddity" rel="nofollow">“Quiddity”</a> <br>
<a href="https://en.wikipedia.org/wiki/Vilhelm_Hammersh%C3%B8i" rel="nofollow">Vilhelm Hammershøi,</a> Danish painter <br>
Jez Conolly, <em><a href="https://www.amazon.com/Thing-Devils-Advocates-Jez-Conolly/dp/1906733775" rel="nofollow">The Thing</a></em> <br>
Arthur Schopenhauer, <em><a href="https://bookshop.org/a/18799/9780460875059" rel="nofollow">The World as Will and Representation</a></em> <br>
Dylan Trigg, <em><a href="https://bookshop.org/a/18799/9781782790778" rel="nofollow">The Thing a Phenomenology of Horror</a></em> <br>
Plato, <em><a href="https://bookshop.org/a/18799/9781500405182" rel="nofollow">The Timaeus</a></em> <br>
Lucretius, <a href="https://classics.mit.edu/Carus/nature_things.1.i.html" rel="nofollow">“On the Nature of Things”</a> <br>
Clive Barker, <em><a href="https://bookshop.org/a/18799/9780060933166" rel="nofollow">The Great and Secret Show</a></em> </p>]]>
  </content:encoded>
  <itunes:summary>
    <![CDATA[<p>As a horror movie, John Carpenter&#39;s <em>The Thing</em> seems to have it all: amazing practical effects, body horror, psychological drama, Kurt Russell ... Indeed, there is only one element this movie lacks, and that is anything at all corresponding to the titular villain. There is no <em>thing</em> in <em>The Thing</em>! What we have instead is a process, a pattern, a <em>way</em> for which the term &quot;thing&quot; is as good as any other. (What is a thing anyway?) In this episode, Phil and JF, having decided that Carpenter&#39;s film qualifies as a Christmas movie because there is snow (and a dog) in it, explore the metaphysical implications of a cult classic.</p>

<p>Support us on <a href="https://www.patreon.com/weirdstudies" rel="nofollow">Patreon</a>.<br>
Buy the Weird Studies sountrack, volumes <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-1" rel="nofollow">1</a> and <a href="https://pierre-yvesmartel.bandcamp.com/album/weird-studies-music-from-the-podcast-vol-2" rel="nofollow">2</a>, on Pierre-Yves Martel&#39;s <a href="https://pierre-yvesmartel.bandcamp.com" rel="nofollow">Bandcamp</a> page.<br>
Listen to Meredith Michael and Gabriel Lubell&#39;s podcast, <em><a href="https://cosmophonia.podbean.com/" rel="nofollow">Cosmophonia</a></em>.<br>
Visit the Weird Studies <a href="https://bookshop.org/shop/weirdstudies" rel="nofollow">Bookshop</a><br>
Find us on <a href="https://discord.com/invite/Jw22CHfGwp" rel="nofollow">Discord</a><br>
Get the T-shirt design from <a href="https://cottonbureau.com/products/can-o-content#/13435958/tee-men-standard-tee-vintage-black-tri-blend-s" rel="nofollow">Cotton Bureau</a>!</p>

<p><strong>REFERENCES</strong> </p>

<p>John Carpenter, <em><a href="https://www.imdb.com/title/tt0084787/" rel="nofollow">The Thing</a></em> <br>
Weird Studies, <a href="https://www.weirdstudies.com/100" rel="nofollow">Episode 100 on Carpenter Films</a> <br>
Weird Studies, <a href="https://www.weirdstudies.com/157" rel="nofollow">Episode 157 on Videodrome</a> <br>
Ridley Scott, <em><a href="https://www.imdb.com/title/tt0083658/" rel="nofollow">Blade Runner</a></em> <br>
Ridley Scott <em><a href="https://www.imdb.com/title/tt0083658/" rel="nofollow">Alien</a></em> <br>
Thomas Aquinas, <em><a href="https://sourcebooks.fordham.edu/basis/aquinas-esse.asp" rel="nofollow">On Being and Essence</a></em> <br>
<a href="https://plato.stanford.edu/entries/medieval-haecceity/#HaecDunsScot" rel="nofollow">Haecceity</a> <br>
Ernest Fenollosa, <em><a href="https://bookshop.org/a/18799/9781014296146" rel="nofollow">The Chinese Written Characters as a Medium for Poetry</a></em> <br>
Weird Studies, <a href="https://www.weirdstudies.com/89" rel="nofollow">Episode 89 on ‘Mumbo Jumbo’</a> <br>
Weird Studies, <a href="https://www.weirdstudies.com/127" rel="nofollow">Episode 127 on ‘The Impossibility of Automating Ambiguity’</a> <br>
Wikipedia, <a href="https://en.wikipedia.org/wiki/Quiddity" rel="nofollow">“Quiddity”</a> <br>
<a href="https://en.wikipedia.org/wiki/Vilhelm_Hammersh%C3%B8i" rel="nofollow">Vilhelm Hammershøi,</a> Danish painter <br>
Jez Conolly, <em><a href="https://www.amazon.com/Thing-Devils-Advocates-Jez-Conolly/dp/1906733775" rel="nofollow">The Thing</a></em> <br>
Arthur Schopenhauer, <em><a href="https://bookshop.org/a/18799/9780460875059" rel="nofollow">The World as Will and Representation</a></em> <br>
Dylan Trigg, <em><a href="https://bookshop.org/a/18799/9781782790778" rel="nofollow">The Thing a Phenomenology of Horror</a></em> <br>
Plato, <em><a href="https://bookshop.org/a/18799/9781500405182" rel="nofollow">The Timaeus</a></em> <br>
Lucretius, <a href="https://classics.mit.edu/Carus/nature_things.1.i.html" rel="nofollow">“On the Nature of Things”</a> <br>
Clive Barker, <em><a href="https://bookshop.org/a/18799/9780060933166" rel="nofollow">The Great and Secret Show</a></em> </p>]]>
  </itunes:summary>
</item>
  </channel>
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